Jianghu swords and shadows, swords drawn! Why? Obviously, you can choose to be an ordinary person, but some people want to go out of their swords to show their personal ambitions? Or is an instinctive sense of rebellion in their minds telling them to learn to fight for their own destiny?
The era of martial arts is mostly in the era of serious problems of feudal monarchy in China, especially the unfairness of power and treatment between nobles and civilians. Once social problems spread to the people, people will stand up and speak, and the author generally uses this to expand his imagination. This is also why we can't see the martial arts stories that happened in the prosperous Tang Dynasty, which are famous for the country's prosperity and people's safety. It can be said that martial arts novels expose social problems from a certain aspect. The same story may not be so interesting today, because social problems are different from the past. This requires the author to have a deep understanding of the historical background you have chosen.
In fact, in addition to the theme of war, I personally think that martial arts novels are better suspense reasoning, and Gu Long and Wen Ruian can't be ignored. Although Gu Long's novels often make people feel confused in logic, or sometimes a little divorced from life in order to raise a character, we have to admit that Chu Liuxiang, Lu Xiaofeng and Ximen Chuixue (mainly the sword makes him more handsome ~) created by him still have considerable weight in everyone's hearts. These people used their martial arts, courage, knowledge and wisdom to solve one problem after another, and resolved one crisis after another. They appeared in the attitude of pursuing tranquility and enjoying life, which not only showed their desire for talents, but also caused readers to think about life and life. In the hearts of China people, there is always a Taoist spirit of seclusion. In fact, none of these novels can escape the resistance and efforts to social problems I mentioned earlier. Not only that, this kind of theme also requires the author to have very strict logical reasoning ability, understanding and careful observation of the life of the ancients. In addition, what I think is ok is martial arts fantasy, what artifacts, divine powers, beasts and ghosts and so on. It is not easy to write several topics well, and you may gain some experience by trying step by step.
Specific writing:
One: How to write martial arts?
Martial arts, martial arts, and the word "martial arts" take the lead, and solve the problem of martial arts first. How should martial arts be described? There are four main points.
The first point: Wushu equipment.
One: equip weapons according to the characters.
When we are shaping martial arts figures, we should equip them with weapons according to their personalities, and we can't casually.
Someone asked: how to match weapons according to personality?
I replied: For example, in Water Margin, jy used an axe and a mord, and Lin Chong used a gun. If Li Kui jy used a sword instead of an axe, would he still be Li Kui jy? Lu used a nine-section whip instead of a mord. Is he still Lu? Lin Chong used a hammer instead of a gun. Is he still Lin Chong?
In Journey to the West, the Monkey King used a golden hoop and Pig Bajie used a nine-toothed rake. If they exchange weapons with each other, the Monkey King uses a nine-tooth iron rake and Pig uses a golden hoop, wouldn't their personalities be greatly reduced?
Two: match martial arts according to personality.
Q: How to match martial arts according to personality?
A: For example, in Jin Yong's novels, heroic figures like Hong Qigong, Guo Jing and Xiao Feng like to use the fierce and just martial arts of "beating dragons with eighteen palms"; Villains such as Chen Xuanfeng, Mei Chaofeng and Yang Kang like to use the insidious martial arts of "Nine Yin and White Bone Claw".
Smart and astute people like Huang Rong and Yang Guo like to use such complicated and changeable martial arts as "beating a dog stick"; Soft-hearted people like Zhang Sanfeng and Zhang Wuji like to use the martial arts of Taiji Zhuan with both hard and soft skills.
Also, in Jin Yong's novels, the same weapons and martial arts are different in different hands.
What is the difference?
Tian Jian and Tu Longdao, for example, are just weapons, which are used by the wicked to kill the innocent, while the heroes use them to eliminate violence and calm down the trouble.
In the hands of Guo Jing, Jiuyin Zhen Jing is the embodiment of justice; In Ouyang Feng's hands, Jiuyin Zhenjing became the embodiment of evil.
Zhang Wuji saved many people with Jiuyang Shen Gong, while Cheng Kun used it to hurt many people.
