English: Run Lola Run

German: lola rennt

Video summary:

Berlin, Germany, underworld leader Manny calls To his girlfriend Laura, Manny told Laura: He lost 100,000 marks. After 20 minutes, if he does not return the 100,000 marks, he will be executed by the underworld boss.

In order to get 100,000 marks and rescue Manny, Lola ran desperately within 20 minutes. At the same time, Manny kept calling in the phone booth to borrow money.

The movie shows three processes and three results of Lola running, Lola looking for money to rescue Manny.

First run: Laura failed to borrow money, Laura and Manny robbed the supermarket, and Laura was shot dead by the police.

Second run: Lola grabs money at the bank. Manny was hit and killed by an ambulance.

Third Run: Lola wins money at the casino and Manny recovers the lost money. Laura and Manny became rich.

(1) Why choose "Lola Run":

There are three reasons:

1. "Lola Run" is a commercial success successful movie.

In 1999, "Run Lola Run" was a commercial success all over the world. Outside of Germany and Europe, in the United States, there were two films in 1999 that had low investment but outstanding box office revenue. One was the American film "Blair Witch" and the other was the German film "Run Lola Run".

In Asia, Japan, Hong Kong and Taiwan, "Run Lola Run" also performed well at the box office.

I once asked a German friend: Have you seen "Lola Run"? He told me that he had watched "Run Lola Run" in Germany 60 times. (Watching film, of course, not VCD). A young German can watch a movie 60 times! This example excites me.

First of all, there must be an important reason why a person can watch a movie 60 times. We can think about this issue from another angle. A movie, no matter how magnificent its scenes are, no matter how twists and turns its plot is, no matter how vivid its story is, and no matter how outstanding its actors’ performances are, can it be a reason for us to watch it 60 times? ! A report on the "I M D B website" made me seem to have found the answer. The report introduced the screening of "Run Lola Run" in movie theaters in the United States: "The movie theater seemed to have turned into a 'disco dance hall.' The new generation of American children are not sitting in their seats, but standing in front of them. Amid the rapid images and violent music, they vibrated with "Run Lola Run". "Please note the two words "disco" and "vibration".

2. "Run Lola Run" is a brand new movie.

Today, we have entered the 21st century. In the new century, everything in the world is changing. So, how have movies changed? Or: What will cinema look like in the 21st century? We can’t say for sure what movies will look like in the 21st century. However, Tom Tykwer's "Run Lola Run" seems to make us smell the breath of the new era, and seems to allow us to see the prototype of 21st century movies.

①. Film art itself:

Among various art forms, only film has such a close relationship with technology. First of all, movies were born because of technology. After that, movies developed with the advancement of technology. In other words: every advancement in modern technology provides new means and possibilities for film art. It can be concluded that today's highly developed computer technology in the world will inevitably lead to profound changes in film production.

②. Movies and Times:

A new era has arrived. The changes in human life in the new century are profound. "Art is a reflection of life." The new era will inevitably produce new movies. Maybe "Run Lola Run" still has its immaturity, but "Run Lola Run" shines with the glory of the times! "A person can make all kinds of mistakes, but he can't make mistakes of the times."

3. "Run Lola Run" is an excellently made movie.

"Run Lola Run" is exceptionally well produced. To use an analogy: "Lola Run" is a dazzling, extremely exciting and beautiful hand of cards. Only cards like this are worth dismantling. At the same time, we will be enthusiastic and have endless fun during the dismantling process. Of course, the purpose of dismantling is: through dismantling, we can better understand the movie, and even be able to shuffle such beautiful cards ourselves in the future.

(2) About the director:

Tom Tykwer is a film wizard. He started making short films at the age of 11. He officially entered the film industry at the age of 13. In 1993, 28-year-old Tom Tykwer made his debut film "Maria with a Dead Look". After that, he also filmed the film "Unexpected Winter" and so on. "Run Lola Run" is a 1998 work by Tom Tykwer. At that time, he was only 34 years old.

After "Run Lola Run" was released, it has won many awards. Not long ago, on the "IMDB website", the audience voted for the 250 best movies in the world of all time. "Run Lola Run" was also among them, and ranked 111th.

