Brief Introduction of Red Rock Flower Master
A Dream of Red Mansions [2] is known to many people in China. At least, it is called the title book. Who are the authors and successors?
Not to mention, just a will, because the reader's eyes, there are all kinds: Confucian scholars read the Book of Changes, Taoists read obscene books, and talented people read obscene books.
Look at lingering, revolutionaries look at the rows, and gossip looks at the secrets of the palace. [3] In front of me, Baoyu saw him.
See a lot of death; It is very distressing to prove that you are loved by many people, because there are many unfortunate people in the world. Only those who hate others, gloat, in
In life, there are fewer pleasures and fewer obstacles. However, hating others is just an escape from the lover's depravity, and Baoyu finally came out.
Home is the same gadget. However, the thinking when writing A Dream of Red Mansions can only go so far. Even if it is a sequel, it may not have something to do with it.
The author's original intention is quite different. But surprisingly, he got a red gorilla felt cloak to worship his father.
Now, it is natural for Chen Shao [4] to regard this book as a drama about social and family issues. Although there have been several plays before,
However, it was written for actors, not for scripts. It's all fragments, not enough to see the whole picture. Dream of Red Mansions III
Set has a beginning and an end, but it is ancient. This is a masterpiece that was finally published, melted everything, cast into fourteen acts and returned to more than a hundred times.
You can see it at a glance, but the expression is still there; If you rehearse, you will definitely be more impressed. I don't know how the script is made, but I deeply admire it.
Screenwriters are more familiar with the plot than cutting. After reading it under the lamp, it is a short story. 1927 1 month14th, written by Lu Xun in Xiamen.
Doors.
electronic engineer
[1] This article is organized according to the manuscript.
Jiang Dong Hua Zhu is a script adapted by Chen Mengshao from the novel A Dream of Red Mansions, with 15 acts in total.
For the nickname of Jia Baoyu, the flower owner of the crimson cave, see the 37th chapter of A Dream of Red Mansions. [2] A Dream of Red Mansions, Qing Dynasty
Cao Xueqin wrote it on behalf of Cao Xueqin, and the paragraph is the first 120. The last forty chapters are usually regarded as the sequel of Gao E.
[3] There were various views on the meaning of A Dream of Red Mansions in ancient times. In the Qing Dynasty, Zhang Xinzhi said in Reading the Stone:
A Dream of Red Mansions is nothing more than "Yi" and Taoism. In Qing Dynasty, Liang said in A Dream of Red Mansions, The Record of the North Garden East
Books are very obscene. In the Preface to a Dream of Red Mansions, an infatuated person in Qing Dynasty said, "What book is Dream of a Dream in a Dream of Red Mansions? Yuda
Say: love letters are also. " Cai Yuanpei said in The Story of the Stone: "The author is very loyal to nationalism, and his skills in the book are obvious. "
Death uncovers loss. Zhang Weiping, a "Suoyin School" in the Qing Dynasty, said in "The Next Piece of China Poets" that he wrote "The Pearl Family of the Old Family"
Things ",Wang and Shen Pingan said in A Dream of Red Mansions, which wrote" Qing Sai-jo and Dong Xiaowan ".
[4] Chen Mengshao, named Dunren, was a native of Tongan, Fujian, and was a student of Xiamen University at that time.
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2. Traditional thinking and writing have been broken!
This year coincides with the seventieth anniversary of the death of Lu Xun, a great revolutionary soldier, thinker and writer. Our school held the "Lu Xun Culture Month" activity, so I took the liberty to write this article, on the one hand, to express my respect for Lu Xun, on the other hand, to elaborate my views on the relationship between Lu Xun and the study of modern A Dream of Red Mansions.
Commemorating the 70th Anniversary of Lu Xun's Death —— Also on A Dream of Red Mansions
1. Why do you want to talk about A Dream of Red Mansions?
I'm afraid everyone is a little surprised to see this title. In memory of Lu Xun, how did it relate to A Dream of Red Mansions? I think this is the first clear question.
