Normal literary works will not change the mentality of the characters in such a magical way, at least from the details of words and deeds to the gradual change of views, which is not written in the monthly plan. After each reception, even in the face of a god who has a similar experience with himself and distorts Yang and Yang's tragedy, I clearly know that there is something wrong with the instruction, and finally I witness that the instruction is really puzzling and illogical.
But he still couldn't face it back, so he succumbed to the distortion of urban will like a broken music team. Roland and Angela are as indifferent as eating melons afterwards, so they will be spit out before, especially Roland, who has no feelings until she grows up.
In the ending of B, Roland is likely to commit suicide, because only his gloves can keep his friend's weapons.
In the ending of A, Angela is afraid to go out of the library, perhaps because Roland is her only trusted friend, so she is afraid of outsiders. Therefore, the endings of knots B and A are more profound, and the suicide of ending B is more sad.
The ending of c is too jumping and needs polishing.
By the way, Angela has almost no physical needs in the process of becoming a person. She didn't use all the light to make food taste first, and she didn't have "sexual enlightenment" (Mr. Freud's Libido). She has never been interested in herself and the body of the people closest to her, or even had physical contact with Roland. Just showing physical pain is not enough to describe people.
Finally, I had tea with Ann, who was a mechanical body (maybe stuffed into Roland's gloves), but I was confused. But maybe she still has a bright light, so I can still feel a little.