"...Night now yields to a sea of sun, and the old year melts in freshets." Still spewing out the sea of night confusion, the winter has not seen, and the river has felt spring. These two sentences can be described as eternal songs, which have appeared many times in Chinese poetry conferences. "Sea Sun" refers not to the sun on the sea, but to the scenery on the river. In the Ming Dynasty, Hu Yinglin said in the Internal Compilation of Poems that the combination of "the sea and the sun" "describes the scenery, which is wonderful through the ages".
"under blue mountains we wound our way, my boat and I, along green water" tourists swim under the green hills of Beigushan Mountain, and the boat travels among the green waters of the Yangtze River. The green hills here refer to Beigushan, which is in the north of Zhenjiang, Jiangsu Province, and faces the Yangtze River on three sides. The poet sailed in a sailboat among the green mountains and green waters. These two sentences are extremely neat, writing the leisure interest between green mountains and green waters.
Xin Qiji wrote "I see how charming Qingshan is, and I expect Qingshan to see me as such". There is nothing gratifying about the poet, so he has to pour his deep feelings into nature. People and Qingshan watch each other and feel that Qingshan has become so charming. And Wang Wan's leisure interest is not the same.
"until the banks at low tide widened, with no wind stirring my lone sail". When the tide rises, the river becomes wider, and a good wind blows a sail on the river. "The tide rose on the river, and it became wider and more beautiful. These two famous poems, which have been praised through the ages, are flat and wide, corresponding to the sailing boat.
I wonder why the tide is flat and the phoenix is positive. It turned out to be a picture of a breeze blowing. The poet is on a sailboat, and the breezy picture is very dynamic. Zhang Ruoxu wrote, "The spring tide is in Lian Haiping, and the bright moon on the sea is born." It is also about the landscape of rising tide, which is the tide at night.
"Day after night" and "Spring into the old year" describe the alternation of time series. How can time not make the stranger feel homesick in such a hurry? In fact, this poem also contains rich sense of interest. Hai Ri was born on a cold night, and only when the cold and darkness are banished can the spring be warm. This sentence gives people an optimistic and positive life truth. This sentence has a similar meaning to "Qian Fan on the side of the sinking boat, Wan Muchun in front of the sick tree".
"at last I can send my messengers? Wildgeese, homing to Loyang. " How can I send a letter from home to Luoyang? Please take Yan Er to my deep thoughts. The poet slowly moved forward in a sailboat, and his homesickness came into being. I hope the letter from home can reach my hometown Luoyang soon. But it's a long way, and I can only look forward to it soon.
in ancient times, the way of transmission was mainly by correspondence, unlike a phone call or a short message that was received in a few seconds. An urgent letter in the army will be sent at once, like a poet's homesick letter, which can be said to be as slow as a snail. It's like Yan Shu's "If you want to send colorful stationery and ruler, you will know where the mountains are long and the waters are vast".
Throughout the ages, homesickness has always been an inexhaustible parting worry. Just like Xi Murong's poem said: "The song of hometown is a flute in Qingyuan, which always rings at night with the moon, but the face of hometown is a kind of vague disappointment, like waving goodbye in the fog." The farther away from home, the heavier the homesickness will be.