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Comments on Aglietti, a villain who borrows things.
After watching a film and television work carefully, what do you think of this watch? Now let's write an absent-minded review. Before writing feedback, you can refer to the model essay first. The following is the feedback from Hariti, the villain who lent you something. I hope it helps you.

Aglietti, a villain who borrows things, feels 1. I know this movie was a long time ago, and all my friends who have seen it have spoken highly of it, but I just saw this work recently.

There is no denying that it is a masterpiece from any angle. The film continued Miyazaki Hayao's aesthetic painting style, so that when I was watching the film, my passing roommate took one look and said, "Oh? Miyazaki Hayao's animation? " . Different from the past, this work is adapted from a novel by British writer Mary Norton, so the painting style of this work is more or less a combination of Chinese and western, but the perfect plot writing and interesting details make it not at all neither fish nor fowl. Yes, Miyazaki Hayao is a master of detail. All his works will show a kind of detail beauty, which is so natural and true that even the audience ignores that it is just an animation, and other cartoonists and production companies will not notice it. For example, if fate wants to express a grand atmosphere, what Aglietti, a loan villain, wants to express is a story triggered by the simplest emotion-trust, and the whole story is based on this clue.

In fact, when the grandmother of the hero Xiang drove Xiang, who suffered from heart disease, to the villa to recuperate, but she was stopped by a maid named Aunt Chun when she arrived at her destination, I guessed who the villain was in the play. Unfortunately, the story behind confirmed my guess, yes, the story is so simple. But if you think about it carefully, you will inevitably consider why Aunt Chun wants to arrest young people. In exchange for money to catch them? Then why did she invite the rat catcher to investigate? To satisfy your desire to collect? Then why tell your wife? I think the more reasonable reason may be that she wants to keep this family free from the interference of foreign creatures, or that she wants to create a really quiet environment for Xiang to recuperate. After all, he will be on the operating table in a week, so whether he can come down naturally depends on the situation. So, isn't it unfair to classify Aunt Chun as a villain? Indeed, when Xiang drove Aglietti to find her mother, I believe everyone was as secretly worried about them as I was. This is what we consider from the perspective of Aglietti. From the human point of view, Aunt Chun's starting point is just to make her family better off, which is understandable, even consistent with Aglietti's starting point. Well, there is nothing wrong with either. At the end of the film, the Aglietti family was moved by being seen by human beings. Does it represent a contradiction? The answer is no.

Before returning to the play and watching this anime movie, to be honest, I don't understand what the villain means by "borrowing things". When I first saw Aglietti's father Bode take Aglietti, 14 to "borrow something", I couldn't help laughing. Isn't that stealing? Some plots are similar to the animated film Tom and Jerry that I watched a long time ago. But looking back, she is just a girl of 14 years old. Naivety is in her nature. She will take a beautiful pin she picked up when she borrowed something for the first time as a trophy, and she will make a ball for the mouse girl who climbed over her hand. She will risk her life to return the candy she gave her. All the plots are telling the audience that she is just a child. For such a simple child, stealing is really a bit too much. The "stealing" that appeared for the first time in the film was said by Aunt Chun. She said that a thief would take a lot of things and make a mess at home. But as soon as the word came out, it was strongly countered by Xiang, who thought that young people were not stealing, but borrowing. He understands that people who borrow things need help. If people can provide some materials, even a small part, human beings and people can live in harmony. Facts have proved that children's world will never be understood by adults. Children may not be as thoughtful and comprehensive as adults, but they express the simplest and kindest side of human nature. So are little people. When Aletti was seen by Xiang, Aletti's father dared not move. The idea of making Bode really determined to move must be that he found out that his daughter had the idea of making friends with humans. However, this idea is undoubtedly very dangerous in his view. Xiang once told Aletti that the number of young people is very limited and they live in fear every day. If we don't pay attention, they will be in danger of extinction, and there are 6.7 billion people! I wonder if Aglietti has any idea about the figure of 6.7 billion. What I know is that she gradually understood her parents' hearts.

