Introduction to Chinese version I. Oral narrative, written narrative and film narrative II. Narratology and film iii. The legacy of the structuralist wave. One of the pioneers: Albert Galeries Lafayette 1 Film and Narrative 1. What is narrative? I. 1 Narrative has a beginning and an end. I.2 Narration is a double time period. I.3 Any narrative is a kind of discourse. I.4 The perception of narrative makes the told events "unreal". I.5 Narrative is the whole of a series of events. Two. What is film narration? Three. The fourth birth of film narration. Narration and demonstration ⅳ. Audio film: the fourth double narrative. What is fictional narrative? ⅶ. Non-symbolic reality and fictional world 2 statements and narratives ⅰ. One of the research methods of narratology: from symbol to narrative mechanism ⅰ. 1 from statement to narrative ⅰ. Narrator and great photographer Ⅱ. The second research method of narratology: from narrative mechanism to film ⅱ. 1 from narrative to sub-narrative Ⅱ. 2 The second narrator II. 3 oral narrative. Ⅲ. Overview of narrative film Ⅳ. A narrative without a narrator: three words and pictures ⅰ. The beginning of the discourse: narrator I.1Help the audience I. 2 Acting narrator II. Words and pictures II.1Reading of pictures II. 2 Functions of silent subtitles II. 3 Descendants of subtitles III. Sound and images. 1 voice and human timbre III. 2 Sound as a narrative symbol. 4. The narrative space of the film. 1. The ever-present movie space. 2. Shown space and unexplored space. 3. External scene. 4. Different types of spatial relations. 4. Unique and identical space: the "identity" of space. 4. the difference in space. : Adjacency and Separation Ⅳ.3 Near Space Ⅳ.4 Long Space Ⅳ.5 Narrative Timeliness and Film Ⅰ. On the Time Attribute of Picture Ⅱ. Dual temporality: the main concept of analyzing time ⅱ. 1 time series ⅱ. 2 Duration ⅱ. 3 Time-frequency 6 Viewpoint ⅰ. Genette focusing method Ⅱ. Focus and visual focus. Three. Hearing: auditory focus ⅳ. Psychological picture ⅳ. The cognitive focus of movies Ⅳ. 1 internal cognitive focus Ⅳ. 2 external cognitive focus Ⅳ. 3 audience cognitive focus Ⅳ. Focus and type conclusion refer to the film catalogue. Postscript of translation of main terms.