Calligraphy is an art and a unique treasure in the world. The famous sayings and aphorisms in calligraphy works have profound philosophical meanings and are worthy of people's appreciation. What I share with you today is the appreciation of famous quotes and aphorisms in calligraphy works. I hope you will like it!

Famous quotes and aphorisms in calligraphy works

1) Either as heavy as a collapsed cloud, or as light as a cloud. Like cicada wings; if you guide it, the spring will flow; if you pause, the mountain will be safe; as slender as the first moon rising from the horizon, and falling like stars in the river. ?The Book of Calligraphy written by Sun Guoting, a calligrapher of the Tang Dynasty

2) People have different personalities and different temperaments, and the style of writing is determined by their own style. ?Xiang Mu's "The Elegant Words of Calligraphy"

3) Moreover, the vastness and beauty of the calligraphy are all reflected in the brush and ink. The so-called high quality means that the rhyme is self-contained. ?Zhang Yuan's "Quotations from Shi Tao's Paintings"

4) Drawing the brush vigorously, like a swan flying high, the bird is graceful.

5) Walking in a simple and leisurely way, there is a profound and infinite flavor. ?Fan Wen

6) I see dragons and snakes running away from time to time. ?Li Bai, a poet of the Tang Dynasty

7) The dragon leaps over the Tianmen, and the tiger lies in the Phoenix Pavilion. ?Emperor Xiao Yan of the Liang Dynasty in the Southern Dynasties

8) Floating like clouds, as powerful as a frightening dragon. Liu Yiqing, a writer of the Southern Dynasty and Song Dynasty, "Shishuo Xinyu? Rong Zhi"

9) The strong wind blows the strong grass, and the fierce fire refines the true gold; without suffering from the frost, the peaceful fragrance hits people. The edge is sharpened by oneself, and jade is carved; how can a person become profound without practicing hard? ?Li Duo

10) The character must be bone-like, the meat must be wrapped with tendons, the tendons must hide the meat, and the post must be beautiful and moist. ?The Northern Song Dynasty calligrapher and painter Mi Fu's "Haiyue Famous Sayings"

11) Like the breeze coming out of the sleeves and the bright moon entering the arms. ?Li Sizhen

12) His physical appearance is extraordinary, different from the past and present. Falling pearls and jade, fluttering tassels. ?Zhang Huaisheng

13) Silent sound, invisible appearance. ?Zhang Huaijin

14) The husband who wrote the book is the most important thing in writing. Although it is a Tao, both the virtuous and the unworthy can learn it. However, there are always many virtuous and unworthy people who can do it. How can it be said that the unworthy can do it but the wise ones just abandon it? Zhu Wenchang's "Sushu Duan" < /p>

15) The beauty of calligraphy is mostly reflected in the sound behind one’s body. ?Zhang Huaiguan, a calligrapher of the Tang Dynasty

16) The style of writing and ink are all based on human temperament. This is the first task of writing with rationality and emotion. ?Liu Xizai's "Art Introduction"

17) Scholars of calligraphy have two views: one is to observe things and the other is to observe myself. Observe things to resemble emotions, observe me to understand virtue. ?Liu Xizai's "Art Summary"

18) Those who have more strength and abundant tendons are saints, and those who are weak and have no tendons are sick. ?"Bi Zhen Diagram" by Mrs. Wei, a female calligrapher in the Jin Dynasty

19) The study of calligraphy should be a family of its own. ?Northern Song Dynasty writer and historian Ouyang Xiu's "Study of Calligraphy to Build a Family"

　20) As graceful as a silver hook, its source is like a Jingluan. ?Suo Jing

Recommended famous quotes and aphorisms from calligraphy works

1) Therefore, discussing books is like discussing appearances, and observing books is like observing people. Personal qualities are different, and knowledge and insights are also different. Have ears to learn, and have heart to learn. If you encounter the book when it is first unfolded, what is the gain or loss of evil or righteousness? It is as clear as seeing it in person, and it does not wait until you finish reading it. This is called reading with a deep sense of mind and heart. Ming Dynasty. Xiang Mu's "The Elegant Words of Calligraphy"

2) He who knows others is wise, and he who knows himself is wise. When discussing talents, write first and then ink. 搐. Zhang Huaiguan's "Book Discussion"

3) Fourteen. Work hard and strive for excellence

4) Those who learn calligraphy should not regard it as easy or difficult; Then suddenly the mind of laziness arises, and when it is difficult, the mind of fear and cessation arises. Ming Dynasty. Xiang Mu's "Elegant Words on Calligraphy"

