The classic lines of ancient Suzhou poetry are as follows:

1. Outside the Hanshan Temple in Suzhou City, the midnight bell rings for the passenger ship. ——Zhang Ji's "Night Mooring at Maple Bridge".

Appreciation: Hanshan Temple outside Suzhou City rang a bell in the middle of the night, and the sound of the bell was transmitted to the boats moored by the river. Hanshan Temple, located next to Fengqiao in the western suburbs of today's Suzhou, was first built in the Liang Dynasty. It was named after the poet Hanshan who lived here in the early Tang Dynasty.

The world is noisy. At this time, the poet is sleeping on the boat at night, but he can hear the bells of the temple. The silence on the river can be seen, but silence often goes with loneliness. The poet can still hear the bells in the middle of the night, which can be seen The poet didn't fall asleep until midnight. The poem then points out that the ship the poet is traveling on is a "passenger ship", once again depicting the scene of the poet living in a foreign country and wandering.

2. When I see you in Gusu, I will see you all by the river. ——Du Xunhe's "Sending People to Wu".

Appreciation: "When I see you in Suzhou, everyone is sleeping on the river." The most important feature of Suzhou is water. Since Wu Zixu founded the city of Suzhou, the city has crisscrossed waterways and numerous fishing boats. Life on the water has always been the main life of the local people. The couplet of the poem comes from "Everyone is lying on the river", which points out this kind of local characteristics.

3. The only thing we can never forget is the farewell. The dusk mist and autumn rain cross the maple bridge. ——Du Mu's "Remembering Feng Xiucai in Wuzhong".

Appreciation: "The only thing we can never forget is goodbye, as the mist of dusk and autumn rain cross the maple bridge." True friendship cannot be diluted by the loss of time. The poet is immersed in deep memories. Although the years are so far away, the scene of hugging others is still vivid in my mind.

Taking advantage of the evening mist and the pattering autumn rain, walking across the lonely maple bridge and rushing to a distant place, this scene will never fade or disappear in the memory of the world.

Although the poet did not spend any pen and ink to describe how he stood and stared until Feng Xiucai's thin figure disappeared in the misty autumn rain, he only used the word "pass", and "Gufanyuan". The picture of "all the shadows in the blue sky, only the Yangtze River flowing in the sky" clearly appears in the minds of readers.