In addition, the identity, fate and personality of the characters have changed, as have weapons and martial arts.
For example, Song Wu in Water Margin started as a gatekeeper and became a sentry. Later, when he became the chief inspector, he changed his knife.
Yang Guo, the protagonist in The Condor Heroes, started with an invincible sword. After Guo Fu cut off his right arm, he switched to a blunt darksteel epee.
In "Eternal Dragon Slayer", Zhou Zhiruo started with the authentic martial arts of Emei School; But after she became a bad person, she used the sinister "nine yin and white bones claws".
Therefore, when shaping martial arts characters, I came to the conclusion that weapons should be matched according to characters, and martial arts should be matched according to characters; Match language according to personality, and match clothes according to personality; Match stories according to personality, and match everything according to personality.
The second point: the name of Wushu.
One: A resounding weapon name.
If you have martial arts, you can't leave weapons; With weapons, you can't live without loud names. We are familiar with the resounding names of weapons, such as Yi, Long, Tu Longdao, Yuanyang Dao, Tianya Dao, Broken Soul Gun and Overlord Gun.
There are also many loud names of hidden weapons, such as: Ice Silver Needle, Jade Bee Needle, Xiao Li Flying Knife, Peacock Bell and so on. These are very loud and we newcomers should learn from them.
Two: nice martial arts names.
In Jin Yong's novels, there are many beautiful martial arts names, such as: beating the dragon with eighteen palms, descending the eagle with a sword palm, and sinking the soul palm, which are palm techniques; Jiuyin white bone claw, dragon claw, Tianshan plum hand, this is a kind of capture; Lingbo micro-step, god changes, this is a light class; The northern ghost is magical, and the dragon is like a prajnaparamita, which is internal strength; Tang poetry swordsmanship, one-word electric sword, jade girl plain heart sword, these are swordsmanship; Jiuyin Zhen Jing and Jiuyang Shen Gong are secrets. These martial arts are very nice, and we newcomers should learn them.
Three: elegant movements.
In Jin Yong's novels, there are many elegant moves, such as: in the eighteen palms of the dragon: Kang Long has regrets, Long Zaitian, and the dragon is in the field. These moves are all from the Book of Changes; The swordsmanship in Tang poetry: the sun falls the flag and the A?vagho?a whispers, all from Tang poetry; In the beauty fist, the stone holds the heart, Moon Hee belongs to Han, and the imperial concubine is drunk. These actions are based on "allusions of ancient beauties". These moves are elegant, and we newcomers should learn more.
The third point: martial arts knowledge.
One: Medicine in Wushu.
In Jin Yong's martial arts, there is a lot of medical knowledge, such as bones, acupoints, meridians and so on. In the old martial arts, many acupoints were made up and criticized by old Chinese medicine practitioners! In the golden book, you can rest assured that there won't be any fake acupoints, you can find them in the acupoint map of the human body! This shows that Jin Yong's medical knowledge is rich! It is difficult for us ordinary people to reach his level, but at least we have to look at some reference materials such as human acupoint maps and human meridian maps to write martial arts well.
Two: Physics in Martial Arts.
There is also a lot of physical knowledge in Jin Yong's martial arts. For example, when a master flies, he must use his strength on the ground like a bird, otherwise Jin Yong will never fly out what he wrote. When normal people fly, they point their feet to the ground; There are other ways for people with lower limb disabilities. For example, Ke Zhene points the land with iron bars, and Lu Chengfeng borrows the handrails of unicycle. This is in terms of lightness skill. In terms of internal skills, it is impossible for a person to hit 50 feet with one hand ... These physics, the martial arts of our newcomers, should also be available.
Three: Philosophy in Wushu.
In Jin Yong's martial arts, there are many philosophies, such as: the plough Beidou array tells people that "unity is strength"; Jade girl's heart sword tells people that "lovers should be single-minded and cherish each other". Bei Ming is a magical and attractive skill, just like in real life, you learn the wisdom of others; Hands slapping each other, distracted, just like musicians playing and singing in real life.