Some people predict that Tom Tykwer will become a world-class director in Hollywood after the famous French director Luc Besson (director of "The Fifth Element"). However, it is said that Tom Tykwer himself disapproved of making movies in Hollywood. On the surface, Tom Tykwer is a film prodigy. He made short films at the age of 11, made his debut in his 20s, and his works became popular around the world in his 30s. In fact, Tom Tykwer is not only a film prodigy, but more importantly: Tom Tykwer is a product of our special era - the "audio-visual era". This is how Tom Tykwer was introduced on the website. Tom Tykwer grew up spending all day in front of the television and computer. What makes Tom Tykwer most proud is not his movies, but his playing computer games. He is a well-known computer game master in the "computer game industry". He can beat the "Star Wars" computer game from the first level to the last level. It is said that if you praise him for making a good movie, he will not take it seriously. However, if you praise him for playing computer games well, he will be very proud and even treat you to dinner.

Western sociologists regard the 1960s as the watershed of a "generation" of human beings in sociology. They call people born before the 1960s the "literary generation" and people born after the 1960s the "audiovisual generation." (China should be after the 1980s).

The main characteristic of the "literary generation" is that their source of knowledge and information is mainly written.

The main characteristic of the "audio-visual generation" is that their main sources of information and knowledge are television and computers.

In fact, for the "audio-visual generation", television and computers are not only their sources of information and knowledge, but also have a profound impact on their thoughts and lives. According to statistics, an American child born after the 1960s spends an average of 5 or 6 hours a day in front of the TV and computer. Their understanding of society and the world comes from television and computers, which affect their words, deeds, and even thinking. Therefore, there is even a saying that the parents of people of the "audio-visual generation" are not the physical parents who bring them life. Their parents are computers and televisions.

Tom Tykwer was born in Germany in the mid-1960s and belongs to the typical "audio-visual generation". He grew up with television, computers, game consoles and MTV.

What we would like to point out in particular is that the movie "Run Lola Run" is a work of the "audiovisual generation".

①. Lola:

Everyone who likes to play computer games knows: Lola, the heroine in "Lola Run", is now the most famous computer game in the world figure. Not long ago, a computer game movie was produced in the United States. Its protagonist's name is also Lola. The name of the number one computer simulated news host on the world's Internet right now is Lola.

② Computer games:

The movie "Lola Run" is actually a computer game about Lola Run.

We can fully imagine: in Western cinemas, many movie audiences (many of whom are computer game masters like Tom Tykwer), and so many like-minded heroes from all walks of life in the computer game industry, gathered like a festival. In a very different place, they run with Laura, they "excite" with Laura, and they "break through the levels" with Laura one by one!

In short, from Tom Tykwer's films, we can feel the huge difference between him and the vast majority of mainstream filmmakers in today's world, including Spielberg. A distinct imprint of the audiovisual era. Tom Tykwer's movies make us smell the new atmosphere of a new era and new movies.

(3) About the film:

How do you evaluate and view the film "Run Lola Run"?

The most important point is: this is a brand new movie.

On the surface, the theme of "Lola Run" is an extremely "old" love theme: Lola runs desperately to save her lover. However, the core and spiritual essence of the film is entirely new.

1. Feminism

It is also the rescue of love. In past movies, when rescues were shown, men usually rescued women, which is the so-called "hero rescues beauty". In "Run Lola Run", "the hero saves the beauty" has become "the beauty saves the 'hero'". This is an important point of the film. It clearly shows us that times have changed, and the traditional roles of men and women in society have undergone fundamental changes.

In fact, "Run Lola Run" not only shows "beauty saving the 'hero'", but also women saving the world. In the same 20 minutes, the woman (Lola) is moving, running, and running; the man (Manny) is silent, calling endlessly in the phone booth, and borrowing money from place to place pitifully. money. The world has entered today, men cannot change everything, men can only wait for doom to come. On the contrary, women are trying their best to fight against fate constantly and unyieldingly. Women are working hard to change everything, and women have even reversed "time and space" several times.

It should be said that in "Run Lola Run", the dislocation and changes in the behavior of the male and female protagonists towards fate reflect the great changes in the roles of men and women in the world as the world has developed to this day.

2. About reality

In "Lola Run", there are three processes and three results for Lola to rescue Manny.

First run: Laura failed to borrow money, Laura and Manny robbed the supermarket, and Laura was shot dead by the police.

Second run: Lola gets money from a gun in the bank. Manny was hit and killed by an ambulance.

Third Run: Lola wins money at the casino and Manny recovers his lost money. Laura and Manny became rich.

For us humans who only live in the "present continuous tense", the three processes and the three results are impossible and "unreal". However, the film does not represent the reality of the event. In other words, the producers simply don't bother to show the reality of certain specific events and specific characters like usual movies.

