1. Poems describing calligraphy

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Original publisher: Every Plop Ant

< p> Sentences about describing calligraphy: 1. The pen is full of ink: the pen and ink are used very freely and fully. It mostly describes calligraphy and poetry as smooth and vigorous. The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping. Describes the calligraphy style as vigorous and free-spirited. He also writes on behalf of the commander. 2. The flowing clouds and flowing water, the writing strokes are like clouds and smoke. 3. With one stroke, it looks like a runaway horse soaring into the sky and away from the dust; or like a dragon flying into the sky, moving around, coming from nothingness, and returning to the void again. This almost crazy impulse of primitive vitality encompasses the heaven and the earth. The aura of the universe. 4. Calligraphy incorporates the perseverance, courage and enterprising spirit of Confucianism, as well as the emptiness, dispersion and tranquility of Laozi and Zhuangzi. It often changes in a way that does not seek richness, and omits the worldly glitz in the writing in order to seek emptiness and distance. Real flavor means. 5. Observe that his strength is not lost, his posture is extended but not exaggerated, and his handwriting flows like water and clouds. 6. Du Shijie has strong bones but is thin in calligraphy and painting. If there are no leaves in the frost forest, the waterfall will fly in. 7. A group of crocodiles are playing in the sea, and cranes are dancing in the sky (Emperor Xiao Yan of Liang Dynasty commented on Wang Xizhi) 8. Floating like floating clouds, as powerful as a frightening dragon. The iron book and the silver hook are the best in ancient and modern times. 9. Huaisu is like a strong man wielding a sword, his expression is moving, and he moves forward and backward without missing the mark. 10. With a few scribbles, a picture of a soaring dragon will appear on the paper. The dragons he painted are lifelike, majestic and varied. When Chen Rong painted a dragon, he often did not paint the entire dragon, but painted the dragon's head or claws, which flickered in and out, as if hearing its sound or seeing its shape. He also splashed ink to form clouds and sprayed water to form mist. It was so wonderful that people said it Weng Long (Chen Rong's name is Weng). 11. The fonts are upright and staggered, large and small, open and close, and the line thickness changes obviously, with ups and downs. The last line is crooked, so crooked that it almost falls over, but this tilt is not rigid, but more free, reflecting his willful side and his own style. Chen Rong's posture is steep, and the shape of his knots may be leaning or upright, heavy or light, with the beauty of coming down like thunder to collect its fury. He writes quickly, 2. Very good quotes about calligraphy

1. Jiang Shiquan

Banqiao's calligraphy is like writing orchid, with odd and graceful waves.

Writing orchids in Banqiao are like writing, and the beautiful leaves and sparse flowers show their beauty.

Poems praising calligraphy by the ancients

2. Zheng Banqiao

Every day, I go to the pond to study ink, but I never use chalk to compete for beauty.

You must know that painting is the same as calligraphy, and orchids and bamboos are like grass.

3. Huang Tingjian

People in the world only learn from Lan Ting's appearance, but if they want to change their character, there is no golden elixir.

Unexpectedly, Yang Fengzi from Luoyang went to Wusilan when he started writing.

4. Wang Wenzhi's "Quequatu on Calligraphy"

There are many writers and graves in Mochi, but it is not easy to understand the Zen of calligraphy.

After carefully reading Sun Gong’s book, we found out that Qu was from the past. 3. Famous quotes about calligraphy