There is also the realm of unique fencing: when I was young, I had nothing and used an ordinary iron sword; When I was young, I was covered in blood. I used an invincible sword, and I can use a thin sword in the future. Strong when the technology is strong, using a bladeless epee; When you are old, you can make a sword with a tattered wood blade and later flowers and plants. As Confucius said in the Analects of Confucius, the realm of life is the same: "I have five ambitions in ten, stand at thirty, be not confused at forty, know my destiny at fifty, listen to my ears at sixty, and do what I want at seventy, and do not overstep my bounds." ……
Add a few words: there are still many religious thoughts in Jin Yong's martial arts, and we newcomers should learn from them.
The fourth point: the description of the fight.
One: the fight should be wonderful and beautiful.
"Fighting" is the life of martial arts novels. If it didn't fight, it wouldn't be called "martial arts" but "Lei Feng's story".
Someone asked: Since fighting is so important, how should it be described?
A: My father once said, "Novels come from life, from life, but they are higher than life." Whether it is the dialogue between characters, the development of stories, or the struggle between heroes and villains, it is higher than our lives. However, the fighting in Gu Long's martial arts did not reach this state of "higher than life". Professor Kong said: "Gu Long's fights are all described in this way. How did the sword get into his throat? " How did the blood come out? The body, how bad it is ... "When I read the second chapter of Gu Long's" Double Pride ",I encountered such a fight. I was scared for three days! Later, I was afraid to read it again. This month, my courage gradually swelled, and I began to study again. At this point, I am used to the terrible sight of red rain flying all over the sky!
In the martial arts of Jin Yong and Liang Yusheng, there would never be such a fight. Their fighting is wonderful, beautiful and beyond life! We newcomers should take Jin Liang's fighting as a positive teaching material; Take Gu Long's fight as a negative textbook. ……
Two: fighting should be artistic.
In Jin Yong's novels, there are many fights with a sense of dance and art. For example, in The Legend of the Condor Heroes, Hong Qigong taught Huang Rong to practice "carefree travel"; In the eight branches of Dragon, the stations in Xu Zhu and Ding Chunqiu. These two fights have a sense of dance.
In "The Condor Heroes", Zhu Ziliu and Huo Dou competed in the same field; In the legendary swordsman, Ling Huchong and four friends of Meizhuang got into a fight. These two fights are very artistic.
Ah! This is Jin Yong, with a sense of dance and art, wonderful, beautiful and lovely fighting! We newcomers have failed everyone and left us a treasure house of spirit and art. We should study it, dig it, feel it and create it! ……
For your reference, please criticize and correct me.
Second, how to write chivalry
Although the word "martial arts" is the main character in martial arts novels, it mainly shows "chivalry" rather than "martial arts".
Yi Zhongtian, a professor at Xiamen University, once said in Lecture Room: "* We * have three dreams: one is the dream of a wise monarch, the other is the dream of an honest official, and the third is the dream of a chivalrous man ..." Yes, * we * all hope to have a wise monarch like Li Shimin, Zhu Yuanzhang and Kangxi to govern the world and let the people live and work in peace and contentment; But if North Korea does not have such a monarch, it is just as well, as long as there are honest officials like Di Renjie, Song Ci and Bao Gong who enforce the law like mountains to protect the people from oppression and persecution; But it doesn't matter if there are no such honest officials in the government offices. As long as there are those chivalrous people in the Jianghu, they will uphold justice for the people.
If so, what should I do?
I replied: then we can only read martial arts novels, otherwise we * we * like martial arts so much.
Mr. Kong, an associate professor of Chinese Department in Peking University, once said in Lecture Room: "I used to read many martial arts novels, but later those authors forgot them, only three people were remembered: Jin Yong, Gu Long and Liang Yusheng. Those people write about martial arts. They fought as soon as they met, until they died. I don't know why. To put it mildly, this kind of martial arts is a' violent exhibition'! Jin, Liang and Gu, three great writers, write about living heroes, and they show readers a just landscape! It is because they wrote chivalry that we remember them ... "
Next, there are four main points to talk about how to write chivalry.
