[Abstract] The success of Wotou Guild Hall largely comes from a continuation-the continuation of Peking man's art "blood". What makes us constantly echo the classic works of Beijing people's art when watching the drama —— Longxugou and Teahouse by Mr. Lao She. Of course, you can say that it is full of slightly ridiculous lines in Beijing dialect, and you can also say that it continues and expands the structural form of portrait exhibition. After watching the play carefully, we can easily find that both lines and structure are based on the theme of the script. In other words, it is precisely because this drama is full of exploring the inner feelings of the characters and carrying forward the brilliance of their humanity that we deeply feel the fullness and agility of this drama.

[Keywords:] obligee; Sex; Desire; believe

The story of Wotou Guild Hall takes place against the background that the darkness is coming to an end and the bright future is still unknown before the peaceful liberation of Beiping. Landlord Yuan is guarding his yard. His son was born with tuberculosis. Although he owns the whole yard, his life is still short. He makes a living by selling mixed liquor and pickles every day, and he is very excited when collecting rent, although he is waiting for his result. The Cuilan family, a west tenant, sells fried liver for a living. Cui Lan is pungent and eloquent, but she has a kind and simple compassion in the soul of traditional women in China. Jin Murong, a west tenant, is a lonely girl who married an osteopath. She makes and sells plasters and treats her husband in Chinese medicine clinics for a living. Although life was hard, the noble gesture flowing in her blood never gave in. She looks down on anyone in this yard and quarrels with Cuilan for trivial matters every day. Gu Ye on the second floor is a 70-year-old former Qing Dynasty juren. Playing with things and getting tired of it, I sold my old house for 320 yuan of ocean and unlimited living in Wotou Guild Hall. He is old and experienced. He looks on coldly at the whole world every day and often talks nonsense. He built himself a coffin early and put it openly in the corner of the yard because of one thing, that is why the big head in the garden is upset. Also living on the second floor is my son Yuan. From the beginning, he turned a blind eye to his father's care, shut himself in the room and read, and no one was around. Most of the time he appeared, he borrowed books from Jin Murong's daughter Ziping. Xiaoqishan Mountain is a constant treasure in that area. He oppressed the people headed by Yuan Datou for a long time with his special identity, and coveted Wotou Guild Hall for a long time. He knew that his good days were coming to an end, so he stepped up his efforts. After all, he pushed Yuan Datou to the end for profit. His son Peng Da Xiao has a beautiful face, wearing a suit and tie, but he is also a poor man. He was set up and repeatedly acted as a scapegoat, but he had a unrequited love for Mr. Murong's daughter Ziping, and stole all the savings in the family, with the intention of taking Ziping away from home ... First, the characters about desire in the whole play have their own personality characteristics. It is such a modest old house that brought so many Beiping people back to life instantly in the old society. Listen to it. It is full of Beijing dialect, even vulgar and vicious. At first, I laughed when Cuilan and Mr. Murong fought, but with the evolution of the plot, I found that even if I wanted to be happy, my mouth was tangled. This feeling of deja vu has also appeared when I read Chekhov and Lu Xun's novels. Why do people always talk about "death", a taboo word in China, and sometimes use it to laugh at themselves or attack others? Probably only people who really live in despair would make such a move. Maybe it's self-mockery, maybe it's venting, maybe it's complaining. In my opinion, it's simply a desire, a desire for "death". Life has brought them too much burden, they can't stand upright, Cuilan cleans up the disgusting large intestine endlessly, and the noble old Gege Murong must also put down his noble figure and argue with Cuilan in the most vicious language for those plasters that fall to the ground. Gu Ye's life seems to be the most carefree, and this carefree is the place where he is closest to death. So what he likes best is to lie in his coffin and listen to cricket, and come out from time to time to laugh at those who don't have the courage to die. They have to live. They have to live. Yuan Datou can't die for his son who suffers from consumption, but he can't be allowed to live from beginning to end. Cuilan can't die, even if she is forced to die nine times in the plague. When she begged in the street and finally sold her body, she couldn't die for her hungry daughter. So, since everyone has to live. Who said that people began to compete with their own desires when they were born? They have to support themselves and their families and pay a lot of exorbitant taxes. Life is still going on, and their desires are still going on. The most obvious thing is the endless greed for money.

Money, this word runs through the whole play from beginning to end. Some people call Yuan Datou the Grande of China, which is a crazy metaphor. He loves money and can't wait to fill in the word "money" in the column of faith. In one scene, Yuan Datou is almost desperate because of money. At this time, Ziping came to visit Yuan Miao with donations from classmates. Yuan Miao resolutely refused to let Yuan Datou accept the money, but Yuan Datou's inner rational emotion could not overcome his desire for money. In the dispute between father and son, please pay attention to Yuan's hands clutching money, which conveys an uncontrollable desire. In the end, the son threw the donation on his father's head, spilling colorful money tickets and Yuan's only dignity. But he is not stingy, he has sympathy for the poor, and even many times, although he is so obsessed with money, he ignores it. The tenant didn't pay the rent for a long time, and his friends robbed him of pickles for a living, but he ignored them. Grandpa Gu gave him a coffin unreasonably, and he was also very calm. Cuilan's family set up a stall to stir-fry the liver, and Murong's family opened a shop to cook plaster, and he also forbeared. Although he keeps saying that all this is his son's intention, if he is really grandstanding, will he make such concessions in front of money? Give him money? So in my opinion, Yuan Datou's pursuit of money and his "adultery" with Cuilan, the two dirtiest things, have become natural. Come to think of it carefully, it is reasonable that everything in this yard happened to those pedantic and ignorant grass people who are good at self-deprecating and masturbating in that embarrassing year. Because they want to live, they have too much helplessness about life and too many questions about God. How can they make their hearts open-minded? If life can continue, they can't choose "death" but "life".

The same desire has turned into an evil greed in Xiao Qishan's heart. He used the identity of the bag as a bad omen, and at the same time, he didn't forget to take a little advantage. Greedy desire robbed him of his dignity and conscience. He always looked on coldly at the poor people in Wotou Guild Hall, knowing that his good days were coming to an end, and he was even more greedy and carefully planned many traps to seize the Guild Hall. His son, Peng Da Junior, was more or less influenced by his father's personality, and was used and played because he was too greedy. The only difference is that he still has love in his heart, but this love is also a kind of possession in a sense, even if it is warm and single-minded love. From this point of view, if Xiao Qishan is an evil and greedy devil, then Da is an insidious villain who can do anything for love.

Second, about faith.