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Use Mr. Qi Gong's fine gold font
Use Mr. Qi Gong's fine gold font as follows:

1, Qigong style, also known as Qigong style, is a kind of calligraphy originally created by Mr. Qigong, a master of Chinese studies. Odd characters were formed in 1938-1957 (26 -45 years old). During his teaching in the Chinese Department of Fu Jen Catholic University and the Chinese Department of Beijing Normal University, Mr. Qi Gong devoted himself to research and achieved high artistic attainments.

2. Shoujinti is a font originated by Song Huizong, and it is a very unique font in the history of calligraphy. Because it is quite different from other traditional styles, it has a very strong personality, which can be called the original creation in the history of calligraphy, and its representative works are Kai and Shi.

The thin gold body is smart and quick, and the handwriting is thin and powerful, so that it is thin without losing meat, and the big characters are particularly attractive. Because of its thin and hard strokes and exposed brushwork, you can clearly see the traces of running Teton and other strokes. This is a very unique font.

Extended data:

Liu Hongwei believes that from Shoujin style to Qigong style, it is necessary to understand, observe and appreciate the ins and outs of Qigong style from a historical vertical perspective, so as to get a nearly factual positioning and evaluation.

Thin golden body, known for its thinness, is thin to the bone, and the bone is built. Since ancient times, due to the difficulty of getting started, ambition has been boring, with fewer researchers and fewer successful people.

Enlighten the body, absorb the body into yourself, and form a style alone. Define qigong body, not thin gold body. Qigong is elegant, almost like Confucianism; Thin gold body is wonderful, if Taoism. Two fonts, two realms. However, from the author's point of view, we can really see that there are quite a few thin golden shadows in Qigong.

"The wonderful way of books, the spirit is at this point, followed by form and quality, both of which can be seen in the ancients." This means that calligraphy, as an art, should focus on expression, but it cannot be divorced from the foundation of form and quality. Form and spirit are dialectical and unified. You must have both. Only beautiful appearance and rich spiritual connotation can form and spirit be integrated.