Mr. Mei Lanfang has made outstanding contributions to promoting cultural exchanges between China and the international community. He is a pioneer in China's dissemination of Peking Opera overseas. He visited Japan three times in 1919, 1924 and 1956, the United States in 193, and the Soviet Union twice in 1935 and 1952 to perform, and gained a high reputation. He made friends with many internationally famous artists, dramatists, singers, dancers, writers and painters and established sincere friendship with them. [8] His activities not only enhanced people's understanding of China culture, but also made China's Peking Opera into the world drama. Mei Lanfang, stanislavski and Brecht are also called the three major performance systems in the world.

After the founding of the People's Republic of China, Mei Lanfang was successively elected as a deputy to the National People's Congress, a standing member of the National Committee of the China People's Political Consultative Conference, a vice-chairman of the Federation of Chinese Literary and Art Circles and a vice-chairman of the Chinese Dramatists Association, and successively served as the director of the China Theatre Research Institute, China Theatre Academy and China Peking Opera Theatre. In July 1959, Mei Lanfang joined China, making various contributions to the socialist construction of the motherland.

Mr. Mei Lanfang has made outstanding contributions in promoting cultural exchanges between China and other countries. He is a pioneer in China's dissemination of Peking Opera overseas.

Mr. Mei Lanfang is a symbol of China's performing arts and the pride of the people of China.

Mr. Mei Lanfang has spent nearly 6 spring and autumn periods on the stage. It is difficult to tell the exact number of plays he has performed. I had the honor of sorting out a large amount of materials collected by Mr. Mei, and only made a preliminary sorting out from the materials I saw, such as plays, brochures, posters and special issues. There are about 167 plays in his early, middle and late public performances, and of course there will be more than that. Below, the names of the plays performed by Mr. Mei and the roles played in the plays are written in different categories for reference.

(1) Most of the traditional operas performed by Mr. Mei Lanfang are formal Tsing Yi operas, all of which were performed in his early years. Some of them played supporting roles in the operas, and some of them were still performed in the middle period, and some of them were performed abroad. 2. I like Mei Lanfang's 3-word composition.

Since I was born, there is nothing I can admire.

But that time, I was shocked by learning the text Mei Lanfang ... Mei Lanfang was born in 1894 and died in 1961. She was one of the most outstanding performing artists in Beijing Opera. He, Cheng Yanqiu, Shang Xiaoyun and Xun Huisheng are also called "four famous Peking Opera".

After learning this text, I not only learned an amazing story, but also learned the touching story of the famous Peking Opera artist's struggle with the Japanese and learned Mei Lanfang's strong patriotic thought and lofty national integrity. Mei Lanfang is really a great man in my eyes! Shortly after the outbreak of War of Resistance against Japanese Aggression in 1937, the Japanese invited Mei Lanfang to perform for them with ulterior motives.

as long as he agrees to perform on stage, all luxury life will be at his fingertips. However, he is dismissive of these, and he is unwilling and impossible to whitewash the Japanese.

He would rather have a bowl of rice, a little canned food or a small piece of salted fish for every meal, and he would rather face the bombs whizzing overhead all the time in fear than have the national integrity as a person in China. Although he regarded art as his life, he did not hesitate to give way to national integrity at the critical moment of national survival.

A famous artist, in order to break the Japanese puppet's wishful thinking, did not hesitate to hurt his body. After learning this text, I understand a truth: "No matter how big your family is, it is also a small matter. No matter how small your country is, it is also a big matter."

After two pieces of Mei Lanfang's text, I was deeply moved by Mei Lanfang's patriotic spirit, so it reminded me of a short story about Mei Lanfang. One day, Mr. Wang taught Mei Lanfang to practice skipping.

Mr. Wu moved a moving stool with a brick on it, and asked Mei Lanfang to stand on the brick on stilts more than half a meter long, and asked him to stand for a while and not to rest in the middle. At first, Mei Lanfang was very flustered when he stood at such a high place. He just persisted and even his legs were swollen.

