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Why does the poet Su Dongpo prefer the Mid-Autumn Festival moon?

Most ancient Chinese poets liked the moon of the Mid-Autumn Festival. On every full-moon night of the Mid-Autumn Festival, they wrote poems and composed poems to reflect on the beauty of the moon. However, looking at the literary world through the ages, who is more fond of the Mid-Autumn Festival moon than Su Shi, a literary giant of the Northern Song Dynasty? Su Shi's song "Shui Tiao Ge Tou Bingchen Mid-Autumn Festival" is full of romance through the ages, which is enough to make all the ancient poems about the bright moon Poetry and poetry were overshadowed. "When will the bright moon come? Ask the blue sky with wine. I wonder what year it is tonight in the palace in the sky? I want to ride the wind back, but I am afraid that the high place will be too cold. Dance to clear the shadows, how can I be in the world? Turn around the Zhu Pavilion and look down. Qihu, Zhao Wumian. There should be no hatred, so why should we say goodbye? People have joys and sorrows, and the moon waxes and wanes. I hope that people will live forever and be like cicadas for thousands of miles. The poems written by Su Shi, this is the poem written by Su Shi about the Mid-Autumn Moon. This poem uses objects as metaphors for people and objects to express emotions. It is full of poetic and picturesque meaning. It has been popular among people for thousands of years and no one knows it. So, why did Su Shi especially prefer the moon in the Mid-Autumn Festival? Looking at Su Shi's life, I think there are probably three reasons: First, Su Shi's bold poetic style has a broad vision, so it is inevitable to prefer the moon in the Mid-Autumn Festival. The characteristics of the ancient bold and unrestrained style of poetry are generally that the creative vision is vast, the atmosphere is majestic and majestic, they like to use poetic techniques and syntax to write words, the words are grand, they use many things, and they do not adhere to the rhythm. However, sometimes they lose their straightness and even involve Yelling at the crazy monster. The Bold and Unconstrained Ci School not only shocked the poetry world of the Song Dynasty, but also widely influenced the Ci community. From the Song and Jin Dynasties to the Ming and Qing Dynasties, people have always held up the banner of Bold and Unconstrained Ci and vigorously studied Su Shi's Ci style. Su Shi's poems not only describe flowers, under the moon, male love, and female love, but also use the moon as a theme in the poem, so that the poem can more vividly reflect life. Not accessible." "When will the bright moon come? Ask the wine to the sky." How romantic is the word "ask"? How unrestrained? It can be said that Su Shi's poetry has a grand realm, grand momentum, informal rhythm, free will, advocating straightforwardness, rather than being subtle and melodious. Capable of doing things. Literary circles in the past dynasties have commented heartily on Su Shi's poems as "outstanding", "move forward" and "the book carries the spirit of the wind and waves on the sea". Su Shi was the leading figure in the literary world of the Northern Song Dynasty after Ouyang Xiu. He enjoyed a huge reputation among the writers at that time. Many people were friends with him or accepted his guidance. Huang, Qin, Chao, and Zhang were all trained by him. , incentives and recommendations. Therefore, they are called the Four Scholars of Sumen. There are about 4,000 poems by Su Shi in existence. His poems are broad in content and diverse in style. They are mainly bold and unrestrained. His writing is vigorous and varied, with a romantic color, which opened up a new path for the development of Song poetry. Ye Xie, a critic of the Qing Dynasty, said in "Original Poems": "Su Shi's poems have opened up a realm unprecedented in ancient and modern times. All things in the world, laughing and cursing, are all inspired by the writing." Zhao Yi, a famous literati in the Qing Dynasty, said in "Original Poems". It is also said in "Oubei Poetry Talk": "With writing as poetry, starting from Changli, to Dongpo, I have become more and more eloquent, opening up new perspectives, and becoming a grand view of the generation. ... Especially those who are unreachable are born with a strong pen, as refreshing as a mourning pear, and can be written quickly. When cutting together, there is a secret that must be reached, and there is no emotion that is difficult to reveal. This is why it is a great family after Li and Du, but it is not as good as Li and Du. "Su Shi's poems are fresh and bold, and he is good at using exaggerated metaphors. , has a unique style in artistic expression and a bold style of poetry, which has a great influence on later generations. His "Shui Tiao Ge Tou·Bingchen Mid-Autumn Festival" is the most widely circulated masterpiece through the ages. The scenery of this poem is beautiful and majestic, like the vast cold world under the moonlight, and the open space where heaven and earth travel back and forth. Combining this background with the poet's open-mindedness and optimistic mood that transcends his own joys and sorrows, it