Don't be humiliated, watch the flowers bloom before the court; I have no intention of staying or staying. What is the metaphor of looking at the sky? What is the meaning of metaphor? What kind of composition can be used? don't be surprised, just watch the flowers bloom in front of the court; Whether to stay or not is unintentional, and it is easy to follow the clouds outside. The original text is not surprised, watching the flowers bloom and fall before the court; I have no intention of staying or staying, and I am going with the clouds in the sky. The source of Chen Jiru's "Small Window" and Hong Yingming's "Caigen Tan" means that people can treat their insults as common as flowers and flowers, and they can't be surprised; Depending on whether the position is going to stay or not, it can be unintentional. Comment on a couplet, a few words, but profoundly tell the attitude of life towards things, things, fame and benefits: don't like it, don't worry about it, don't be humiliated, and have no intention of staying or staying. Only in this way can you feel peaceful and indifferent to nature. One looks at the three characters in front of the court, which means hiding in a small building and taking care of him in spring, summer, autumn and winter, while looking up to the sky shows the broad feelings of enlarging one's eyes and not sharing common knowledge with others; A saying "Clouds roll and clouds are comfortable" has the lofty realm that a gentleman can bend and stretch. It is similar to Fan Zhongyan's idea of not being happy with things and not being sad for oneself, and it is quite broad-minded and romantic for Wei and Jin figures. Appreciate and interpret

It's easy to say whether to stay or not, but it's very difficult to do. I'm an ordinary person all my life. The variety of the world of mortals and the colorful world make everyone feel heartbroken. Fame and fortune are what you and I want. How can we not be worried, afraid, happy or sad? Otherwise, there won't be so many people who spend their lives chasing fame and gain, and there won't be so many people frustrated and disheartened, as evidenced by the culture of demoting officials in ancient China. The key is how you treat and deal with it. First of all, we should be clear about our own survival value, because we have lost fame and honor, and we are selfless and broad-minded. If you don't have too many selfish desires in your heart, how can you suffer from loss? Secondly, know clearly the road you are taking, and you won't like it or worry about it. Don't care too much about it, don't care too much about success or failure, and don't care too much about what others think of you. As long as you have worked hard, as long as you have struggled, do what you like and go your own way, what is the outside comment? The reason why Tao Yuanming's Wei and Jin figures are so open-minded and romantic is that they are indifferent to fame and fortune, not happy with things or sad for themselves, so that they can write that free and easy poem with a quiet and peaceful mind. This can be described as true humiliation, no intention to stay. And I thought it was Wu Zetian of the Tang Dynasty who brought this spirit to the extreme. After death, set up a tablet without words, and leave it for later generations to comment on. Without a word, it was romantic. This is another kind of open-mindedness, another kind of humiliation, and no intention to stay or stay. Only when you are humiliated and have no intention of staying or staying can you be calm and complacent, and you can be enterprising and smile at life. Comrade Zhao Puchu, a famous social activist and outstanding patriotic religious leader, wrote in his posthumous work: I am happy to live and have no regrets to die. The flowers are still blooming, and the water keeps flowing. I don't have anything, who will rest in peace. The moon is bright and the wind is cool. This fully embodies a kind of philosophical and lofty spiritual realm, which is neither humiliating nor shocking, and has no intention of staying or staying.