Learn well on paper, write well, recite a lot of ancient poems, very clean. The headmaster and teachers of Yau Ma Tei Primary School like the paper moon very much. At one time, Paper Moon was often late, because students Liu Yishui, Wu Tianheng and Zhou Defa bullied Paper Moon on their way to school. Sang Sang once helped Paper Moon. After the school found out, it cooperated with Bancang Primary School and the local government to protect Paper Moon.
The warmth of the expanded material "Grass House" touches the metaphysical motif of fate, tragedy and death, and can also reach the depth of philosophical thinking in a quiet and elegant atmosphere. The interpretation of compassion in the works is mixed with tragedy. The main characters in the works, Sang Sang, Touhe, Paper Moon, Xima, Du Xiaokang, Jiang Yilun, Bai Que, Wen Youju, Sang Sang's father and Qin Grandma, have all experienced insurmountable barriers and gullies in their lives.
Perhaps what they bear is not the kind of thorough and tearing tragedy, but "a profound and silent tragedy that shakes the daily destiny and soul, which conforms to the traditional aesthetic charm of implication, generosity and implication." In the tragic world he constructed in a perceptual, intuitive, holistic and aesthetic way, we saw the warmth and beauty behind the tragedy. The most touching tragedy in The Straw House is the bitterness and disillusionment of love.
Jiang Yi-Yuan Yuan and Bai Que have a spark of love because of rehearsing the play The Red Scarf Boat, but because of the opposition of Bai Que's father, they can only rely on Sang Sang, a clever little messenger, to secretly send a sentimental note. How poetic it was when Sang Sang rocked the boat in the moonlight and swung a pair of talented people and beautiful women into the depths of the reeds. During this period, the lover experienced the misunderstanding of Sangsang's "faithlessness" and the loss of the white finch after meeting Gu Wei (material).
After Jiang's first marriage ended, it still didn't break completely, and the story of a beautiful woman's love affair is still repeating itself. This love tune played in Jiang's Sad Flute, The Exquisite Beauty of Bai Niao and The Hazy Reed of the Hazy Birds under the Moon is doomed to be a tragedy.
The author looked at each participant with sympathetic and caressing eyes. Knowing this secret, Jiang's wife was "as thin as a blank sheet of paper" all day. Jiang helped her play the flute on the ridge, but she just didn't know who the flute was for. The white finch went to the south of the Yangtze River and left a package of letters for Sang Sang, and Sang Sang vaguely met the hidden pain about love and disillusionment for the first time in this wave.
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