The director is actually very ambitious. He is not expressing the "small reality" of a specific event. The protagonist of the film is our entire species. What he wants to express is the overall feeling of all mankind in today's world. He wants to express the "big reality" of mankind's confusion and inability to grasp the mentality of facing today's unpredictable world.

It does not stick to the occurrence of the event itself, expresses the most common feelings of human beings, and expresses "reality" through deformation and distortion. This is a higher level of "reality" and is also the basis of artistic creation. A higher state.

3. Theme of the film

The superficial theme of the film is about love. Laura ran desperately to rescue her lover.

The underlying theme of the film is to describe the unknowability of the world, and human beings' helplessness and despair towards the world.

4. Discovery movie

"Run Lola Run" is an exploration movie.

The following subtitles appear at the beginning of the video:

"We will not give up exploration. The end of exploration will be its starting point. Let us re-understand exploration."

——Etelho

("After the game is before the game.")

"After the game is before the game."

— —S. Holberg

"Run Lola Run" is a discovery film. However, unlike many exploration movies with poor visibility, "Run Lola Run" is very "good-looking". It is a "good-looking" (highly visible) exploration movie. This requires our attention and research even more.

I think: The main reasons why "Run Lola Run" is "good-looking" are as follows:

①. The theme of love

Love is always what attracts audiences in movies panacea. (discussed later)

②, Lola and computer games

Lola is the most famous computer game character in the world. The movie "Lola Run" is a computer game about Lola Run.

③. Fast pace

Our life today is fast-paced. Art is a reflection of life. The fast pace of the film matches the fast pace of people's lives today.

④. Theme screams

The film's deep theme of "the inability to grasp fate and the world" arouses strong screams from people. (Discussed later)

⑤. Brand-new art form

In "Run Lola Run", the application of a large number of new film techniques (computer means) is dizzying. The life of art lies in innovation. The film's novel artistic form and expression techniques make the audience feel unusually fresh and excited. Especially the "audio-visual generation" who likes excitement.

(4) Interpretation of the film:

1. Characters:

Lola, Manny, father, mother, Uncle Meyer, homeless man, pusher Car woman, car-stealing boy, female staff, guard, blind woman:

2. Structure:

Plate structure.

The plate structure is a modern drama structure in the film drama structure. It is different from the "conventional drama structure" of ordinary movies.

"Unconventional drama structure".

Full film time: 75 minutes.

Beginning: 1 point - 10 points.

First run: 10 minutes to 30 minutes.

Second run: 33 points - 53 points.

First run: 55 points - 75 points.

The structure of the film:

At the beginning (10 minutes) Manny lost money.

First run (20 points. Normal) supermarket money grab. Laura died.

Underworld (3 points)

Second run (20 points. Delayed) Bank robbery. Manny died.

Underworld (2 points)

Third run (20 points. Advance) Casino wins. Become rich.

3. Paragraph reading:

Beginning: (1 point - 10 points).

Divided into three parts:

1. Introduction: (2 minutes).

Subtitles: The text clearly states: this film is a game and an exploration film.

After the subtitles, the camera pushes towards the clock and then from the clock into the time and space tunnel.

Entering the time and space tunnel:

How to enter the time and space tunnel:

①. Clock props:

First of all, the clock is a time logo.

Secondly, the maker made the clock into a little monster with sharp teeth. It not only shows the ruthlessness of time and the devouring of human life by time; it also reflects the producer's "game mentality" of pursuing visual stimulation, excitement and "fun".

②. Push forward and raise the lens.

The camera gradually zooms in on the pendulum of the clock, and finally the large pendulum of the clock.

Then, the camera rises along the metal rod on which the clock is hung, first to the dial of the clock. At this time, the hands of the clock are rotating rapidly at an abnormal speed. The rapid rotation of the hands reflects the non-objectivity of time and the non-documentary nature of the film.

The camera continues to rise from the clock dial, and finally to the little monster above the dial. The little monster opened his mouth, revealing sharp teeth. The camera is pushed through the little monster's mouth. The image is completely black, entering a time and space tunnel.

Inside the time and space tunnel:

How to express the scene in the time and space tunnel:

①. Crossroads.

The location is chosen at a crossroads, mainly because of the symbolic meaning of the crossroads.

②. Many people.

In the camera, there are so many people in darkness, showing the expansion of population and the aimlessness of people.

③. Demotion (quick shot):

Demotion causes many people to surge mechanically like puppets. People walk in a hurry, like passers-by in this world. People have expressionless faces, like lifeless "walking zombies".

