1. Practice basic regular script, mainly practicing the frame and structure. Remember not to practice techniques. It is best to practice with a brush. You can also draw branches on the ground;

2. Practice basic cursive script, mainly practice the structure, remember not to practice techniques;

3. Practice large seal script, mainly practice the meaning of the words and the meaning of the strokes

The above three points require good memory, When using a pen, you can basically use the middle peak. Just imagine that the pen in your hand is a small wooden stick. The time is three months, 30 minutes a day.

4. If you have nothing to do, read a few more samples: "Ode to the Stone Gate"/Wang Xianzhi/Zhang Xu Cursive Script/Huang Tingjian/Kang Youwei/Wu Changshuo/Wang Yong. There are many others, but I will only list the key figures in the history of calligraphy. The experimental nature of Fu Shan's works can be studied carefully, and it is a sample for understanding the overall significance of calligraphy. Try to understand the meaning of Wang Yong's mastery.

5. Look at the more calligraphic works of Western modernism such as Picasso, Matisse, Miró and Munch, and observe the expressive power of Western modernism.

6. For books on calligraphy theory, you can just read Qiu Zhenzhong’s. It is relatively comprehensive and objective, and contains modernist ideas. It is a pity that it cannot go further. Try to keep thinking about the ontological meaning of calligraphy

7. It depends on your nature and destiny (including energy, way of thinking, breadth of vision, understanding, etc.)

The above seven points are my personal experience and may not be suitable for everyone. Comments are welcome!

1. When practicing regular script, the most important thing is to realize that you are drawing lines in a box (whether square or rectangular), but do not use ruled paper, it is best to use free-flowing paper Better handmade rough edges, about 25 yuan for 100 sheets (available across from the National Art Museum of China in Beijing)

2. The most important thing when practicing cursive writing is to realize that you are drawing various irregular shapes. Arc lines (the more irregular they are, the better)

3. When practicing Dazhuan, the most important thing is to realize that you are placing building blocks (remember, not building blocks), and each stroke has a width and thickness A similar small wooden stick (the length is determined according to the structure of the word)

After three months you will enter the second stage (creation stage), also called the "getting carried away" stage

Study diligently Practice more! Follow the wind answer acceptance rate: 16.7 2008-11-06 12:40 You have already rated it! Good: 0 You have already rated it! Bad: 0 Calligraphy Practice Guide 1: Famous Quotes of Calligraphy Celebrities of the Past Dynasties Calligraphy celebrities of the past dynasties have certain attainments in the art of calligraphy. The classic quotes they provide provide a shortcut for beginners to get started and are more authoritative. These famous quotes are concise and comprehensive, and they are worth savoring. 1: Sun Guoting: Beginner to distribution, but seek fairness. 2: Xiang Mu: There are three precepts in the book; when you first learn, the precepts are unevenly distributed, and when you learn the rules, you will get rid of inactivity and stagnation; in the end, when you are proficient, you will get rid of craziness and vulgarity. 3: Wang Xizhi: (1) The shape of the characters should not be wide at the top and narrow at the bottom, otherwise the emphasis will be disproportionate. The partitions are white, and the distance should be balanced, so that the top and bottom can be accommodated, and it will be naturally stable. (2) Evenly distribute the stipples, match the distance and nearness, spread and refine, and harmonize the brush and ink; the edges and fibers come and go, and the density and density are connected. (3) When the two characters are combined into one, the weight should not be long, the single should not be small, and the complex should not be large. Dense is better than sparse, and short is better than long. 4: Yan Zhenqing: If you want to write a book, anticipate the shape of the characters first, and arrange them to make them stable, or unexpectedly create them and make them have different trends. This is called cleverness. 5: Ouyang Xun: Beginners should first establish the general structure, place it horizontally and vertically, and treat the cloth and white to make sure they are even. 6: Jiang He: There are three kinds of cloth white; the cloth white in the word, the cloth white in the characters, and the cloth white in the lines. When you are new to learning distribution, you must stop evenly; once you know it is still even, you need to seek changes, such as slanting, straightness, density, and density. 7: Chen Yi: If the sparse place is full, the dense place will be raised; if the flat place is full, the dangerous place will be lifted; if the place is full, the body will be fat, and if it is raised, the body will be thin. 8: Xiang Mu: People are very good at books. There are thousands of shapes and forms, but they can only be called neutral. Said fat. It's just that I'm thin. If the length of the book should be in harmony, the weight should be balanced, the yin and yang should be appropriate, the hardness and softness complement each other, and the person who talks about the appearance of the world will be neither fat nor thin. Neither long nor short is beautiful. 9: Zhang Huaijin: Yan Yang and his back; when two characters are combined into one character, it is necessary to draw up and down Yan Yang with the force of separation and union.