Later, after he made progress, he tried his best to make himself a by going up one flight of stairs. Water an ice rink in winter and walk on stilts. You often fall black and blue.

But every time he falls, he gets up and continues to practice. Mei Lanfang, how he made progress despite difficulties! As long as he can practice and skip work, he can endure no matter how great the pain is! Mei Lanfang's spirit of making progress despite difficulties, as he famously said: I am a clumsy artist, without sufficient talent, I rely on hard work. 3. A story about Mei Lanfang

Mei Lanfang is a Peking Opera actor, Gong Dan, whose name is Hua, originally from Taizhou, Jiangsu, and has lived in Beijing for a long time.

during her more than 5 years of stage life, Mei Lanfang has studied carefully and made innovations, created many beautiful artistic images, accumulated a large number of excellent repertoires, developed and improved the singing and performing arts of Beijing Opera actress, and formed an artistic school with a unique style, known as "Mei School" in the world, which is deeply loved by the broad masses at home and enjoys a high reputation internationally. Mei Lanfang's artistic achievements have played a connecting role in the development of modern China opera art.

Mei Lanfang was born in Liyuan family on September 24th, 1894. Grandfather Mei Qiaoling (1842~1882), a famous Peking Opera dancer, was one of the "Thirteen Musts of Tongguang".

Father Mei Zhufen (1874~1897) was also a leading actress in Kunqu Opera and Beijing Opera. Mother Yang Changyu (1876~198) was the daughter of Yang Longshou, a famous martial artist.

Uncle Mei Yutian (1865~1912) was a famous pianist who cooperated with Tan Xinpei for a long time. Mei Lanfang's parents died early and was raised by her uncle Mei Yutian.

Mei Lanfang began to learn drama at the age of 8, and she learned to sing Tsing Yi from the famous Dan Wu Lingxian at the age of 9. In the thirtieth year of Guangxu (194), on the seventh day of the seventh lunar month, 1-year-old Mei Lanfang made her debut as the Weaver Girl of the Kunqu Opera "The Secret Oath of the Palace of Immortality and the Queqiao Bridge" in the Tanabata Festival drama "Tianhe Match".

in 198, Daxi performed in a class. At this time, while continuing to teach in Wu Lingxian, he also learned Hua Dan Opera from famous Dan Qin Zhifen and clown Hu Ergeng, and studied Kunqu Opera hard, practiced martial arts and martial arts, and widely watched the performances of Dan Jiao's local operas and other roles, laying a solid foundation for future artistic creation.

In 1913, Mei Lanfang was invited to perform in Shanghai for the first time. Wang Fengqing was the first (leading) and he was the second. At that time, Wang Fengqing was a well-known student in the north and south, while Mei Lanfang was a rookie. Wang Fengqing enthusiastically recommended Mei Lanfang to star in the big-axis drama.

Mei Lanfang's first stage performance was "Mu Ke Zhai" taught by Ru Laiqing. He excellently created the artistic image of Mu Guiying and was warmly appreciated by the Shanghai audience. During his stay in Shanghai, he observed the "new drama" in Shanghai, which mainly showed modern and contemporary themes and was inspired. He also visited the lighting of Shanghai's new stage, the makeup methods of some actors and the design of clothing styles.

All these have had a positive impact on his artistic thoughts. In the same year, after he returned to Beijing from Shanghai, he acted in Yi Wenshe, and released the first new fashion play "Waves in the Evil Sea".

In the autumn of 1914, Mei Lanfang was invited to perform in Shanghai again. The attendance was enduring and unprecedented, and attracted many audiences from Japan, Britain, the United States and other countries. She did not return to Beijing until the end of the year. Two performances in the south laid a unique foundation for his art, and began a large number of new drama rehearsals and artistic innovations.

From April 1915 to September 1916, Mei Lanfang rehearsed 11 new plays. Among them, there are new fashion dramas "Official Tide", "Deng Xiagu" and "A wisp of hemp"; New dramas in ancient costume, Yuanyang in Prison, the Goddess Chang'e flying to the moon, Daiyu Burying Flowers and daughter laugh; There are also traditional operas of Kunqu Opera, such as Thinking of Fan, Spring Fragrance Disrupting School, Ritual and Copying Red, as well as Surprising Ugliness, Ex-marriage, Forced Marriage and Ex-marriage of Kite Mistakes.