▲Words are the voice of the heart; books are the paintings of the heart. The sounds and shapes are what a gentleman and a villain can see. Sound and painting are the reasons why gentlemen and villains are emotional. ——Yang Xiong's "Dharma Statement" ▲In calligraphy and painting, the most important thing is character. Since his integrity is excellent, everyone not only values ??his writing and ink, but also admires his person. ——"Yiyuan Painting Theory" by Songnian of the Qing Dynasty ▲A person who stands upright has an upright and bright outlook outside of his pen and ink. ——Wang Yu of the Qing Dynasty ▲The vastness and fall of the mind are all reflected in the brush and ink. The so-called high quality means that the rhyme is self-contained. ——Zhang Yuan's "Quotations from Shi Tao's Paintings" ▲The ancients said about calligraphy: One must be of high character, and the other must be learned from ancient times. This is the method of calligraphy, and scholars should learn it. Therefore, if you are familiar with it, you must first cultivate all the virtues to become familiar with it. To the body. The virtue is familiar to the body, and the writing is in the hands. In this way, it becomes a book. ——"Three Flavors of Calligraphy" ▲Students of calligraphy have two views: observing things and observing myself. Observe things to resemble emotions, observe me to understand virtue. ——Liu Xizai's "Art Summary" of the Qing Dynasty ▲Mortals have different qi, blood, muscles and bones. The heart is dense and dense, and the hand is clumsy. The beauty and ugliness of writing lie in the heart and hand. ——Tang Zhang Yanyuan's "Book of Dharma" ▲Hushu is endowed with human nature, and those who are sick cannot be made to suffer from it: Those who are sick cannot be made to suffer from disease. ——Cai Yong of the Eastern Han Dynasty, "Shishi Divinely Instructed on Handwriting" ▲Righteous calligraphy is the rectification of people's hearts, and it is also the sage way. ——Ming Dynasty. Xiang Mu's "Elegance on Calligraphy" ▲The person who writes old books is also a student of mind; the person who writes is also a writer of aspirations. ——Liu Xizai's "Art Summary" of the Qing Dynasty ▲Academic classics and discussions all originate from the heart. If the heart is not right, what it does will be wrong. Liu Gongquan said: If the heart is right, the pen will be right. ——Ming Dynasty. Xiang Mu's "Elegant Words on Calligraphy" ▲Use the pen with your heart in mind. If your heart is right, your pen will be right. If your pen is right, you can practice it. ——Liu Gongquan ▲The book is like Ye, like his learning, like his talent, like his ambition, in short, just like his person. The book must be clear and thick, and clearness and thickness must be based on the heart. Otherwise, although the book is spared from being thin and muddy, it is just a reflection of others. ——Liu Xizai's "Art Overview" of the Qing Dynasty ▲It is better to have the tools at the right time, and it is better to have the right tools than to succeed. (It is better to achieve the right than to achieve the will.) - "Calligraphy" by Sun Guoting of the Tang Dynasty ▲Calligraphy is just a skill, but the first step is to establish a good work. Those with high quality will have a clear, elegant and upright spirit in each stroke; those with low quality will be impressive even though they are passionate and frustrated, but their vertical and horizontal rigidity will inevitably show up. ——Zhu Hegen's "Linchi Xinjie" of the Qing Dynasty ▲Everyone who is good at calligraphy and painting has good character and learning. When he is an official, he pays more attention to his political achievements and reputation, so he will be valued in future generations. ——Song Nian, Qing Dynasty, "On Painting in the Summer Palace" ▲The nature of the brush and the emotion of the ink are all based on the human temperament. This is the first task of writing with rationality and emotion. ——Liu Xizai's "Art Overview" of the Qing Dynasty ▲Hands and divine luck, art comes from experience.