typically reflects Su Shi's clear, broad-minded, bold and uninhibited style of poetry. Secondly, Su Shi's preference for the moon during the Mid-Autumn Festival is undoubtedly in line with the humanistic spirit of past dynasties. "When will the bright moon come? Ask the blue sky with wine. I wonder what year it is in the palace in the sky?" Su Shi's preference for the moon during the Mid-Autumn Festival is undoubtedly in the same vein as the literati of the past dynasties, especially the literary poets of the Tang Dynasty. For example, Zhang Ruoxu's "Who first saw the moon by the river, and when did the moon on the river shine on people? Life has been endless for generations, but the moon on the river is only similar every year." If you look at the bright moon on flowing water, it will be like this." Du Fu's "Tonight in Yanzhou, I can only look at the moon. I feel sorry for my children from afar, but I still remember the fragrance and fog in Chang'an, and the jade in my arms is cold. "Leaning on the sky, my tears are drying"; Zhang Jiuling's "The bright moon shines on the sea, at this time of the world. Lovers feel sorry for each other in the distant night, but the candles are full of pity, and their clothes are wet with dew." Good night's sleep and dreams" and so on. The moon is eternal, can life be eternal? The moon is perfect, can life be perfect? ??So there is Li Bai's "When will the moon come in the blue sky? I will stop drinking and ask now"; so there is Su Shi's " "When will the bright moon come? Ask the blue sky for wine"; thus a self-consoling Mid-Autumn Festival was created! However, is there also a reunion festival above the moon? "I wonder what year it is today in the palace in the sky?" Su Shi's question, in fact, is It is a problem for the literati of the past dynasties; of course, it is also a problem for the common people all over the world. So, what is it like on the moon? Su Shi naturally wanted to see what it was like. "I want to ride the wind back home, but I am afraid that it will be too cold at high places." Although it must be beautiful above the moon, it may still be very cold when the moon is at such a high place in the sky. Of course, "It's too cold at high places" is not the root cause of Su Shi's reluctance to go back. The root cause is "Dance to clear the shadows, how does it feel like you are in the human world".

Instead of flying to the cold moon palace, it is better to stay in the human world, dance under the moonlight, and at least be with your own shadow. The psychological transition from "I want" to "I am afraid" to "What is it like" shows the ups and downs of Su Shi's emotions. He finally returned from hallucination to reality. In the conflict between being born in the world and joining the world, the idea of ??joining the world finally prevailed. "How is it like to be in the world" is an unquestionable affirmation, and the vigorous writing power shows the intensity of emotion. "Turn around the vermilion pavilion and lower the door, illuminating the sleepless people. There should be no hatred, why should we be reunited when we say goodbye?" On the night of the Mid-Autumn Festival, the moon is like a flying mirror, turning around the vermilion pavilion, lowering the carved door, shining on the longing. Leaving relatives in bed without being able to sleep. At this moment, the fullness of the moon reflects the loneliness of Li Ren, "passionate but annoyed by ruthlessness", and one will naturally complain. However, Su Shi was free and easy-going and open-minded throughout his life, so he advocated "there should be no hatred, what's the big deal" "People have joys and sorrows, and the moon waxes and wanes. This has never been the case." This ancient saying contains a philosophy of life that is difficult for ordinary people to understand. Ancient Chinese people often pursued a "round" culture and imagined that life would be perfect. In fact, has life ever been "perfect"? Natural and man-made disasters, accidents, failure to achieve fame and success, family conflicts, poor health, love and hate, life and death, any of them may happen. Life is a series of hurdles that you have to face. In a sense, "not round" in life is absolute, while "round" is relative. Just like the moon, which has clouds, sunshine, reunions and defects, it has never been perfect since ancient times. For example, the reunion night on the 15th day only happens once a month, but sometimes it is still "the moon on the 15th day is sixteen round"! Of course, Su Shi is also excusing the moon. In essence, it is to emphasize his optimism on human affairs and at the same time place his hopes on the people. hope for the future. Because when the moon is full, people also get together. Therefore, the last sentence of this poem, "I hope that people will live long and travel thousands of miles to the beauty of the moon." It introduces my best wishes. "May people live forever" is to break through the limitations of time, and "Thousands of miles away from the moon" is to break through the barriers of space, so that the same love for the bright moon can unite people who are separated from each other. This kind of rich and broad verses that show the