Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword has been drawn and the bow has been drawn. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers.
Luan Xiang: Jane: Fly high. Metaphor calligraphy flying posture.
Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion.
Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.
Graffiti: letter pen: write casually. Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing.
scribble
Dragon and snake at the bottom of the pen, fine brushwork, dragon and snake pen, swallow-tailed silkworm head, hiding the head to protect the tail, happy, calm and happy, beginner graffiti, ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, flying dragons and dancing phoenixes, abundant tendons and strength, phoenix drifting, flying dragons and flying phoenixes, ancient fat and barren, crane-knee bees. Li Tou Paper Back, Linchi Snow Book, Liugu Yanjin, Dragon and Phoenix Dance, Dragon and Snake Flying, Dragon and Snake Flying, Dragon and Snake Stretching, Yue Long Tiger Lying, Rowen Tiger Shock, Rowen Tiger Shock, Longxiang Leopard Changing, Longxiang Phoenix Dance, Longxiang Phoenix Leaping, Luan Huifeng Dance, Luan Piao Feng Bo and so on. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian.
A living dragon vividly describes the narrative of painting, sculpture or writing, which is extremely realistic.
1, dragon and snake race, wear out the iron inkstone, and "don't stop waving"
2. "Gu Mo grinds a few perfumes lightly, and the new bath in inkstone is full of light",
3. The fonts are staggered, big and small, open and closed, and the line thickness changes obviously and fluctuates. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt". He writes quickly, with a powerful pen and great strength.
4. Pick up the pen and daub it a few times, and a flying dragon will pop up on the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said).
5,: "Books are scattered, and if you want to read, you should spread your arms first." (Cai Yong's On the Pen) You must "write a book before the pen." (Wang Xizhi's "Mrs. Wei's brushwork") When writing, "emotional description means coquettish; Yang Shu's melancholy is based on the heart of heaven and earth "(Sun Shupu)" The spirit of the book must reach the Tao, which is the same as the mixed element theory ... it is based on nature. "
6. In the Qing Dynasty, Liu Xizai was even more critical: "A writer writes his will" and "Calligraphy, like learning, like talent, like ambition, is like a person".
7, "Pen Theory" cloud: "Uncle Fu, sit quietly and meditate first, feel at ease, say nothing, be angry but not send, be mysterious. If you are supreme, there is nothing wrong. "
8. I don't want to work, so I can work. "
9, first meditation, casual, words do not export, gas is not full of interest, heavy secret color, such as supreme, understandable "(
10、; "If you fly, if you move", it describes calligraphy as a point-and-line drawing method, sometimes it is smart to fly, and sometimes it is smart to move; "If you go, if you come" describes the dotted outline of calligraphy, sometimes it means castration, and sometimes it has the appearance of Facebook; "If you lie down, if you rise" describes the dotted outline of calligraphy, sometimes like a person lying down, and sometimes like a person turning over; "If you are sad, if you are happy", it describes that calligraphy draws dotted lines, sometimes as slow as people's sadness, and sometimes as fast as people's joy; "Nymphs eat leaves of wood" describes that calligraphy draws dotted lines, just like insects eat leaves of wood. "If the sword is long" describes the dotted outline of calligraphy, which is as wide as the sword. "if the bow is strong and the arrow is hard", it describes that calligraphy draws a dotted line, which is like a strong bow and a hard arrow penetrating the back of a paper; "Like water and fire" describes calligraphy drawing dotted lines.