Appreciation of Lu Xun's famous sayings

Introduction: If you want to appreciate Lu Xun's famous sayings, how would you appreciate them? Below I will give you an appreciation of Lu Xun's famous sayings. I hope you can get inspiration from them.

Appreciation of Lu Xun's famous sayings:

1. (There are only times in Chinese history) first, the era when one wants to be a slave but cannot; second, the era when one is temporarily a slave. ...And it is the mission of today’s youth to create this third era that has never happened before in Chinese history!--"Comments under the Lantern"

Popularity Index: ★★★★ Profound Index: ★★★★★★

For thousands of years, countless philosophers, thinkers, and historians have spent their entire lives exploring the laws of human history, and the answers can be said to be varied. However, Lu Xun took a unique approach and pointed out that there are actually only three eras in human history, namely, the era when people wanted to be slaves but could not, the era when they were temporarily stable slaves, and the era when there were no slaves. In the past, China actually only had the first two eras, and the third era required modern youth to work hard. Lu Xun's summary of history can be regarded as a simple and clear creation of genius. So what era are we living in today? What are our young people doing?

With a profound index that exceeds five stars, it ranks first.

2. Save the children!--"Diary of a Madman"

Popularity Index: ★★★★★ Sadness Index: ★★★★★

《 "Diary of a Madman" reveals the "cannibalistic" nature of China's thousands of years of feudal ethics. Almost everyone who has read this novel will remember this plot: when the madman turned over history, he saw that every page was filled with The words "benevolence, righteousness and morality", but after studying for half a night, I saw the word "cannibalism" written all over the book through the cracks in the words. Chinese people have to receive so-called "benevolence, justice and morality" education from birth. In fact, they are just teaching how to eat people. However, there may be children who have not eaten people. Lu Xun shouted through the madman's mouth:

"Save the child!"

3. A true warrior dares to face the bleak life and the dripping blood. -- "In Memory of Mr. Liu Hezhen"

Popularity Index: ★★★★★ Tragic Index: ★★★★★

After the March 18th Massacre, Lu Xun paid tribute to his murdered students Wrote a memorial article "In Memory of Mr. Liu Hezhen". In this ancient famous poem, with every sentence filled with blood and every word filled with tears, Lu Xun praised the sacrificers as "true warriors" and scornfully called himself a "living person." Lu Xun called them "what kind of mourners and happy ones". Those who mourn are sad because of the poverty and weakness of their nation; those who are happy are happy because they can devote themselves to the independence, prosperity and strength of their nation. This article by Lu Xun preserves a brand-new image of women in that era.

"The survivors will vaguely see a faint hope in the light red blood; the true warriors will move forward with more courage."

4. Silence, silence !If you don’t break out in silence, you will perish in silence. -- "In Memory of Mr. Liu Hezhen"

Popularity Index: ★★★★★ Anger Index: ★★★★★

A massacre that killed 47 people and injured more than 200 people It is already so miserable that some gossips even write articles to baselessly slander the defenseless petitioners. Lu Xun said angrily: "I understand the reason why declining nations are silent." However, Lu Xun made his prediction here: after silence, it will either explode or perish. Lu Xun's prediction is actually also a piece of advice. However, the autocratic system is an addictive system. How many people understand Lu Xun's advice, and how many people care about Lu Xun's advice.

Therefore, people spilling blood in front of the government are always happening.

5. With a cold eyebrow and a thousand fingers, he bows his head and is willing to be a Ruzi Niu.

-- "Self-mockery"

Popularity index: ★★★★★ Distinctiveness index: ★★★★★

This is a poem that highly summarizes Lu Xun's life. Boyang said that Lu Xun only had a fighting spirit but lacked tolerance, and he should be punished by reciting this poem ten thousand times. In fact, combativeness and inclusiveness are not contradictory, but they are implemented in different objects. If a person only knows love but does not know hate, that is indiscriminate love without right and wrong; if a person only knows hate but does not love, then he has embarked on the evil path against humanity. The clear love and hate are the embodiment of Lu Xun's richness.

It is said that what young students hate most now is Lu Xun. What a shame, Lu Xun loves you the most!

