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Thousand-character allusions
Qian Wen Zi is a four-character poem edited by Zhou Xingsi in the Southern Dynasties.

Full text ***250 sentences, one sentence for every four words, words are not repeated, sentences rhyme, full text is coherent and rhymes harmoniously.

The content systematically introduces astronomy, nature, self-cultivation, ethics, geography, politics, history, farming, sacrificial gardening, diet and daily life.

Among them, there are many wise sayings, such as: "If you know something, change it so that you can never forget it;" "You are quiet and relaxed, and your heart is exhausted;" "Don't talk about a person's shortcomings, just rely on his own strengths;" You will be full of real ambition, and you will go from one thing to another. "The evil causes accumulate, and the mountains are blessed, but the ruler is worthless, and the inch is actually yin", especially "the root of the problem is agriculture, and

There are also many famous sayings that are talked about by later generations, such as: "Sound is in an empty valley, listening is in an empty classroom" and "Like Lansing, like a pine." "Live a leisurely, silent and lonely life.

Seek the past and worry about it. "And so on abound.

At the beginning of writing, people who loved Wang Xizhi's calligraphy (502-549) (Liang Wudi was the first person to give Wang Xizhi a literary aura) put all the variant characters 1000 in Wang Xizhi's epitaph into their own collections, and let Yin hammer them down and give them to ministers to follow suit.

There is also a saying that it is for the disciples in the palace to learn books.

But every word of Tuo is irrelevant, so he called Zhou Xingsi (470-52 1), assistant minister of the foreign cycling team, and told him, "You are very talented and have my charm." Zhou Xingsi is really smart. He used all his brains. It is said that it only took one night, and the next day, his hair turned white and was compiled and presented to Emperor Wu.

-this is the "Thousand Words" that has been handed down to this day.

Qian was originally called the second rhyme of Wang Xizhi Qian.

The content is extensive and knowledgeable, including astronomy, geography, economy, society, history, ethics and so on. Seven rhymes are used, and the rhyme is beautiful. Every word of 1000 is not heavy.

(For example, today's simplified characters and different styles of characters, such as "Juque" and "Juye", are unified into giant characters; "Yun Teng" and "Ting Yun" are all simplified as clouds, and so on. Excluding this factor, there are actually more than 990 words.

) Because it is suitable for children to read, remember and understand, it soon spread in society.

Many good people in the past dynasties, such as Wu Fang in the Song Dynasty, deliberately adapted it.

The works passed down and edited from generation to generation are endless; Or refer to the style of "Thousand Characters" and create other special topics.

The Thousand-Character Text, the Three-Character Classic and Hundred Family Names later formed the famous textbooks of "Three, Hundred and Thousand".

However, Qian Wen Zi was written at the earliest time, so it had an influence on many later broken books, so Qian Wen Zi played the most important role.

This "Thousand-Character Works" praised by Wang Shizhen is also compared with Zhang Taiyan's "Three-Character Classics", and it is considered that "Three-Character Classics" has two shortcomings, namely, "repeated words and no new ideas".

It can be seen that the literary value of money is also very high.

However, due to limitations and other reasons, there are obvious shortcomings in Qianziwen. For example, "what is a predicate particle?" Quite abrupt, suspected mink.

Therefore, when later generations compiled the Interpretation of Thousand-character Works, they divided the full text into four parts, namely, four chapters of thousand-character works, excluding the last two sentences with no special significance.

Money was born about half a century ago. Monk Zhiyong (date of birth and death unknown) lives in Sui Dynasty and is the seventh grandson of Wang Xizhi.

), I have copied 800 copies of True Grass Thousand Characters and distributed them to temples in eastern Zhejiang.

Zhiyong calligraphy can be used by everyone.

Strong brushwork, rigorous structure and strict adherence to the right army's brushwork have won the true essence of the right army's calligraphy.

According to Xuanhe Calligraphy, there were 23 pieces of Zhiyong's calligraphy in the Northern Song Dynasty, of which 15 pieces were made by Qian.

There are still originals handed down: so far the only original is kept in Japan.

Probably one of the 800 books of that year! Zhiyong is the earliest calligrapher who wrote Qian Wen Zi at present.

Qian Wen Zi originated from calligraphy and naturally became an article closely related to calligraphy.

And become the content that calligraphers are keen on writing.

Later, many people wrote "thousands of words", such as Yu Shinan, Chu Suiliang, Sun, Zhang Xu, Huai Su, Li, Gao Xian and Dunhuang. Mi Fei in Song Dynasty, Evonne in Hui Zong, Zhao Gou in Gaozong, Zhao Mengfu in Yuan Dynasty and Wen Zhiming in Ming Dynasty.

Even Juan Linghu 'an, a Japanese calligrapher in the Edo period, and Kai Gong, Wei Qihou and Shen Peng, modern calligraphers, all wrote thousands of words in different or multiple fonts.

The most valuable one is Zhi Yong's A Thousand Words of True Grass.

The first is the opening work mentioned above.

In addition, we should also know that Zhiyong is an inherited calligrapher, his skill is better than his talent, and his ability is to be completely loyal to Wang Xizhi's calligraphy.

Li Sizhen's calligraphy in the Tang Dynasty commented on his calligraphy, which is "excellent in extraordinary, but without strange state", which is really a comment.

Wang Youjun's ink we see is all imitation of the Tang Dynasty.

A glimpse of Wang Xizhi's brushwork can only be traced back to the use of ink, which was earlier than the Tang Dynasty and gained the essence of Wang's calligraphy. This is the special function of exploring the road of Wang Youjun calligraphy art palace through Zhiyong calligraphy.

At the same time, the contrast format of true cursive script created by Zhiyong provides an excellent model and convenience for true cursive script learners.

It also inspired later generations of Huai Su, Gao Xian's cursive thousand-character script, Li's seal script thousand-character script, Mi Fei's cursive thousand-character script, Zhao Mengfu's six-body thousand-character script and new cursive thousand-character script, so that future generations can learn calligraphy and know thousand-character script.