The first point: chivalry in religion.
One: Confucian chivalrous man.
In Jin Yong's early martial arts works, such as The Book of the Sword, A Sword with Royal Blood, Flying Fox of Snowy Mountain's Legend of the Condor Heroes, The Legend of the Flying Fox, etc. The Confucian spirit of "serving the country and the people, risking one's life and forgetting one's death" is full! -at that time, Jin Yong was a warm-blooded young man who wanted to make contributions ... so he wrote a group of heroes who made contributions! These heroes are called "Confucian heroes" by Professor Kong.
Jin Yong quoted Mencius as saying: the chivalrous man he created should be "rich but not lewd, poor but not arrogant, mighty and unyielding, which is called a gentleman."
The representative figure of this group of chivalrous men is Guo Jing, the condor hero. Although Guo Jing has idealistic elements, his chivalrous spirit can cover up his shortcomings and show his strengths. When he first set foot in the Jianghu, Genghis Khan gave him a lot of money, but he didn't spend it on eating, drinking and having fun. That's "wealth can't be lewd"; Never waver when you are poor. He didn't say: I want to be a businessman, I want to be a big official, I want to steal and rob ... it's "poor and motionless"; Ouyang Feng grabbed Guo Jing and forced him to tell the Nine Yin Sutra, but he didn't give in. It is really "mighty and unyielding, this is called a gentleman"!
Guo Jing has two famous sayings: "For the country and the people, the great man is also chivalrous!" He defended Xiangyang city for the Song people and rebelled against the Yuan Dynasty! Finally, he and his wife, Huang Rong, died in battle, together with the people of Xiangyang City! The realm of Confucianism has reached its peak here in Guo Jing!
Two: Taoist knights.
Jin Yong, who is gradually entering middle age, is more mature and his characters are more complicated. During this period, Jin Yong completed the condor heroes, everlasting regret, the legendary swordsman and other works. Yang Guo, Zhang Wuji and Ling Huchong are no longer great men like Guo Jing who sacrificed their lives for justice, but more are the characteristics of ordinary people. They pursue independence of personality and freedom of life. The spirit of pursuing life freedom shown by them is the reflection of Jin Yong's thought at this stage. He gradually thought about his life-reuniting with his family, traveling, cultivating his mood ... his ambition is not as big as it was when he was a teenager. Yes, people are always like this in middle age, and so is my father: when he was young, he was very enterprising and often didn't go home when he was in the port authority; In middle age, he changed and took more leave ... this is the psychological change from teenager to middle age. This group of chivalrous men is called "Taoist chivalrous men" by Professor Kong.
This group of chivalrous men has changed compared with the last group. These people not only have a sense of social responsibility, but also serve the people and society. But at the same time, they are also very aware of their personal freedom. On the one hand, we should serve the society, on the other hand, we should also consider ourselves, that is, we should consider individuals together with the country and society. After Jin Yong reached middle age, he considered these problems more maturely. So we can see from his middle-aged works that the momentum is more vigorous, not as simple as his early works. ...
For example, Yang Guo, the giant condor, helped Guo Jing defend Xiangyang and help Dasong resist aggression, but he didn't die there with Guo Jing in the end, because the city was broken. No, Guo Huang died there with his wife, while Yang Guo left this turbulent world with his beautiful wife and went to that distant and beautiful place. ...
Three: Buddhist knights.
Jin Yong, who is gradually entering his later years, has more and more serious Buddhist thoughts in his works, such as: Eight Dragons, Chivalrous Man, White Horse Whistling in the West Wind and so on. The chivalrous men in these works are called "Buddhist chivalrous men" by Professor Kong.
Let's take Tianlong Babu as an example. At the beginning of this work, there is an explanation of the name, saying: "The word' Tianlong Babu' comes from Buddhist scriptures. In many Mahayana Buddhist scriptures, when describing the Buddha's views on various bodhisattvas and monks, eight dragons and eight sects often participate in listening to the dharma. For example, "Hokkekyo: devadatta's Taste": "Dragon with eight branches, both human and non-human, can watch the dragon girl become a Buddha from a distance" ... "Heaven" refers to the gods ... "Dragon" refers to the gods ... "I remember that at the end of the Journey to the West, the Buddha named the little white dragon" Eight Dragons Bodhisattva ". ...