In short, the time and space tunnel here shows the chaos of the world in the eyes of the producer, the purposelessness of human beings, and the ridiculous absurdity of the entire life.

Among the crowds surging at the intersection, several minor characters in the film appeared one after another: the female clerk, the woman pushing the cart, the boy who stole the car, Uncle Meyer... Speculation Sexual narration: "Who are we? Where are we going? What is a human being?"

Bank guard:

The camera speed gradually becomes normal, and the camera finally stops on the bank guard. Although the bank guard does not appear much in the film, he is a bystander throughout the film and oversees the entire "game" (movie). The bank guard kicks a football, (fun), and announces the start of the game (movie). The football rises high, and the hurried pedestrians at the intersection below form the film's title subtitles (composed by computer). The football falls, and the football falls into the time and space tunnel produced by animation.

2. Title: (animation, 2 minutes).

To the sound of fast-paced music, the animated Lola (red hair, blue top, green pants) runs in a time and space tunnel full of teeth. The rhythm and speed continued to increase, the teeth began to rotate, and Laura began to rotate. The teeth and the roller turned faster and faster. In the end, Laura was swallowed by the space-time tunnel. Subtitles with the names of the main creative staff were released one after another.

3. The story begins:

Continuing the rapid landing of the football before, the camera falls into a city, into a building, and into a room - Laura's room. The phone in Laura's room rang urgently, and the real Laura (not the animated Laura) rushed into her room.

Quick shot:

Lola is in the room answering the phone. The next shot is of the street. The camera is like a speeding bullet, rushing towards the phone booth on the street. Manny was on the phone in a phone booth. It’s amazing how fast the camera can move forward. The speed of the camera is the speed of Laura's thoughts.

Partial hue:

Here, red-haired Laura is holding a red telephone receiver. On the other side of the phone, Manny was standing in a street phone booth talking on the phone. Manny, in a black shirt, held a black microphone in his hand. He cried and told Laura: He lost his money, and the person who picked it up was a homeless man.

The happiness of the tramp:

This paragraph uses a set of quick jump cuts to express the joy and actions of the tramp in Manny's imagination after picking up 100,000 marks: stop-motion jump Cut: The plane takes off and the train speeds. The Statue of Liberty in New York, the Eiffel Tower in Paris, the blue sea, white beaches, green palm trees, delicious food, voluptuous fat women...

This is A set of freeze-frame jump cuts commonly used in television commercials and MTV in which the audience can barely see the subject. Allowing the audience to clearly see the subject and content of the film is one of the "iron laws" that conventional films must follow. Here, it's not that Tom Tykwer failed to do it, or that he failed to fulfill this "iron rule". Rather, Tom Tykwer had no intention of letting the audience see the subject clearly. The film only gives the audience a general state and feeling. It reflects the difference in filmmaking concepts between Tom Tykwer and conventional filmmakers.

Hissing:

When Manny was crying, Laura gave a gentle "shush" sound to Manny on the other side of the phone like a mother coaxing a baby. (Feminism)

First shout:

Manny told Laura: If he doesn’t pay back the money within 20 minutes, he will die. Manny begged Laura to save him, and Manny even ridiculed Laura: "You said that love can solve everything." Laura asked Manny to wait for her. Laura "yelled for the first time". When Laura yelled, Laura’s shouts shook the sky, and at the same time, the glassware in the room shattered. Sound and visuals express Lola's power and magic. After Laura yelled, the camera was silent and a turtle crawled slowly. Use silence and slowness to contrast the intensity of the previous shouts.

Tone:

The tone of this paragraph is divided into two parts: color film and black and white film. The color film shows reality, and the black and white film shows Manny's memory of losing money. The alternating appearance of color films and black and white films is mainly for the sake of clear narrative and for the audience to distinguish memories from reality.

First run: (10 minutes-30 minutes).

1. Laura's room: Laura searches for the borrower in her mind:

Thoughts turn into concrete images:

First, an animated character opens the door of memory (editing: scratch). Then, Laura's body began to rotate, and while rotating, photos of Laura's relatives and friends kept jumping. The photo jump speed changes from fast to slow, and the characters in the photo change from chaos to clarity. It shows the process of people's thoughts from being complicated and chaotic to being clear and concentrated. At the same time, the speed of Laura's body rotation also changed from fast to slow. The photo finally stops at the father. The freeze-frame changed to normal speed, and the father shook his head, indicating the difficulty of Laura's process of asking for money.