His ambition is set in the book, his crown cannot be moved, his poverty and humbleness cannot be surrendered, he is proud and contented, and he will live his whole life. ——Song Dynasty. Zhu Wenchang's "Sustained Book" ▲When you want to write, listen to it instead of watching it, concentrate your mind without any worries, and your heart is upright and peaceful, then it will be in harmony with the wonderful. If the mind is not right, the writing will be slanted; if the ambition is not harmonious, the writing will fall down. ——Tang Dynasty. Yu Shinan's "Bi Mui Lun" ▲The heart of looking at the world, the emotion of advocating the saints, breaking down doubts, and rationalizing the criticisms of vulgarity and Confucianism. ——Eastern Han Dynasty. Zhao Yi's "Fei Cursive Script" ▲Happiness means that the Qi is gentle and the characters are relaxed, anger means that the Qi is thick and the characters are dangerous, sadness means that the Qi is depressed and the characters are condensed, and joy means that the characters are flat and the characters are beautiful. The emotions are heavy and light, so the words are calm, gentle, beautiful, deep and shallow, and the changes are endless. ——Yuan Chen Yizeng's "Essentials of Hanlin" ▲There are good and ugly looks in people, but the attitude of a gentleman and a villain cannot be concealed. There are arrogance in words, but the spirit of a gentleman and a villain cannot be deceived. Books are clumsy in workmanship, but the heart of a gentleman and a villain should not be messed up. ——Su Shi's "Book Theory" ▲High rhyme and deep emotion, strong quality and majestic spirit, neither one of them can make a book. ——Liu Xizai's "Art Summary" of the Qing Dynasty ▲The writer of the husband's book is the rest of the heroes, and the urgent task of the article. Although it is a Tao, both the virtuous and the unworthy can learn it. However, there are always many virtuous people, and there are often few unworthy ones. How can it be that the unworthy people can do it and the wise people are abandoned suddenly? ——Zhu Wenchang, Song Dynasty, "Sushu Duan" ▲Therefore, there is no shortage of people who write about morality, merit, articles, and integrity. Those who comment on the world admire their people and pay more attention to their books, so the writers will remain immortal through the ages. -- Qing Dynasty. Zhu Hegen's "Linchi Xinjie" ▲The lady's spirit is in all things, and her heart is in charge of all the bones. Therefore, what arises from the heart is accumulated as morality, manifested as economics, established as virtue, established as moral integrity, proclaimed as articles, and carried out as handwriting. ——Ming. ——Ming Dynasty. Xiang Mu's "The Elegant Words of Calligraphy" ▲ Try to describe it in terms of character. He is skilled in planning and practice, and has profound knowledge. He must be called Huangfazhiyan. The words are clear, the movements are convenient, and there are countless handsome and fashionable heroes. The old man is the strength of the book, the young man is the beauty of the book. The strength of the muscles is still strong, the appearance is noble and beautiful, if you know it well, you will be good, if you break it, you will be good. It is harmonious and clear, and a few of them are written down. If its scale is grand and far-reaching, its meaning is graceful, its twists and turns, its tranquility and gracefulness, its elders are numerous, it is difficult to describe it, it is like a fairy and a beautiful girl, whose age cannot be distinguished, this is the best. Although he is young at first glance, he is strong and mature, rich and beautiful, with towering talisman bundles, light breezes, and resolute demeanor. In the world, what is said in the world is that youth and maturity are the second best thing. --Ming Dynasty. Xiang Mu's "Calligraphy and Elegance" ▲ The lady's temperament is strong and soft, and the use of her hands is in harmony with each other. The cautious one is restrained and miscellaneous; the indulgent one is the one who goes beyond the rules; the fast one is frightened and has no worries; the slow and serious one is timid and depressed; the simple one is bold and clear; the rigorous one is compact and few. Ease; those who are gentle, are graceful and graceful; those who are dangerous, the carvings and paintings are too harsh; those who are majestic, are ashamed of being humble; those who are graceful and smooth, are becoming more dignified; those who are dignified, the appearance is too simple; those who are smooth and elegant, are too complex. Those who are flashy; those who are slender and luxuriant are still scattered and slow; those who are refreshing and healthy are brave and brave; those who are stable and mature lack the novelty. --Ming Dynasty. Xiang Mu's "Calligraphy Elegance" ▲I said that between pen and ink, the essence is based on people's atmosphere, and the same is true for calligraphy. ...Zhu Dengshan, Yan Changshan, Liu Jianyi's articles are wonderful today and ancient, his loyalty runs through the sun and the moon, and his books are full of seriousness and regular ink... Taibai's books are fresh and lively, his breathing is pure, he is free from the mundane world, and he is like an immortal. gas. ... All of these are words that come out naturally just like the person he wrote them. ——Zhou Xinglian, Qing Dynasty, "Linchi Guanjian" ▲Although the family of Xue Zong has become multiple bodies, they all regard it as posture according to their sexual desire. Those who are upright will not suffer hardship; those who are ruthless will be stubborn and unruly; those who are reserved will suffer from restraint; those who are free will lose their rules; those who are gentle will suffer from softness and slowness; those who are impatient and brave will be too forced; those who are suspicious will indulge in stagnation. , Those who are slow and heavy will eventually become dull, and those who are light and trivial will be infected by the common officials. ——Sun Guoting's "Shu Pu" of the Tang Dynasty ▲The pictures in the heart and the voice in the heart are always distorted, but the articles are better to see the person again. Gao Qing's "Xianju Fu", striving to recognize Anren and worship Lu Chen. --Yuan Yishan 4. Famous quotes on calligraphy

1. Calligraphy that does not follow the ancients is like walking at night without a candle

This sentence comes from Qin Zu, a calligrapher in the Qing Dynasty. The meaning of Qin Zu's words is that learning calligraphy must start from studying the ancients. Calligraphy without studying the ancients is like walking in the dark night, unable to find the way forward. This is indeed the case. No matter ancient or modern calligraphers, they all started from Lin Tie, so Lin Tie is the path we must take to learn calligraphy.

