1, stroke structure: Ou Ning's stroke structure is relatively simple, mainly straight lines and curves. Straight lines are usually horizontal, vertical, left and right, and curved lines are curves connecting straight lines.
2, the strength of the pen: when writing, we should pay attention to the thickness and strength of the strokes, so that the strokes have a sense of ups and downs and increase the artistic charm of writing. The change of thickness can be controlled by the angle of the pen, and the weight can be mastered by the strength.
3. Structural balance: Ou Ning pays attention to overall balance and coordination. Pay attention to the space allocation between each character when writing, so that the whole work looks stable and harmonious.
4, strokes: European nine-character strokes are generally written with a brush. The variety of brush is rich and expressive, which can better reflect the characteristics of European style. When using a brush, we must master the humidity of the pen and the consistency of the pen and ink, so as to better control the effect of strokes.
5. Practice and imitation: If you want to master Euronine's writing, you need to practice and imitate repeatedly. You can find some European calligraphy works to learn, gradually understand their characteristics and techniques, and improve your writing level through continuous practice.
Remember, Euronine's writing takes time and patience. Only by constantly improving and perfecting their calligraphy skills can we achieve better results.
Nine words written by different calligraphers in history
Nine is a Chinese character with only two strokes The strokes are simple, but it is not easy to write. The word "nine" in European regular script has appeared in inscriptions such as Liquan inscription in Jiucheng Palace and Yu Gong Wen Yan Bo monument. Of course, I think the word "nine" in Jiuchenggong Liquan Ming is the most classic.
The word "nine" in Ou Yangxun's Yu Gong Yan Wen Bei Bo fully conforms to the above writing essentials. Compared with the nine characters in Jiuchenggong Liquan Ming, the difference is very subtle. Careful observation shows that the sketch of "nine" is slightly heavier, so it has the taste of competing with the cross-hook painting and cannot highlight the main pen. Lu thinks this is not as bright as Jiucheng Palace.
Yao was the first scholar in ancient and modern studies in Qing Dynasty, but he was far from the original. Readers can compare it with the four writing essentials summarized by Lu. As for the word "nine" written by Tian Qian, who is called the first person, the gap is even greater.