2. Mother's room: Mother is watching TV, talking on the phone, and talking about home affairs.

3. Stairs: Laura goes downstairs, the dog barks, and the evil man does not trip Laura (animation).

Transition:

Mother's room to the stairs. From the cartoon playing on the TV in my mother's room, I transitioned to the next scene, the staircase. The content of the cartoon is what happens in the next scene: Lola goes downstairs. The transitions are coherent and interesting.

Time decision point:

This paragraph is the key point in the film's narrative time clue. The speed at which Laura went downstairs determined the changes in everything that followed. The first time Laura went downstairs, the time was basically normal.

4. Street: Lola collides with the woman pushing the cart.

Time Tunnel: The woman’s stolen child was confiscated. The woman steals the child again. (Freeze frame jump cut).

Performance of space-time tunnel:

A. The jump of scenes and characters. B. Quick switching on clips.

It expresses the instability, unclearness, and paradoxical state of the space-time tunnel.

5. Banks: Lola's father is with her lover. The lover wants to marry Lola's father.

6. Street: The car-stealing boy sells bicycles to Lola. (Lola wears nun in black).

Time Tunnel: The boy was caught and beaten. The boy met a female nurse in the hospital and later got married. (Freeze frame jump cut).

7. Street: Lola ran in front of Uncle Meyer's black car. The black car did not hit Lola. The black car collided with the front of the white car.

8. Phone Booth: Manny is in a phone booth calling around to borrow money and ask for help. The blind woman (black hat, black glasses) leaves.

9. Street: Lola runs past the homeless man.

10. Bank: Father and lover together. The lover told his father that he was pregnant with a child. Laura went to the bank to borrow money from her father. When her father failed to borrow the money, Laura "yelled for the second time" (the sound was so violent that the glass dial shattered.)

Time and Space Tunnel: A female bank employee was disabled in a car accident and later committed suicide. (Freeze frame jump cut)

11. Street: The old lady tells Laura the time. The old lady came to remind me of the time. She is a time mark.

12. Crossroads: The red ambulance braked, but the ambulance did not hit the glass.

13. Outside the supermarket: Laura arrived one second late.

Two shots:

The two shots in the film are intriguing.

Shot 1:

Three small frames in the screen:

Manny, Laura

Clock

(The composition is interesting, and the content that needs to be shown separately in three times is shown at the same time in one time, which speeds up the rhythm of the film.)

Shot 2:

In the screen Two small frames:

(This is a pair of reverse shots. In this pair of reverse shots, there are two characters, Laura and Manny, in each frame. The shots are novel and peculiar. It is rare in movies to see two identical characters at the same time. The direct consequence of this approach is that when watching the film, the audience will be confused due to the confusion of the film's narrative. Showing the boldness and "no restraint" of the producer's production techniques)

14. In the supermarket: Manny entered the supermarket to steal money. Laura grabbed the security guard's gun, and Laura fired for the first time.

15. Street: Laura escapes. It uses no sound and the girl's lyrical singing to write about Laura's "joy of victory" after taking the money. The police's gun went off and Laura was shot to death (upgraded, silent), using upgrading and silence to express great sadness.

Underworld: (3 minutes, red)

Entering the underworld:

①. The camera moves from the medium shot of Laura’s face to the close-up of Laura’s eyes.

②. The color changes from normal color to pure red.

Performance of the underworld:

① Laura and Manny are naked. This is how the two were born.

②. Pure red light, (the color of the amniotic fluid in the uterus).

③. Yin and Yang lighting: red light comes from the left and right directions (hard light). The light makes the faces of the two people clearly distinguish between yin and yang. ("Yin Yang Face")

In the first underworld, before Laura left the world, the last thing she wanted to prove and ask for was: - love. Laura asked Manny if he loved her? After receiving a positive answer, Laura was unwilling to die and determined to turn back time.

Escape from the underworld:

①. The camera pulls out a close-up of Laura’s eyes.

②. The color gradually changes from pure red to normal color.

Back in time:

①. Connection shot:

A. Action connection: The same action connection of the object falling, the current red money bag on the street Landing, connected to the landing of the red telephone microphone in Laura's room 20 minutes ago.

B. Color connection: The same color connection. The red money bag is connected to the red telephone microphone.

② Frequent jump cuts: The red money bag and red telephone microphone jump frequently.

③, upgrade. The shots in both locations are upgraded shots.

To be continued...

Second run: (33 points - 53 points).

1. Laura's Room: Red phone receiver drops (normal speed). Laura started running again.

2. Mother's room: Mother is on the phone, chatting with others about home affairs (the content of the conversation remains unchanged).