6. In fact, there is no road on the ground. If there are too many people walking, it will It became a road. --"Hometown"

Popularity Index: ★★★★★ Philosophy Index: ★★★★

In "Hometown", "I" hope that Hong'er and Shuisheng will not meet again in the future Like "I" and Runtu, we are separated from each other. However, this hope is so far away. However, if everyone has such a hope, will it also become a reality? Lu Xun uses the road as a metaphor at the end of the article to tell us the answer.

In fact, there is no democracy on earth. If there are too many people pursuing it, then...

7. Let them be resentful, and I will not forgive any of them! -- "Death"

Popularity index: ★★★ Determination index: ★★★★★

Before Lu Xun died, he hoped that his lover would "forget me and take care of his own life" and that his son would grow up. Afterwards, "Don't be a short-term writer" and hope that friends "don't do anything about commemoration". But for his enemies, Lu Xun pointed out forcefully: "Let them be resentful, and I won't forgive any of them!" Haha, this is what Lu Xun criticized the most as a "gentleman." In fact, I found that no one understood the meaning of the word "also" in this sentence. Lu Xun's underlying meaning is that if I die, they will have no resentment, and then I can forgive them.

But Lu Xun had a deep understanding of human nature. He knew that after his death, his enemies would continue to whip his corpse. If you forgive them now, they will whip your corpse with peace of mind after death. It's better to leave some bones for them to make them feel less comfortable when whipping corpses. Sure enough, after Lu Xun's death, his enemies were often hesitant when mentioning him. They wanted to flog the corpse but also wanted to build an objective and fair archway, which made them feel uncomfortable. This is the power of this sentence.

Dead Zhuge scares away living Sima, Lu Xun is the same!

8. Since ancient times, we have people who work hard, people who work hard, and people who ask for orders for the people. There are people who sacrifice their lives to seek the Dharma... -- "Have Chinese people lost their self-confidence?"

Popularity index: ★★★ Incentive index: ★★★★★

Many people say that Lu Xun always scolded the Chinese as worthless, as if the Chinese were an inferior nation. In fact, it is really unjust. Lu Xun was the nation's psychiatrist, and of course his main task was to point out what was wrong with our nation's spirit. If I go to the doctor for cancer, the doctor tells me that my hands can still move, my feet can still walk, and my mouth can still eat. It’s okay. I can just go home and sleep. Bang! I want to shoot such a doctor before I die. Did Lu Xun think that we Chinese are worthless? "Have the Chinese lost their self-confidence?" is a good answer.

"This is the backbone of China!"

9. In my back garden, you can see two trees outside the wall, one is a jujube tree, and the other is also a jujube tree. Tree. -- "Autumn Night"

Popularity index: ★★★★★ Controversy index: ★★★★

In fact, this is a very common sentence, which has been used for a long time in the past No one mentioned it. Until the late 1980s to the early 1990s, when it became a trend to bring Lu Xun down from the altar, it seemed that a Chinese teacher first took the issue and took this sentence as an example to show that Lu Xun's articles also had bad sentences.

Since then, there has been constant debate as to whether this sentence is wrong, and such a common sentence has become a classic sentence known to women and children.

Lu Xun snickered underground: Behind me, you can see two fools arguing. One doesn’t know what I wrote, and the other doesn’t know what I wrote either.

10. Time is life. Wasting other people's time for no reason is actually tantamount to seeking money and killing people. -- "Wenwaiwentan"

Popularity index: ★★★★ Philosophy index: ★★★

Lu Xun is not a philosopher, and Lu Xun's sentences with certain philosophical ideas are not actually counted. It’s very profound, and so is this sentence. But because the metaphor is very appropriate and relevant, it has been widely circulated and quoted many times. When Lu Xun said this, he originally criticized Chinese characters for being difficult to write and learn, a waste of time and life. But thinking about Lu Xun's life, he did suffer from wasting time. Many young writers love Lu Xun and often send them manuscripts to him. But some people always wrote in a very sloppy way, which made it difficult for him to read; some gave him the first draft and made it difficult for him to revise it; some asked for the manuscript to be published, and Lu Xun not only had to help him revise the manuscript, but also copied it well. In order to support young writers, Lu Xun often ignored his illness and endured it silently.