First of all, in modern China, the study of Lu Xun and A Dream of Red Mansions can be regarded as outstanding studies. As the greatest writers of two different eras in China, Mr. Lu Xun and Mr. Cao Xueqin showed the world the multi-level humanity of China and China culture in different aspects of their respective fields. Studying Lu Xun and A Dream of Red Mansions can also be said to be studying China in two specific periods. This is of far-reaching significance for our future generations to understand history, even self-awakening and national awakening.
Secondly, I want to talk about Mr. Lu Xun's personal research on A Dream of Red Mansions. Although Mr. Lu Xun did not specifically discuss a Dream of Red Mansions (this is really strange, at that time, many great scholars, such as Cai Yuanpei, Hu Shi, Wang Guowei and Yu Pingbo, left their own works on a Dream of Red Mansions), we should also see his contribution to the creation of a New Dream of Red Mansions (which will be discussed in detail below). Mr. Lu Xun has involved in A Dream of Red Mansions to varying degrees in dozens of works, the most important of which should be the discussion and evaluation in A Brief History of Chinese Novels. Although many of his views are wrong according to our current research results on A Dream of Red Mansions, we can't deny that his foresight with superhuman insight has played an important and positive role in the development of A Dream of Red Mansions.
Thirdly, the "purpose" of writing people advocated by Mr. Lu Xun is objectivity. So he advertised A Dream of Red Mansions. Then, do the hundreds of artistic images written by Mr. Lu Xun have anything in common with the descriptions and characteristics of hundreds of characters in A Dream of Red Mansions? I think so, and I will also make some necessary discussions on it below.
Finally, it is because of my personal reasons. I like reading A Dream of Red Mansions since I was a child, and I appreciate Mr. Lu Xun's articles very much, so I chose the topic of Lu Xun and A Dream of Red Mansions. The situation is also entrusted by people, so I provide readers with the following clumsy articles.
Commemorating the 70th Anniversary of Lu Xun's Death —— Also on A Dream of Red Mansions
2. The story of a dream of red mansions returning to stone.
A Dream of Red Mansions, as the first of China's four classical novels, occupies an inestimable position in the literary history of China and even the world. But I don't like A Dream of Red Mansions, because 179 1 year later 120 "fake whole books" are all A Dream of Red Mansions; The original works of Cao Gong and Qin Xue are called The Story of the Stone 1.
Why talk about changing the title? Mr. Lu Xun greatly praised A Dream of Red Mansions, but moderately criticized Cheng Weiyuan and Gao E's last forty chapters. The Stone Story 3, which Mr. Lu Xun admired most in his life, was very forward-looking at that time. Next, I want to briefly mention the difference between Qi 4 and the same book 5 in A Dream of Red Mansions.
First of all, the essential difference between Biography of Qi State and the popular reading A Dream of Red Mansions is that Biography of Qi State is the commentary book 6 of Zhi Yanzhai, with 80 volumes, which is the most complete of all 12 * * * 15 fat batches.
Followed by the preface to the life of Qi. In the preface, he said, "Listen to two songs with one voice and listen to two songs with one hand", which is not only the most powerful praise for Cao Xueqin's "Spring and Autumn brushwork", but also an important evaluation of his objective writing method. These two sentences are often quoted by Redology researchers.
Thirdly, compared with other fat editions, The Biography of the State of Qi has the least typos and the clearest words.
Therefore, when everyone is reading popular books and crying for the illogical "death of Daiyu" in the sequel, it is not easy for Mr. Lu Xun to choose and study Qi Xu Ben without going with the flow.
As we know, this book left by Cao Gong and Qin Xue is a book specially annotated by Zhi Yanzhai, and the significance of Zhi Yanzhai's comment on writing lies not only in his personal close contact with Cao Xueqin, but also in the content of Qin Xue's lost manuscript. Moreover, the criticism of fatness is also different from the criticism of later generations in The Romance of the Three Kingdoms. It can be said that without the criticism of the fat man, The Story of the Stone cannot be called The Story of the Stone, and the comment on writing is integrated with the novel.
When Mr. Lu Xun mentioned the Story of the Stone, all the original texts he quoted came from the Story of the Stone, and he never quoted the words in this book except after the 1980s. At that time, only Mr. Hu Shi and other scholars realized the important value of fat criticism.