Mr. Chen, a famous entomologist, summed it up very well: "Dragon Eight Branches: All people are unjust and all beings are evil." All people are unjust, and all feelings are ill feelings. Every character in the book has unusual setbacks, and they can't achieve their goals. This is the seventh bitterness of life for Buddhists. Many people in history want to be emperors, but they can't be emperors. And there are two people who don't want to be emperors, but Tao becomes one. They are Li Yu, Queen of Southern Tang Dynasty, and Evonne of Song Huizong. I think everyone knows the final outcome of these two monarchs. ...
First hero Xiao Feng in "Eight Dragons" once swore: I, Qiao Feng, will never kill a Han Chinese in my life! But the result backfired. He wanted to kill a lot of Han people, and Juxianzhuang fought fiercely and killed many former brothers.
Duan Yu, male No.2, is also a very unlucky person (in ancient times, when a businessman went bankrupt, the lintel at home would be smashed. This is the origin of the word "unlucky", and now people often write it as "moldy". He finally fell in love with a girl and found that it was his sister; I finally fell in love with another girl and found it was still my sister. It's killing me The bread here actually contains the unjust thoughts of Buddhism, which is an injustice. Fortunately, Jin Yong has a bodhisattva heart, and finally they all solved it for him: "There is no way to solve the problem, and there is another village." Duan Yu suddenly discovered that these women are not his sisters. ...
In Xu Zhu, the No.3 male, the Buddhist thought is reflected incisively and vividly. Xu Zhu was brought up by Shaolin Temple, and he didn't know who his parents were. He was a very ordinary young monk. He studied well since childhood, so his ideal in life is to be a good monk. Because he has not been exposed to other moral standards, his standard is to be a good monk wholeheartedly. The requirement of being a good monk is that you can't break any precepts. You should abide by the party discipline and state laws, the school rules and the rules for middle school students, and you are a good monk. However, life is ruthless. Forced and not free, he broke all the commandments, eating meat, drinking, getting close to women and even killing people. It's going to collapse! I have no conditions to be a good monk one by one. I just have a dying heart! He just wants to be a good monk. God won't let him realize his humble wish and let him break it one by one! We can imagine the pain. However, when all the commandments were broken, Xu Zhu suddenly found that he was still a good monk. At this time, we found that Xu Zhu was the best monk, and the brilliance of Buddhism came out at this time. Finally, he proved to be a first-class good man! He is one of the most compassionate characters in Dragon. Therefore, we can see that the profound Buddhist principles are embodied in several masters of "Tianlong Babu". The principles of Buddhism, Taoism and Confucianism are closely related to chivalry, chivalry, benevolence and sacrifice.
The heroes in Eight Dragons are all martial arts figures, but their martial arts are not the highest. It is not these heroes who have the highest martial arts in the novel, but an unknown old monk sweeping the floor in Shaolin. Sweeping the floor there every day, a health administrator, no one thought that he had the highest martial arts. While everyone was having a good time, the old monk appeared and beat them all in an understatement. This is the concept of Buddhism: nameless and impersonal. Finally, the old monk told them about Buddhism: people practice martial arts originally to understand Buddhism, but when Buddhism reaches a high level, they don't need this kind of martial arts ... This truth is very profound.
The side and spirit of chivalrous spirit discussed in Tian Ba Long Department can be said to be unfathomable and even great! To quote a famous scholar, Mr. Chen Pingyuan: "If anyone wants to get a preliminary understanding of Buddhism and Taoism with the help of literary works, they might as well start with Jin Yong's martial arts novels." ...
The third point: ordinary chivalry.
One: street boys.
There are many street teenagers in Jin Yong's novels, such as the seven eccentrics in the south of the Yangtze River in The Condor Heroes. They are typical street teenagers in Jin Yong's novels.
