"The house is a living machine." "Architecture is bound by traditional shackles. Style is just a lie. " These two famous sayings are enough to convince me of this master of architectural design in the twentieth century. His design works, from the French Langxiang Church to the United Nations headquarters building in new york, and his ideal urban planning for Chandigarh, have left a profound impact on people. Like eight wonders of the world, his design works and his views on modern city life are left to the world. Become a precious legacy of this world. Below I will write down a simple and rough understanding of this master architect. Le corbusier's design style has a great influence on today's design field. Influenced by the era of machine industry, the industrialized materials he used and his views on modern urban life made him a pioneer of modernist architectural movement. Although some people think that Corbusier was responsible for the urban decline in the 20th century and was criticized, the revival of modernism and people's new pursuit of urban life today led to the revival of Corbusier's design style. The furniture he designed was imitated by more people. He is one of the most respected and controversial architects in the 20th century. For many years, he has been regarded as the greatest architect in people's minds. His works, whether architectural design or furniture design, are very modern. Not only that, he is also very persistent in his work. From planning to completion, he can always express his ideas. This is also a place where we are very lacking in learning. But some people regard his various design ideas as curiosity. Therefore, in the 1950s, he was also criticized for building our urban and residential structures. Whether a hero or a sinner, Corbusier is undoubtedly one of the most important and influential architects in the 20th century, and his works will remain in people's memory forever. Some people may doubt this, but this evaluation of him is quite fair and well-deserved. Maybe people will ask, why is he still a respected and controversial person decades after his death? Corbusier was born at the end of19th century and grew up in 20th century. His vision for the new century is mainly reflected in his architectural design. For Corbusier, the 20th century was an era of mechanized mass production, dominated by machinery and large-scale industrial production. This is an era of internationalism, advocating communication, democracy and science. The defining formulas of this era are cars, planes and ships. In the new century, Corbusier has seen many changes in society, but he thinks that architecture is still at the level of19th century, and there is no greater breakthrough. Allowing its quantity is the revival of classicism. His thinking is bold and open. He once said, "This is an unfortunate recession". Therefore, Corbusier got rid of the shackles of stylization and began to pursue a new architectural form, which is very modern, very modern and a new attempt. The formation of Corbusier's style is the result of many factors. First, the modernist architectural movement triggered by the modern industrial revolution had a great influence on him. At the same time, he also cooperated with some famous modernist architects, such as W. Gropius. Ludwig mies van der Rohe works together. All these have played an important role in the formation of Corbusier's design style. Like Gropius and Mies, Corbusier got inspiration from modern products and technical means of production and applied them to architectural design. In his design concept, "machine aesthetics" is a simplified and standardized form and a rational design method. Paying attention to function rather than style, these design concepts laid the foundation for the characteristics of new buildings he later proposed. However, he also emphasized the necessity of combining machine aesthetics with the essence of architecture itself. Although these can not make the building have strong style characteristics. But they make the building stronger and longer, mainly in volume, appearance and structure.

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