Appendix:

Boyhood

Born in Shaoxing, Zhejiang on September 25, the seventh year of Guangxu (1881) (the third day of August in the Xinsi year of the lunar calendar) The Zhou family at Xintaimen, Dongchangfang, in the city. His childhood name is A Zhang, Chang Gen, Chang Geng, and his scientific name is Zhou Zhangshou. [13-14] In the eighteenth year of Guangxu (1892), he went to Sanwei Bookstore to study under Shou Jingwu and sketched pictures after class. Established friendship with Zhang Runshui. [15] In the 19th year of Guangxu's reign (1893), his grandfather Zhou Jiefu was imprisoned for some reason, and his father Zhou Boyi was seriously ill again. The family's property was ruined, and the whole family took refuge in the countryside. Every time he went to quality stores and pharmacies for his father, he was looked down upon. [16] In the 22nd year of Guangxu (1896), his father passed away. The family situation becomes increasingly difficult. I started writing a diary this year. [17] In the 23rd year of Guangxu's reign (1897), the family held a meeting to allocate houses, and the house allocated to Lu Xun and his family was poor and small. Lu Xun refused to sign and was reprimanded by his uncles, feeling the harshness of the world. [18]

Striving to study In April of the 24th year of Guangxu's reign (1898), he entered Nanjing Naval Academy and changed his name to Zhou Shuren. In December, I was urged by my uncle to take the county exam. After passing the exam, I stopped taking the prefectural exam because my fourth brother was ill and continued to study in Nanjing. In the 25th year of Guangxu's reign (1899), he transferred to the Mining and Railway School attached to Jiangnan Lu Normal University to learn mining. During this period, he came into contact with Huxley's "On the Evolution of Heaven", which had a certain influence on his future thinking. In addition to reading new books, he loves horse riding and dares to compete with the bannermen's children on horseback. [14] [20-22] In January of the twenty-eighth year of Guangxu (1902), he graduated from Mining Road School. In March, I went to Japan to study at public expense. In April, he entered the Jiangnan class of general subjects at Hongwen College (an accelerated course in Japanese language learning). [23] The braids were cut in the 29th year of Guangxu (1903). After school, he likes to read books on philosophy and literature, paying special attention to issues of human nature and national character. [24-25] In April of the 30th year of Guangxu (1904), he graduated from Hongwen College. In June, my grandfather Jiefu died at the age of sixty-eight. In September, he entered Sendai Medical College and graduated. [26] In January of the 32nd year of Guangxu (1906), I watched the "Russian-Japanese War Educational Film" during class. I was deeply stimulated and decided to abandon medicine and pursue literature. In June, the student registration was listed in the German school established by the "Tokyo Duyi Language Association". In the summer and autumn, he was tricked into returning to China to marry Zhu An. Immediately he returned to Japan. In July, he returned to Tokyo from Sendai and stopped studying in school. He specialized in literary translation. In the following years, he learned German and Russian through different methods. [23] [27] In the thirty-fourth year of Guangxu (1908), he learned from Mr. Zhang Taiyan and became a member of the Guangfuhui. He and his second brother were the translators of "Collection of Foreign Novels". During this period, life was difficult and they supplemented their living by proofreading manuscripts. . [28] In the first year of Xuantong (1909), two volumes of "Collection of Foreign Novels" were published.

Confused and trapped In August of the first year of Xuantong (1909), he returned to China and served as a physiology and chemistry teacher at normal schools in Hangzhou and Zhejiang, and as a botany translator for Japanese teacher Suzuki Guisu. In August of the second year of Xuantong (1910), he served as teacher and supervisor of Shaoxing Middle School. In 1911, he wrote his first novel, the classical Chinese novel "Nostalgia". [29-31] In the first year of the Republic of China (1912), the provisional government was established in Nanjing. At the invitation of Cai Yuanpei, the Director-General of Education, he served as the chief of the first section of the Social Education Department of the Ministry of Education. In August, he was appointed as Minister of Education. From this year to 1917, he copied a large number of ancient steles, compiled inscriptions on epigraphs and stone tablets, and proofread ancient books. He also conducted certain research on Buddhist thought. [32-33] In the sixth year of the Republic of China (1917), on July 7, Zhang Xun resigned in anger due to the chaos caused by the restoration. On the 14th, he returned to his ministry as soon as the chaos was over. [34]

Lu Xun as depicted by the painter Dakinist Li Zhenkai. In January of the seventh year of the Republic of China (1918), he participated in the reorganization of "New Youth" and served as an editorial board member. ;