They hid in the street to maintain social order. Compared with Yue Fei, they are nothing. But they are also in this troubled times, in this period of "the shame of Jingkang", thinking about the world, thinking about the safety of people's life and death ... They are brave and good at fighting, helping the poor and taking Guo Jing as their disciple. Although Guo Jing was stupid, they still taught Guo Jing patiently until Guo Jing became a talented person! Their chivalry is very touching. ...
Two: No summer.
Mr. Lu Xun once criticized: "There is something wrong with the novels before A Dream of Red Mansions, that is, good people are good people, bad people are bad people, and good and evil are too clear ..." It is in A Dream of Red Mansions that the boundary between good and evil is broken. We read Jin Yong's novels, which is actually the case. Some people criticize Jin Yong's novels: he does not distinguish between good and evil; Some people say: I like reading Liang Yusheng's novels. Good and evil are clear, and Jin Yong's novels are unclear, which shows that this person is very confused.
Jin Yong said that people are like this. There are no good people and no bad people in the world. Let's think about ourselves and acquaintances, friends and family around us. Who is 100% good? Who is 100% bad? The wicked have their merits, and so do the good. But you can't divide a percentage, saying that this person is 72.6% good. This is difficult to divide, because people are alive and changing. Therefore, Jin Yong wrote the dialectics of human nature in which good and evil coexist and transform each other through the discussion of characters; Good and evil are mutually compatible, mutually generated and mutually transformed.
For example, the novel "Liancheng" focuses on excavating the evil of human nature. The hero of the novel is a simple good man. His name is Di Yun, and he is a simple country boy. So the author looks at the world through this kind child, just like Kong Yiji in Lu Xun's works, and looks at the world through the eyes of a simple boy, which makes the world clearer and more thrilling! In Di Yun's eyes, most people are bad people, and he is just the promoter of the plot of the novel. On the surface, he is the master. In fact, he is not the most successful person in shaping this novel, but the bad guy. ...
The fourth point: anti-chivalry.
One: villain.
The good thing about Jin Yong's novels is that he not only created these detached knights, but also realized the limitations of these knights themselves. There are many anti-chivalrous spirits in Jin Yong's novels, and his chivalrous characters are often flawed. He is quite critical of these chivalrous men. Let's see, even the positive characters and heroes in Jin Yong's novels often have shortcomings. For example, the images of Chen Jialuo and Chen Jialuo in Sword of the Book are of course positive figures and all-round talents. But in the end, Chen Jialuo got nothing. What happened to Chen Jialuo? In fact, we jump out of the framework of martial arts novels. As you can see, Chen Jialuo is actually described as an intellectual in China. He is actually a representative of an intellectual. In traditional terms, Chen Jialuo did not observe the contradictions in this society well. He dreamed of solving the problem by changing such a leadership in the rulers' group. He fantasized that Emperor Qianlong and himself were brothers, and they were brothers, and they wanted to turn against Qianlong and solve the problem. The result was finally used by the other party; He doesn't know who he really loves in love. He first fell in love with Huo Qingtong, and then he fell in love with her sister Princess Xiangxiang. He once asked himself, why do I love Princess Xiangxiang? I don't love Huo Qingtong, he thought. Am I worried that she is too capable? Therefore, in Chen Jialuo, Jin Yong's criticism of China intellectuals' indecision and infatuation with fantasy is reflected.