In all fairness, Xiang is a child who lacks love. He knows that it is a very painful thing not to get care, but he doesn't pass on his pain, but wants to warm others with his care. What a good boy! His idea made him decide to help these young people and make their lives more moist, but what he didn't realize was that when he intervened in their daily life as a person, their life rhythm had been disrupted. Isn't it in reality? Many people approach the animals that should live in the forest under the banner of protecting animals, raise them and domesticate them, but without the people who hurt them, what about protection? What they need is not protection, not support, not to disturb! But such a seemingly humble request has become an extravagant hope for them.

At the end of the film, young people still can't get rid of the fate of moving. In the final analysis, it is Aglietti's parents' distrust of human beings. However, is human really worthy of young people's trust? Before he left, Aliti wanted to see Xiang for the last time. After all, it will be difficult to see him again at this time, ranging from a few years to a long time. Two days later, the operation failed, and the yin and yang were separated. However, with the help of the hunter, the "ship" that set off immediately did not allow her to say goodbye. What the audience didn't expect most was that Virginia, who wanted to catch Aglietti's fat cat, called Aglietti for the last time. Pass a lollipop to Aglietti, and the story will begin with this lollipop and end with this lollipop. Aletti handed his hairpin and a small clip to Xiang's hand, hoping that this clip could replace himself and stay with Xiang, wishing him a complete success in the operation. Aglietti touched Virginia's nose to say goodbye gently, looked at this human friend and said "goodbye" sincerely. When she jumped on the "boat" made of kettle, I believe all the audience would sigh and then smile.

Miyazaki Hayao's works are all cured, and Aglietti, the villain who borrowed things, is also a very cured work.

I like Xiang very much, and the dubbing is very good. Xiang, this boy has a soft and kind heart. At the beginning of the film, the teenager appeared in our field of vision, with a good face, a fair face and a gentle voice. Think about it later, maybe it's because of his bad heart. ...

Teenagers come here to recuperate and prepare for surgery after a period of time. His mother used to live here, and her mother said that she had seen little people here before, and he should also want to see or know them.

I like Aglietti very much. It looks good when the hair is loose. Fix it with a small clip and insert a pin around your waist like a little woman. When I first saw Xiang, Aglietti went out to look for laurel leaves, which may be the first time she saw a human being. She is a borrower and needs to "borrow" things from human beings to survive.

I hate Chun very much. Without her, maybe the Aglietti family could still live here. This guy still dares to lock a young master with a bad heart in his room. He's really bold enough not to be afraid of an accident. What right does she have to imprison Aglietti's mother and want to arrest Aglietti's family?

Xiang was very moved when he said he wanted to protect Aliti. He has a bad heart since he was a child and can't do much, so how happy he should be when he thinks he can protect the villain. So regardless of the danger, he must protect Aglietti on the windowsill from crazy crows; So regardless of the danger, he climbed over the window, tried to help Aletti find his mother, and also covered for Aletti to divert Ah Chun's attention. So regardless of the danger, he ran with Virginia to say goodbye to Aglietti, who was about to move to another place. And with the help of Xiang, Virginia, which almost took Aglietti as prey at first, finally took Aglietti as a friend. When saying goodbye, Aglietti touched the tip of Virginia's nose, and Virginia was still very happy to meow.

Actually, I like Spieler very much, too. He is also a villain who borrows things. I could see that he liked Aglietti, and finally he gave the berries as a gift to show his heart. Aglietti also accepted this gift, hoping that the two of them can finally be together, so that the little man is more likely to survive.

I hope I can get better all the time after this operation. Xiang also said that it was Aglietti who gave him the courage to live. I hope this courage can give him strength and make him better. I hope Xiang can find her, and he can protect the future forever.

