These three realms of Wang Guowei are that I have a strong interest in Wang Guowei's "Human Thorns". After reading this book, I feel that the world of words is so big and deep, and you will find yourself small and ignorant when you wander in it.
Wang Guowei has made great achievements in textual research, philosophy and literary criticism all his life. However, he is particularly proud of his skill in writing words. He once said, "Yu Yu is a poet. Although he has done less than a hundred things, since the Southern Song Dynasty, there has been nothing but one or two. " Wang Guowei just turned 30 when he said this. He only wrote a hundred words, and easily ignored almost all the poets in the past 800 years. Writing can be written to this extent, regardless of historical evaluation, even if he is crazy and confident. This man was born in 1877 and died in 1927. At the age of 50, he jumped into Kunming Lake in the Summer Palace in Beijing and died without a roof. His life is a process of constantly questioning life. Some people say that he is a legacy of the Qing Dynasty, some people say that he is a martyr who cares about the country and the people, and others say that he just can't stand the long-term oppression of his mentor Luo Zhenyu and can't swallow his anger, so he drowned himself. Wang Guowei's dramatic death is very important to historians, but for those who write or paint, the words he left behind are more important than the end of his personal life.
Everyone's Ci Hua is China's most famous work in modern times, and it is also the representative work of Wang Guowei's literary criticism. Among the numerous ci poems in Qing Dynasty, Ren Yi's novel ideas and unique theories broke through the viewpoints of some schools of literature in Qing Dynasty, opened up a new path for the study of China's aesthetics and literary theory, and occupied an important position in the treasure house of China's academic thoughts. Although it is written for the discussion of Ci, it covers a wide range, not limited to Ci, "which can be read as Wang Jia's theory of art and technique" (Ten Theories on Xia Ci). It broke through the views of Zhejiang School and Changzhou School in Qing Dynasty and was original. On the basis of discussing the gains and losses of poets' creation in past dynasties and combining the author's personal experience of artistic appreciation and creation, Mann put forward the theory of "realm", the center and essence of Wang Guowei's artistic theory. The theory of realm puts forward a view in Ci Hua on earth that the artistic conception of literary works is formed by the combination of the real life described in the works and the thoughts and feelings expressed, and it is the unity of subjectivity and objectivity, ideal and reality, emotion and reason. The so-called realm is not only the scenery, but also the joys and sorrows. It is one of the realms in people's minds and the realm of creation and realism. Here, the meaning of the realm is explained clearly first, and then the composition of the realm is elaborated in detail. "The realm created by great poets must conform to nature, and the realm written by great poets must be adjacent to ideals." "Although realistic, it is also an ideal home." In other words, the realm is the poet's portrayal of nature and the expression of ideal composition. A successful poem must be a close combination of ideal and reality. For example, the interpretation of "realm" in the book includes:
-the word is based on the realm. -the realm is self-contained and has its own famous sentences.
-With or without me. There is my realm, I see things, so everything is my color. Without me, we look at things in terms of things, and we don't know what is mine and what is physical.
-can describe the scenery and true feelings, called realm. Otherwise, it is called boundless. Man is a collection of sixty-four short comments by Wang Guowei, which is his experience in writing ci and a summary of his artistic view. Although the article is short, it is four or two thousand pounds, and the words are precious and powerful. With the formation of traditional words, anti-traditional concepts, terms and thinking logic, he naturally incorporated some new concepts and methods, and the theoretical problems he summed up had quite universal significance, that is, they had a great response among the readers of the old and new generations at that time and had a lofty position in the history of modern literary criticism in China. The biggest difference between Man and traditional poetry is that he no longer only pays attention to the ethical world of man, but repeats the theme of parting lovesickness and humiliation; Instead, the individual self is thrown into the vast universe, popular and endless eternity, so that the self can face the doomed human tragedy, even split the personality displayed by itself, torture the soul and pursue the fate of rootless life. It is the infusion of Wang Guowei's life and spiritual life, which is different from "the tool of a gosling". Simulation works are the crystallization of the author's exploration and thinking on the basic life problems such as the universe and life, life and death. That's why I only love people. I like his All Scenery is Love. I appreciate his three realms and his spirit of unremitting exploration of life; I envy him more for his free and easy and the freedom of "with or without me".
Finally, I'd like to end my reading by borrowing a comment from others on Ci Hua on Earth. Wang Guowei's Ci Hua on Earth has taken a solid step on the road of the exchange and integration of Chinese and western literary ideas. It is regarded as an epoch-making work in the history of China's poetry and ci-poetry, because of its novel viewpoint, incisive argument and self-contained system. Therefore, naturally attracted the attention of scholars at home and abroad.
Dear, if the answer is not easy, please adopt it.