Then, after Jin Yong created a series of heroes from Guo Jing, Yang Guo, Ling Huchong to Xiao Feng, can he create a greater knight-errant? This is very difficult, especially Xiao Feng, who finally played the strongest voice of national peace with his heroic sacrifice! Write such a great knight, can you write a better knight? It can be said that there is no more glorious image than this! So this time, the extremes meet, and he introduced the image of Wei Xiaobao. We see that in the Duke of Lushan, from the positive figures, the biggest chivalrous man is the head of the Heaven and Earth Society, whose name is Chen Jinnan, and everyone in the Jianghu wants to see Chen Jinnan. "It is futile to know about Chen Qiannan's life." But what about this Chen Jinnan? He is inferior to Chen Jialuo and Yuan Chengzhi. Not only did he accomplish nothing, but he was killed by gangsters in a daze. In real life, in fact, it does not mean that whoever has strong martial arts will definitely win everywhere, but often has low martial arts and strong martial arts. This is what happened to Chen Jinnan, who died in a fog. What will happen to the heaven and earth he leads? Nothing will happen. On the contrary, the Qing Dynasty, which he opposed, and Kangxi, which he opposed, were thriving! Then, in Wei Xiaobao's character, it shows that decent heroes do nothing. Those people have martial arts. What can they build in the end? This is not comparable to the despicable means of Wei Xiaobao and Wei Xiaobao. What? It is practical to throw lime bags under the table to chop people's feet. Jin Yong wrote this way, which was incomprehensible at first. Have you given up chivalry? Do you want to write Wei Xiaobao as a hero? No, there is pain here! It is impossible for all heroes to make progress, be reused or be promoted through aboveboard means; And people like Wei Xiaobao, without studying, have a skill, but he can rise in the official career all the way. Why? Don't forget that this time is still the prosperous time of Kangxi, and it is the stage when the Qing Dynasty embarked on the uphill road. This reminds us of A Dream of Red Mansions, which is also the last glorious period when feudal society was revealed to the world, the so-called prosperous period of kanggan. Laozi said: "Misfortune comes from the mouth, and happiness comes from the mouth." From the outside, this family is brilliant; In fact, inside, it sucks. Therefore, A Dream of Red Mansions indicates that feudalism in China is going downhill. In fact, when we look at Duke Lushan, we will come to the same conclusion. It is also an elegy of China feudal society! Here in Duke Lushan, chivalry is not good. People like Wei Xiaobao are thriving in society, which indicates that this society will not develop well again.
Finally, add: the shaping of the wicked.
The best character in Liancheng is the villain. For example, the novel wrote a villain, named: the blood knife bodhi old zu. Blood knife bodhisattva, I think readers who have read Liancheng will never forget that this old man is bad, bad and bad, but he is naked and bad. Professor Kong has an evaluation: "The blood knife bodhi old zu is rotten to the core"! It's not easy to be so bad. Chairman Mao once said that it is not difficult for people to do a good thing, but it is difficult to do good things all their lives and not do bad things. It is not difficult for people to do a bad thing, but it is difficult to do bad things all their lives without doing good things. That's true. Try it if you don't believe me. You do bad things every day, and you will be caught in three days. If you don't catch yourself doing bad things, you can't persist. People can insist on doing good things, but they can't insist on doing bad things. But there is such a wicked bodhi old zu who does bad things every day, and he does it with confidence and makes no secret of himself! Many people can persist in doing bad things, he wants to deceive himself, he wants to make bad things better, or actually thinks he is doing good things. There is also the bodhi old zu with blood knife. Why do you say that he is indomitable? He thinks that he is doing bad things, that he should do bad things and spare no effort to do bad things! So, this bad guy, he is radiant and bad! His bad is sustainable! So look at Liancheng, this character is lifelike, and you will be moved by this character, even more than those good people! Compared with the blood knife bodhi old zu is the so-called decent hero. Because of the blood knife bodhi old zu, he robbed Shui Sheng, the daughter of Shui Dai, the fourth child in Out of the Water, and took the girl captive and ran away on horseback.
Therefore, the four heroes of "Out of the Water" gathered together and led a group of positive people to kill the bodhi old zu with blood knives, but in the process of killing, this opposing image is getting higher and higher, and it is getting higher and higher! On the contrary, these heroes who are out of the water are not only beaten out of the water by the opposition, but also out of the water in personality. ...
Blood knife bodhi old zu this wicked man, I like it very much and admire it very much! Di Yun has great respect for him. Hua Tiegan wanted to eat his body, but Di Yun wouldn't let him, so he tried his best to protect it! I am very moved to see this paragraph!
Someone asked: why did Jin Yong create the ancestor of blood knife, the wicked?
I think Jin Yong wanted to use him to satirize the real society. ...