10: Mrs. Wei: The stippling is like a rock falling from a peak, and the bump is like a collapse; the horizontal painting is like a cloud formation thousands of miles away, but it is faint and tangible; the vertical painting is like a long-lived withered vine; the painting is like a rhinoceros with a broken land; the painting is like a collapse. The waves and thunder rush; the oblique hooks are like the hair of a hundred Jun crossbows; the horizontal folds are like the tendon joints of a powerful crossbow; each word is a character, and each resembles its shape. This is a wonderful creation, and the calligraphy is complete. 2: How to practice calligraphy. Calligraphy is an art. To practice calligraphy well, you should pay attention to the following points: (1) Establish a correct idea of ??learning calligraphy: It takes a hundred days to write a word. The practice of calligraphy requires the spirit of hard work and diligence. Be prepared when approaching a pond and be persistent. Don't slack off halfway. (2) Choose suitable writing tools: The Four Treasures of the Study are the tools that should be prepared for practicing calligraphy. To choose the appropriate use, it is said that if a worker wants to do his job well, he must first sharpen his tools. If the selection is inappropriate, it will affect the efficiency and progress of the exercise. (3) Start with regular script and gradually advance to writing: When practicing calligraphy, you should choose an appropriate method. You should start from simple regular script and gradually advance to writing. Do not be too ambitious, as haste makes waste. It is necessary to have a good foundation in calligraphy practice. (4) Selection of inscriptions The choice of inscriptions is the key to practicing calligraphy well. A master will lead you in. Practice depends on having a good master and your own diligent study and practice. Only then can you gradually master calligraphy and become a master of calligraphy. Three: Methods of copybook copying 1: Choose the appropriate copybook Copying copybook is the only way to learn calligraphy, and it is also an effective and good method. There are two types of copybooks for copying, one is a brush copybook and the other is a fountain pen copybook. To learn fountain pen calligraphy, you should copy the fountain pen copybooks. The effect of copying the brush calligraphy is also very good. Because most of the brush calligraphy has a high artistic quality, in addition to its exquisite stipples, clear thickness and detail, and clear explanation of the ins and outs, it also has the advantages of beautiful structure and perfect composition, which is conducive to beginners' learning. In addition, the brush copybooks are rich in variety and style, making them easy to choose and use. It's just that the lines of calligraphy are relatively thick, while the handwriting of fountain pens is relatively sharp, so when copying, the flesh and blood should be removed and the bones and muscles should be taken. 2: Methods of copying copybooks (1) Select copybooks. Choose a copybook that you like more, has neater stipples, and a more well-proportioned structure, and copy it. If it is a calligraphy copybook, you should choose a copybook with a smaller font, which will save you the trouble of reducing it. (2) Copy first, then copy, and combine copying. When learning calligraphy, you should copy first, then copy, and combine copying. The so-called copying is to place the copybook under a relatively transparent calligraphy paper and use a pen to trace the words on the copybook in red one by one. It is required that the handwriting of the pen should not go beyond the calligraphy of the calligraphy brush, and should be written in the middle of the stipples on the copybook. In this way, over time, it will be easy to learn the structure of the characters on the copybook. The so-called lin is to put the copybook next to the calligraphy paper and draw the gourd according to the words on the copybook. The stipples are required to be written realistically, with changes in light, heavy, rhythm and thickness. In this way, over time, it will be easy to learn the meaning of the words on the copybook. Since copying is more difficult than copying, one must copy first and then copy. Since copying and copying are two complementary means of learning Chinese characters, copying must be combined and done step by step. (3) Read the post carefully. Furthermore, read the post carefully before copying. The words on the post, how to write the stipples, how to arrange the structure, and how to arrange the chapters must be carefully considered and find out the rules. This will make it easy to write interestingly, and it is easy to write well. When copying, don't be greedy for too much or too soon. Stick to it for one or two hours every day and copy a few words repeatedly, only in this way can you get real gains. For words that are difficult to write, we should learn more about them, copy them more, and compare them more. (4) Memorize, verify, and use. In addition to copying, you must also be able to memorize, verify, and use. To memorize means to write on the post without looking at it, so that you can write the words on the post without looking at the post, and strive to be the same in form and spirit; to check is to check the words written on the post with the words on the post. See if there are any mistakes, and be good at discovering your own shortcomings so as to correct them; use means practice, apply what you have learned to real life, and consolidate and improve what you have learned in practice. (5) Learn from the strengths of others. After you have copied one type of copybook, you should also copy some other copybooks based on their strengths.