5) Those who fail to master any art without learning are suffering from laziness of mind and inability to concentrate on their ears. Tang. Li Shimin's "Bi**"

6) Therefore, those who aspire to learn must go to a miserable place, only then can they realize their mind, forget their thoughts, achieve both good results, and unify their temperament, and then write a book. "Calligraphy Notes" by Cao Cao of the Qing Dynasty

7) If scholars pay less attention to calligraphy, then dot painting will have its place, and there will be no shame in facing the wall. Northern Song Dynasty. Zhao Gou's "Han Mo Zhi"

8) The way to place the book and paste it will last for endless seconds. There may be decorations of returning luan and magpie, and the variations are in the line; or there may be the swords that are coming to the valley, put the dragon paper on the paper, and the pen will be full of smoke and clouds, like ten thousand swords forming each other; if the paper is dropped, it will be a shield. Shi Zhang, crouching on the brocade of the river waves, if you don't hold your fingers carefully, you can't express your soul. I'm just doing it, forgetting to sleep and eat, hanging over the years, so I'll call it a little now. Eastern Jin Dynasty. Wang Xizhi's "Twelve Chapters on Bi Shu Lun"

9) Knowing the selfishness of self-denial, adding new learning, constantly encouraging, and gradually entering peace. When thousands of rivers meet the sea, success is one. Ming Dynasty. Xiang Mu's "Elegant Words on Calligraphy"

10) Learning calligraphy is really valuable, but if you are not a disciple of the sect, it will be enough to discredit everything. Qing Dynasty. Liang Xian's "Study of Calligraphy"

11) When you stay near the pond for a long time, your wrist will generate wind, and your charm will become wonderful. "Questions and Answers on the Mental Methods of Painting"

12) Writing books can nourish Qi and also help Qi. Sit quietly and count crosses or hundreds of characters in regular calligraphy, and then you will feel calm and relaxed. If you are walking on grass, you can spread it freely, and when you feel happy and dripping, you will feel that your soul and heart are radiant. Writing poems and compositions has its own clear and logical way, and it is easy to follow the trend. Therefore, knowing the way of calligraphy is enough to expand talents and cultivate knowledge. Qing Dynasty. Zhou Xinglian's "Linchi Guanjian"

13) There are three important points in learning calligraphy: talent first, reading more, then writing more, and writing more.

Qing Dynasty. Yang Shoujing's "Xue Shu Yi Yan"

14) If you want to be knowledgeable, you would rather be cautious than be arrogant, be cautious and special, be independent and knowledgeable, be well-behaved, have a peaceful mind, and be restless in sleep and food. Although his mind is insatiable, he may not be as good as the authentic one, but he is still among the famous masters. Ming Dynasty. Xiang Mu's "The Elegant Words of Calligraphy"

15) Calligraphy must come first and then mature, and it must be mature first and then mature. Those who are born at the beginning are not yet educated, and their minds and hands are at odds with each other; those who are familiar with the art do not show off their own paths, do not follow the world, new ideas come out from time to time, and their writing is full of chemistry. "The True Story of Calligraphy" by Feng Wu of the Qing Dynasty

16) When studying calligraphy, avoid making superficial remarks without actual merit. ?If you love without learning, you will not know the truth; if you learn without learning, you will not be profound. ?Qing Dynasty. Liang Xian's "Study of Calligraphy"

17) A slight difference is a thousand miles lost. If you know the skill well, you can do it both appropriately and skillfully, your mind will never tire of the essence, and your hands will never forget the familiarity. Tang Dynasty. Sun Guoting's "Chu Pu"

18) However, calligraphy is unprecedented and has no unique style, but its ability to build a family is outstanding, and it is a superb talent that is superior to the ancients. He writes books and paints, and he never gets old, and he becomes a master of his own. Qian Yong's "Shu Xue" in the Qing Dynasty

19) This is the desire to change the book, be sincere in its ambition, never stop its work, make the shape clear, move one thing to connect the ten thousand, and change it. Holy and divine. Ming Dynasty. Xiang Mu's "The Elegant Words of Calligraphy"

20) Since ancient times, sages have established their names by studying diligently. If they don't study, they will be out of date and unknown. Tang Dynasty. Yu Shinan's "The Essence of Writing"

A collection of famous quotes and aphorisms in calligraphy works

1) If you are familiar with it, you will have strong bones, neat steps, bold heart, and spiritual spirit. Qing Dynasty. Liang Tongshu's "Pin Luo An Lun Shu"