In the new fashion drama, The Waves of the Evil Sea, A wisp of hemp and Deng Xiagu complain about the tragic fate of women's oppression and their involuntary marriage. Dai Yu Buries Flowers and daughter laugh (also known as Qingwen Tearing Fan) in costume drama are based on the novel A Dream of Red Mansions. In the following years, Mei Lanfang continued to rehearse a large number of new dramas in ancient costumes, such as Lian Jinfeng, Farewell My Concubine, Flowers Scattered by the Goddess, Birthday Offering by Ma Gu, Luo Shen, Xi Shi, The Legend of Tai Zhen, etc., and arranged and performed traditional plays, such as Cosmic Peak, Drunkenness of the Noble Lady and Strange Double. 4. Write an article in English about Mei Lanfang, the master of Beijing Opera

Editor: Kathryne Ogrod &; Elsa Zhang Mei Lanfang, a master of Chinese Peking Opera, has a stage career of more than 5 years.

He has a deep affection for the hotel: Tianjin is a must-see place for him every year, and he stays in Room 332 of Lishunde as soon as he arrives. Mr. Mei has stayed in the hotel for many times and formed a deep affection with the hotel staff, and the hotel has renovated Room 332 into "Lanfang Suite". Mr. Mei's artistic style, voice and smile left a deep memory here.

In Peking Opera, Mei Lanfang is best at acting Dan. In Peking Opera, women are collectively called Dan, which can be subdivided into many professions according to the age and personality of the characters. Women who play well-off families and have status are called Zhengdan, and Zhengdan is commonly known as "Qingyi" in Peking Opera, which is named because Zhengdan's role often wears blue gowns. Dou E, the heroine in the Peking Opera Dou E Yuan, is a typical Tsing Yi character.

Tsing Yi's performance is solemn and demure, and beautiful and elegant is gentle and graceful, mainly focusing on singing. Generally speaking, Tsing Yi's singing is beautiful and delicate. Mr. Mei Lanfang has made outstanding contributions to promoting cultural exchanges between China and the international community.

He is a pioneer in China's dissemination of Peking Opera overseas. He visited Japan three times in 1919, 1924 and 1956, the United States in 193, and the Soviet Union twice in 1935 and 1952 to perform, and gained a high reputation. He made friends with many internationally famous artists, dramatists, singers, dancers, writers and painters and established sincere friendship with them.

His activities not only enhanced people's understanding of China culture, but also made China's Peking Opera art leap into the world drama forest. Mr Mei Lanfang is a symbol of China's performing arts and the pride of our people.

a century of astor (6) beijing opera floats overseas Mr Meilanfang, the master of Peking Opera, spent more than fifty years on the stage. During those years he came to Tianjin every year and the Astor Hotel was his favorite hotel. The room 332 be came his home for many years and he developed a deep friendship with the clerks there. The room is called the Lanfang Suite. Meilanfang is good at play ing the role of women in Beijing operas, called “Dan”. According to the age and personality of the character, there are many different kinds of Dans. If she is a decent girl, will be called “Zhengdan” or “Qingyi” if she is just a young girl; the character on the stage is usually dressed in blue. The heroine of “Dou E's Grievance” is a typical “Qingyi” character. This kind of character is supple and elegant; the singing skill is the most important technical point and the song itself is soft and beautiful. Mr Meilanfang increases international munication bee en China and other countries as the forerunner who spreads Beijing opera abroad. He has visited Japan in 1919, 1924 and 1956. In 193, he visited America. He visited Russia in 1935 and 1952, which gained him a high reputation. During this period he knew many famous artists, singers, dancers, writers and painters. Because of his travels, there was an improved culture understanding in many countries. From that time forward, Beijing opera is listed into the dictionary of international drama. Mr