3. Stairs: Lola goes down the stairs, the dog barks, the evil man trips Lola, (animation). transition. Time decision point: Lola's running time is postponed from this moment.

4. Street: Lola collides with the woman pushing the cart.

Time and Space Tunnel: A woman wins the lottery and becomes a rich man. Newspaper front page: A photo of the woman and her family with the villa and "Big Ben". (Freeze frame jump cut). Laura hit the woman with the stroller a few seconds later than the last time. As a result, it was because of these few seconds that the woman bought a lottery ticket that happened to win the jackpot.

5. Street: The car-stealing boy sells bicycles to Lola. (Lola wears nun in black).

Time Tunnel: The boy lived in poverty on the streets in his later years. (Freeze frame jump cut).

6. Street: Lola leaps over the roof of Uncle Meyer's black car. The black car collided with the rear of the white car.

7. Street: Lola collides with a homeless man.

8. Banks: Father and lover together. Laura went to the bank to borrow money from her father. Laura arrived a step later than last time, and her lover told her father that the child she was carrying might be someone else's. Father quarreled with his lover. Father did not lend Laura any money. The bank guard joked to Laura: "Today is not a good day for you." Laura resolutely grabbed the gun from the guard's waist. Lola grabbed the money and Lola shot twice.

Time and Space Tunnel: A female employee has an affair with a male employee. (Freeze frame jump cut).

In the female employee’s home, the naked male employee put a halter on his head, a bit on his mouth, and a leather harness on his body, and was driven like a horse by the female employee. (Feminism)

Lola's trigger:

Traveling through time. Originally, the boundaries between the three sections and three time and space of the film were strict. The three time-spaces are not related to each other. Here, the director and the audience made a Ma Sanli-style joke. The boundaries of time and space in the film are not absolute. They are sometimes connected. This is the mystery of the film. It fits the style of the entire film.

9. Street: The old lady tells Laura the time.

10. Crossroads: The red ambulance smashed the glass.

11. Street outside the supermarket: Laura arrived a second early. Laura stopped Manny, but Manny did not rob the supermarket.

Three small frames in the picture:

Manny, Laura

Clock

Manny was hit:

In the excitement, Manny was hit and killed by a red ambulance. (In the first run, the red ambulance passes behind Manny) The same thing as the treatment of Laura's death in the first run is: the film uses silence and elevation. The difference is: the promotion shot here is not the promotion of Manny who was hit, but the promotion of Laura who was not hit (the money bag slowly fell from Laura's hand).

According to the normal film narrative, the elevated shot of Manny who was hit should undoubtedly be used to emphasize and exaggerate Manny's death. Here, Tom Tykwer did not do that. The film adopts Laura's promotion, because the viewpoint of the film is Laura and the protagonist is Laura. For the sake of the overall picture, local rendering is sacrificed. Reflecting the atmosphere and maturity of Tom Tykwer.

Underworld: (2 minutes, red)

Entering the underworld:

①. The camera moves from the medium shot of Manny’s face to the close-up of Manny’s eyes .

②. The color changes from normal color to pure red.

Performance of the underworld:

① Laura and Manny are naked. This is how the two were born.

②. Pure red light (the color of amniotic fluid in the uterus).

③. Yin and Yang lighting: red light comes from the left and right directions (hard light). The light makes the faces of the two people clearly distinguish between yin and yang. ("Yin Yang Face")

In the second underworld, he is also facing death. Before Manny leaves the world, the last thing he wants to ask is: - after I die, will you Fall in love with someone else?

Also in the underworld, Laura and Manny are in completely different realms. The first time Laura asked Manny was: does Manny love herself. The last thing Laura has to prove is love. The second time Manny asked Laura was not about her love for him, but worried about whether Laura would fall in love with another man after his death. After Manny himself died, he had to pull up a quilt. In this regard, Laura's answer was extremely simple: "Stop talking, you are not dead yet." Laura turned back time again.

Escape from the underworld:

①. The camera pulls out a close-up of Manny's eyes.

②. The color gradually changes from pure red to normal color.

Time travel:

①, connecting shots:

Action connection: the action connection of the same object falling, the falling of the empty money bag on the street now, and The phone microphone in Laura's room was dropped 40 minutes ago.

② Frequent jump cuts: Money bags and telephone microphones frequently jump cuts.

③, upgrade. The shots in both locations are upgraded shots.

Third run: (53 points-73 points).

1. Laura's Room: The red phone receiver dropped