2. Learning ancient calligraphy requires learning its sacred bones

Learning ancient calligraphy is not just about using pens and knotting characters, there are many other things that need our attention. Liang Gong's "Ping Shu Tie" of the Qing Dynasty: "To learn calligraphy, you must follow the steps of the ancients, and do not rely on the people of the time. To learn from the ancients, you must get their spiritual bones, and don't just look like them." This sentence mainly illustrates the necessity of learning the calligraphy of the ancients. , also emphasized that learning ancient calligraphy is not only about pursuing similar appearance, but also about charm.

3. When learning calligraphy for beginners, you need to slow down your strokes to determine the situation. If you are busy, you will lose the rules.

Wang Xizhi said in "Twelve Chapters on Calligraphy": "Beginners to learn calligraphy are like this." The general meaning of this sentence is that when you first learn calligraphy, you must be steady when writing. Being too hasty will easily lead to loss of control.

4. Heaven is moving vigorously, and a gentleman strives to constantly strive for self-improvement. The terrain is kun, and a gentleman carries things with kindness.

As the sky moves forward, a gentleman strives to constantly strive for self-improvement. The terrain is kun, and a gentleman carries things with kindness. From the translation of "The Book of Changes": A gentleman should be like a celestial body that moves endlessly, even if it is wandering, it will not give in. If you are a gentleman, you should hold things like the earth, and there is nothing that cannot be carried.

5. When two people are of the same mind, their sharpness can break through metal; if they speak of the same mind, their stench is as bad as orchid.

When two people are of the same mind, their sharpness can break through metal; if they speak of the same mind, their stench is as bad as orchid.

, from the "Book of Changes" translation: People who work together are strong enough to break hard metal; people who work together express unanimous opinions and are persuasive, and people are like smelling the fragrance of orchids and are easy to accept. 5. Famous aphorisms about calligraphy, poetic

●Calligraphy originates from nature (Cai Yong, Han Dynasty)

●Silent sound, invisible appearance (Zhang Huaijin, Tang Dynasty) < /p>

●Studying books can lead to far-reaching knowledge (Zhang Yanyuan of the Tang Dynasty)

●The mysterious meaning comes from the surface of things; the profound truth lies in the darkness; how can it be?

What can be expressed by ordinary feelings is what can be measured by worldly wisdom (Zhang Huaijin of the Tang Dynasty)

●It may be used to convey ambitions to achieve success, or it may be used to relieve depression. Even though it is noble, it cannot suppress its height.

Even though it is a clever calculation, it cannot match its power (Zhang Huaijin of the Tang Dynasty)

●Words should not be written repeatedly, and words should not be passed on randomly

●Writing is like a picture of a dog, the more you describe it, the uglier it becomes

●Handwriting is afraid of practicing, and horses are afraid of riding

●Writing does not take a hundred days to master

●Punching is necessary , the writing needs to be practiced

●The writing must be bone-like, the meat must be wrapped around the tendons, and the tendons must hide the meat, so that the tie must be beautiful and moist (Mi Fu, Song Dynasty)

●The rules of how to make one character from one point to another , one word is accurate for the final chapter (Sun Guoting, Tang Dynasty)

●The pen is bald with thousands of tubes, and the ink is polished thousands of times (Su Shi, Song Dynasty)

●The pen is drawn hard, if The swans fly high, and the birds fly gracefully (Jin Dynasty Wei Heng)

●As graceful as a silver hook, the source is like a frightening luan (Jin Dynasty Suo Jing)

●Floating like floating clouds, as graceful as a floating cloud The Frightening Dragon (Book of Jin)

●The dragon leaps over the sky gate, the tiger crouches in the Phoenix Pavilion (Southern and Northern Dynasties·Xiao Yan)