2) The main strokes are round and square, with sparse edges between close spaces. The blood is thick and the bones are old, the tendons are clean and the inside is clean. The brush strokes create ancient meanings, and each word has a certain meaning. The origin, I came to the famous book, I didn't stingy with paper and pen, I worked hard, I was proud of it for a long time. Yuan Dynasty. Chen Yizeng's "Essentials of the Hanlin Academy"

3) There is a difference in learning between those with high qualifications and those with advanced qualifications. He is both talented and knowledgeable, and his writing skills are fluent. If you have more qualifications than learning, you will be crazy every time you lose it; if you have more learning than qualifications, you will still have rules. Capital is indispensable, and learning comes first. Ming Dynasty. Xiang Mu's "The Elegant Words of Calligraphy"

4) The ancients did not waste their efforts, so they learned everything well. Northern Song Dynasty. Ouyang Xiu's "Testing the Writing"

5) But if you can pursue it carefully, you will be able to get it; if you keep thinking about it, God will tell you; if the principles and Tao are connected, they will definitely respond; if you are aspiring to primary school, don't push yourself. !Famous masters in ancient times can do what they do, but they cannot express what they mean. Tang Dynasty. Zhang Huaiguan's "Shu Yi"

6) You can't learn without being familiar with it, and you can't be familiar with it without transforming it. After transforming it, you will have your own appearance. Qing Dynasty. Fang Xun's "Mountain Quiet Residence on Painting"

7) If the brush is soft, there will be no angular angles, if the hand is wide, the brush will be slow and weak, if the stroke is short, the stroke will be bloated, and if the stroke is long, the stroke will be loose. If the painting is accelerated, the calligraphy will be horizontal, if the painting is sparse, the calligraphy will be slow, and if it is restrained, it will lack momentum. If it is relaxed or sparse, it will be pure bone without beauty, pure flesh will be weak, less ink will be loose and astringent, and more ink will be clumsy. There are so many calligraphy diseases, but Those who have gradually accumulated knowledge should strive to get rid of the three ultimate flavors. It is appropriate to have an ink pond and pen tomb for life. However, calligraphy must be natural and the skill cannot be abandoned. Song Dynasty. Dong Jiong's "Guangchuan Book Postscript"

8) Hongnong Zhang Boying therefore refined his skills. Every family's clothes and silk must be written first and then practiced. When studying calligraphy near a pond, the water in the pond is exhausted and the ink must be written in regular script. I often say: "I am in a hurry and I have no time to write in cursive." Not even an inch of paper was left behind, but his writings are especially treasured to this day. General Wei Zhong called him the "Sage of Grass". Western Jin Dynasty. Wei Heng's "Four Styles of Calligraphy"

9) There is a real difference in cursive script. If it is true, the word will end with the meaning, while in cursive script, the line will be exhausted and the momentum will not be exhausted. Tang Dynasty. Zhang Yanyuan's "Book of Laws"

10) Zhen takes squareness as its body and roundness as its function; Cao takes roundness as its body and squareness as its function. Positive energy contains wonder, and wonder does not lose its integrity. Ming Dynasty. Xiang Mu's "Elegant Words on Calligraphy"

11) The calligraphy is like the book, like the person, like the person, like the person.

12) The physical appearance is extraordinary, different from the past and present. Falling pearls and jade, fluttering tassels. The heir of Cangjie. The ancestor of Xiaozhuan. With name book, stone drum remains. ?"Book Break" by Zhang Huaiguan, a calligrapher of the Tang Dynasty

13) The dragons and snakes in his writings seem to have gods. ?Zhang Huaijin

14) Either to express the ambition to achieve success, or to relieve the depression. Even though it is noble, it cannot suppress its height, and although it is a clever calculation, it cannot reach its power. ?Zhang Huaijin

15) If you teach by the waterside, every word may become a dragon. ?Han Wo

16) A loss of place is like the glint of a beautiful woman’s eye; a loss of place of a painting is like the breaking of an arm of a strong man. ? Tao Zongyi, a literary historian at the end of the Yuan Dynasty and the beginning of the Ming Dynasty, "History of Calligraphy? Calligraphy"

17) The mysterious meaning comes from the surface of things; the profound truth lies between the dark and the dark; how can it be common? What can be said can be measured by the wisdom of the world. ?Zhang Huaijin

18) The essence of writing is unified by the word "integrity". ?Liu Xizai, a litterateur of the Qing Dynasty, "Art Summary? Book Summary"

19) The brush strokes are like clouds of smoke. ?Du Fu

　20) Follow others’ plans to end up with descendants, and become a family of your own before becoming realistic.

?Northern Song Dynasty poet poet and calligrapher Huang Tingjian's "Several Kinds of Youjun Calligraphy Presented to Qiu Shishi"

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