On Aglietti in Little Borrower 3

Yesterday's rainstorm flooded the city, and it is much cooler now. The faint blue sky overhead is as dreamy as a cool tone. Xia Feng with a crisp face, from leaves to ankles, from ears to heart, is mixed with the sweetness of Baotu Spring. Looking up at the 45-degree cloud, I vaguely see my dream!

I've seen Aglietti, the villain who borrowed things, for a long time, but it's not a few weeks. I just feel that time has passed in a hurry. Sitting quietly in the quiet evening on Sunday, some inexplicable feelings are rushing around, keep in mind.

The first is dignity.

Little Ali prepared laurel and perilla leaves (very fragrant) for his mother's birthday in advance, and was chased by a cat named Virginia, risking being discovered by human beings and skipping home. Little Ali picked (picked rather than borrowed) three kinds of flowers: laurel leaf, perilla and nameless. Mother leaned her nose against the perilla leaf and said happily, if there is sugar cube at home (why sugar cube, not white sugar, probably because the microscopic sugar cube is square and all we see is particles), you can make perilla juice.

In the evening, dad took little Ali out to borrow sugar, oh! And paper. From the floor to the master's kitchen, just take a cube of sugar. In the process of borrowing paper, he had a heart attack and went to the suburbs for preoperative rest. He found that he lost his sugar cube in his panic and missed borrowing paper. It was terrible to borrow something for the first time. Her father took the responsibility for the failure of little Ali, which is worth learning!

Xiang Xin thought there was an iou, and witnessed it, and returned a piece of sugar cube to the windowsill of Little Ali's house. Xiao Ali told her parents that her panicked parents began to prepare for the relocation. But she doesn't think so. Kind-hearted, she began to doubt her mother's story that grandpa was eaten by a frog. Is this weak human really that bad?

Sugar cube was finally besieged by ants. Little Ali doesn't want to owe anyone. This runs in the family, including the gift of this little human boy. Resolutely drive away the ant colony and once again risk returning half a cube of sugar to human beings. This is the test of conscience, the defense of dignity and the nobleness of the borrower.

At the end of the play, little Ali accepted the sugar cubes donated by the human boy, and at the same time, she also exchanged her own hair clips. I learned that my mother still kept a luxury villa customized for the borrower from England, but I always wanted to give it to the little Ali family, but the little Ali family moved with the help of the little aborigines and chose a new home with a view of the sea.

Borrowing is not a greedy acquisition, nor is it a passive acceptance.

Second, since ancient times, there have been many loves and illnesses.

Young Xiang suffers from a serious heart disease and needs to rest. However, the quietness of the suburbs and the fragility of the mind can perceive the subtlety of nature and observe the mysteries of thousands of things; It is also because of her illness that she can not be surprised by little Ali's borrowing money, help little Ali save her mother wholeheartedly, and take care of this Thumbelina with the truest heart, just like appreciating each other. Of course, this is not just because of illness.

Slow down and look at yourself, and you will find that the leaves will sing and the wind will cry. Little Ali was lucky to meet Xiang, but unfortunately, all her relatives were destroyed by human beings. A Chun, a secular housekeeper, is a typical representative of human beings. He reported to the extermination team that he wanted to capture the villain alive and take credit for it. Incense is our good wish, our ideal self and our inner moral pursuit.

If it weren't for Xiang's illness and sentimentality, she might not care about little Ali's subtle feelings. If she hadn't been cowardly and strode like a meteor, maybe she wouldn't have found little Ali, found the beauty in life and missed the opportunity to save people and save themselves.

Third, all things have feelings and learn to be kind.

I'm a little worried about Virginia who chased Ali Jr. What if I catch up with her? Later, little Ali's family moved, and Virginia secretly reported that she had come all the way, only to complete the final meeting and cherish each other.

Little Ali became a part of Xinxiang, and the next day he strengthened his actions and doubled his courage to live; Little Ali shed tears of gratitude and gave her a hairpin. The moment her hair shook off, it was beautiful. The whole family and the small indigenous people rode copper pots, braved the wind and waves, accompanied by the sunset glow, to find a new home facing the sea!