spiritual realm of ancient humanity can be said to be common in ancient poetry. Zhang Jiuling said in "Looking at the Moon and Huaiyuan": "There is a bright moon on the sea, and the end of the world is at this time"; Xu Hun said in "Autumn Ji Yuan": "We should only wait for the bright moon, and we will be with you thousands of miles away." Su Shi took the words of his predecessors and The poetry is dissolved into his own works, and melted into the best wishes for everyone in the world. Third, Su Shi's life was full of twists and turns, so he must have pinned his emotions on the moon. The moon in the Mid-Autumn Festival is bright, but it is also lonely and deserted. Therefore, Su Shi sighed, "I want to ride the wind back home, but I am afraid that the beautiful buildings and jade buildings will be too cold at high places." Therefore, the moon that shines on people through the ages is the best consolation for the down-and-out literati of China throughout the ages. Su Shi, who had a rough and tortuous life, often went boating on the Yangtze River on nights when the moon was in the sky to feel the bright moon and the clear wind. Even when he admired the moon in his own courtyard, he often sighed at the wonderful moonlight like water. When lamenting his unhappy fate, he said, "I am often worried about the lack of guests when I drink cheap wine, and the moonlight is blocked by clouds." When lamenting the impermanence of life and the lack of fame and fame, he said, "Life is like a dream, and a bottle of wine can still make the moon shine over the river." Inaction, when he was moving around, he said, "The missing moon hangs sparse tung trees, which breaks people's initial tranquility. They pick out all the cold branches and refuse to stay, and the lonely sandbank is cold." However, the song "Shui Tiao Ge Tou·Bingchen Mid-Autumn Festival" has written the eternal sigh of a great writer. Therefore, Su Shi once warned his son, "Everyone raises his son hoping to be smart, but I have been deceived by my cleverness all my life. I hope that my child will be foolish and ignorant, and he will be able to serve as a minister without any disaster." Although this poem Qijue, which is sad, reflects his love for The world was ridiculing him, but he still unconsciously compromised in his heart. Because, after going through all the hardships in officialdom, he finally understood that "the moon has its yin and yin and its yang wanes, and people have their joys and sorrows. This has never been the case in ancient times." Although this was very helpless, he still had to live his life with an open-minded attitude towards the world. Perhaps, only when life reaches a certain level can one enter a state. Only when you enter a certain realm can life become broad-minded in a true sense. Only a broad-minded life can accept the collision between the outside of life and the core of life, and can move toward peace and tranquility in its own sense. It is the lonely and desolate moon in the sky that truly tolerates Su Shi's lonely and helpless soul. "I hope that life will last forever, and that thousands of miles will bring you beauty." It is undoubtedly regret that creates incomplete beauty. The turbulent official career and the bumpy fate created his gorgeous poem "When will the bright moon come? Asking the blue sky with wine" and his heroic spirit of "Dancing to clear the shadow, how can it be like being in the world"? Even if he is sad and resentful, It is also written in a long and distant way. Su Shi's poems are like the blue and white porcelain of the Song Dynasty, simple and elegant, fresh and smooth, and unforgettable. The blue and white flowers of the Song Dynasty are like the misty and rainy ink landscapes of Jiangnan. Between the budding water and clouds, you can vaguely see the white clothes and skirts of the beautiful women flying; the poets of the Song Dynasty are just like the purity of the blue and white flowers, unique in the world of mortals. In this round of the moon The flowing horizon condenses into an immortal statue. In the small fishing village in Hainan, the miserable wind and rain could not conceal the pride of a generation of poets; in Tianmu Mountain in northern Zhejiang, a cage of bamboos grew lushly, breaking through the normalcy at one go, going up and up again. Su Shi walked towards the Mid-Autumn Festival moon, leaving a piece of poetry on the Transcendent Terrace in Qilu Land, and sprinkled a few drops of wet ink on the Crane Fang Pavilion in Xuzhou, Jingdong. "People have their joys and sorrows, and the moon waxes and wanes. It's impossible to do this in ancient times." Just like the red cliffs of Huangzhou, with rocks piercing the sky and stormy waves crashing on the shore, it is not difficult to imagine that Su Shi's mind has always been filled with thousands of years of culture and thousands of years of culture. history.

Anything can happen in the world, and everything can be controlled by yourself. Therefore, whether it is joys and sorrows, whether it is cloudy or sunny, we must let nature take its course. What Su Shi said, "You can live your whole life under a raincoat" is the desirable attitude in life and the highest realm of life.