●Clouds and cranes roam the sky, and a group of heroes play in the sea (Southern and Northern Dynasties·Xiao Yan) )

●The dragon is powerful and the tiger is vibrating, and the sword is at war (Yuan Ang in the Southern and Northern Dynasties)

●The physical appearance is extraordinary, different from the present and the ancient. Falling pearls and jade, fluttering tassels (Tang·Zhang Huaisheng)

●Like the breeze coming out of the sleeves, the bright moon entering the arms (Tang·Li Sizhen)

●The dragon and snake in the pen seem to have gods (Tang· Zhang Huaijin)

●The brush strokes are like clouds of smoke (Du Fu, Tang Dynasty)

●All the time, only dragons and snakes are seen walking away (Li Bai, Tang Dynasty)

●If you teach by the water By the side, each word may become a dragon (Han Wo of the Tang Dynasty) 6. What are the poems about calligraphy

Qinghua.com Home Page >> Poems about calligraphy Author: Xihai Read: 4121 times Time: 13-03 -28 09:40:09 Column: Poetry Chapter 1: Observe the elegant charm of calligraphy, iron painting, and silver hooks, which are rough and subtle, thick and light, and full of fragrance.

A group of dragons are flying in the ink sea, and the envious ducklings are about to spread their wings. Chapter 2: Zhong Yao's calligraphy: Feihong plays in the sea and is full of energy, and dances with cranes in the sky.

The fine works will be passed down to future generations, and together with Xizhi, he will be called the King of Bells. Chapter 3: On calligraphy, poetry, calligraphy, painting and seals are all connected. The brush strokes, ink and inkstone are like dragons and snakes moving, the body and charm are in the same line, carrying the wind and clouds. The changes are all in the meaning of the pen, and the expression is soaring beyond the sky and the earth. Concentrate on the sharp edge to point the country, the wind and thunder roar, and the words are also the heroes of the times. Chapter 4: The classical beauty of calligraphy is your soul. Otherwise, why have you been gone for so long? Have you walked through so many clear autumns? That kind of delicate beauty is your appearance. Otherwise, why are you so lovable? So let the wise man impress you? That kind of powerful beauty is your language. Otherwise, why do you stand tall? Obscurity? That subtle beauty is your shyness. Otherwise, why don't you show off to the world? Not aloof from others? You are the rain in the wind that has drenched all the wise men in the world. You are the thirsty heart. You are the wind in the rain. I deeply feel that after the rain, that is your existence. Chapter 5: Calligraphy chanting, holding a silver pen in hand, the dragon descends to its full body and dips it in the golden ink chamber. Incense fills the paper with fluttering phoenixes and splashes of ink. In an instant, there is an article. The white clouds add wings to the blue sky. The green mountains have feet on the waves of ink. Green willows are nodding charmingly. Green pines stand tall to greet the morning sun. Thousands of thoughts are hidden in the words. Thousands of warnings are hidden in the heart. Draw a dragon and a phoenix in your heart. Be a human first. Keep the beauty of calligraphy and ink and become famous, write down the road of life, travel freely and elegantly, have no worries in the world, book lovers give roses to others, leave incense in your hands, write down the years, the vicissitudes of life, my temples are dyed like hoarfrost, we are destined to be together in this life, I fear that we will not meet again in the next life. I am copying The sages' calligraphy is written with pearls and letters to persuade people to have a broad mind. The sky and the earth are wide, the Yangtze River and the Yellow River are flowing in the paper. Send the paper and pen, the spirit of the words, and the words are dancing. Friendship is long. Today, there is a wine to toast Xi. It is not in vain. We gather in Orchid Pavilion to talk to old friends and new friends. All because of calligraphy as a bridge. National culture should inherit health, happiness and never forget Chapter 6: Calligraphy is like a cloud rolling back a sword, and the dots are like birds pecking and rolling waves.

Take the oblique meaning horizontally and straighten the vertical meaning, integrating the form and meaning into the origin of the word. The fu organs are tilted upward and the back is tightly attached to each other. The sky and the earth are carrying the weight and the heart is stable.

The long and short curves change according to the trend, and the previous calls and back responses are connected. Development, continuity, and ingenuity are born, and the muscles and bones of priorities are revealed.

The sparseness can move like a horse, and the ink and white space are all natural.