How dare you hit me! ? Even my dad never hit me! ——Amuro Ray "Mobile Suit Gundam 0079"

NewType is not a superpower - Amuro Ray "Mobile Suit Z Gundam"

ν Gundam can It's not just superficial. ——Amuro Ray? "Mobile Suit Gundam: Char's Counterattack"

Isn't it just a piece of rock! Watch me push it back with the GUNDAM. ——Amuro Ray? "Mobile Suit Gundam: Char's Counterattack"

Just looking at it, I can't bear it. ——Amuro Ray? "Mobile Suit Gundam 0079"

Gundam is not just this level! ——Amuro Ray? "Mobile Suit Gundam: Char's Counterattack"

I can't say it can be done, but it can only be done. ——Amuro Ray "Mobile Suit Gundam 0079"

My father has never hit me! ——Amuro Ray "Mobile Suit Gundam 0079"

Me. It is the best to drive Gundam. ——Amuro Ray "Mobile Suit Gundam 0079"

Character introduction:

Amuro Ray (アムロ?レイ, Amuro Ray) is the protagonist of the Gundam series. The character who first appeared in the first generation of Gundam. He is also the protagonist of Mobile Suit Gundam. He also appears as one of the protagonists in Mobile Suit Gundam Char's Counterattack. The whereabouts of Amuro Ray after the Second Neo Zeon War are unknown (MIA). The Federation Army announced that they had given up the search after three months of searching and determined that he was killed in action (KIA). Later, he was specially promoted to the third level to colonel for his important contribution in the Second Neo Zeon War.

~UC0087: Captain of the Earth Federation Army (Affiliated to the Cheyenne Earth Air Defense Command Base)

~UC0087: Captain KARABA (Captain of the Aldemura MS Team)

~UC0088 or so: Captain KARABA (Z-plus Flight Team 18TFAS Flight Captain)

~UC0093: Earth Federation Space Force Captain (Londo Bell Team Flagship Ra Kellam MS Team) Captain), disappeared with Char during the battle at Axis → Lieutenant Colonel (confirmed posthumously after the search failed)

Appearance

Mobile Suit Gundam (Episodes 1 to 43)

-When the name of Tomino is mentioned, the masterpiece that will inevitably be cited is one of the most important animations in the history of Japanese animation. Compared with the existing robot works, 'weapons' and 'war' are introduced ' and other pioneering factors, and placed the main axis of the plot on the intersection of human emotions, establishing a line between the past giant robot works, a type of drama that will be called 'realistic robots' in the future, and a heavy group drama classic Revolutionary work.

Mobile Suit Gundam The Movie - Gundam Stands Above the Earth

-After re-evaluation of the TV version, it has been widely praised by related companies such as SUNRISE, CLOVER, and KING RECORD. A work of hard work. The content is composed of clips from episodes 1-13 of the TV version, supplemented by some new scenes. At that time, the practice of re-editing a film for release was generally handled by the film director, but Tomino strongly objected to this disrespect for the character of the original director; with the full support of SUNRISE, Tomino was able to directly submit the film to the director. Ration Film Company Shochiku negotiated and won the final supervisory rights. On the eve of the film's release, with the cooperation between official publicists and fans, more than 15,000 fans gathered in Shinjuku on February 22, 1981, and the 'Animation Conference' was held together. "New Century Declaration", the representative announced the prelude to the new century animation produced for the young generation. Finally, Tomino shouted to the young people and called on the society to think about the significance of animation to young people and the significance of animation through the success of this event. repositioning.

Under the background of the chaotic 1970s, this was a quite risky activity; and the successful conclusion of this activity with the close integration of officials, magazines, and fans not only achieved the publicity effect at the time, but also represented It has become a milestone in the history of animation. Even now that some parts have been transformed, it is still a symbolic event that is almost inevitably mentioned when talking about the development of animation. Tomino had a movie idea when the TV version was broadcast. According to him, this was because "Gundam" itself was produced using movie techniques. In addition, this work is not marked with numbers and subtitles like the last two theatrical versions. This is because it was originally considered that if the box office was not good, it might be interrupted after just one release.

Mobile Suit Gundam The Movie II - The Sorrowful Warrior

-The movie version that continues "Gundam I" was released four months after the previous one. The content is mainly based on the plot of the first half of episodes 16 to 31 of the TV version, and more new scenes have been added than the previous one, as well as some replacement mechanical settings, making the overall composition more compact and presenting a true film work form. . In addition, this work also adds NEW TYPE descriptions that were not mentioned in the TV version at the same time, with the purpose of strengthening the connection with the next part and the integrity of the work. The theme song was played by Daisuke Inoue, a popular singer at the time who was also Tomino's classmate. The album of the same name and the theme song of the movie created an unprecedented sensation in the history of popular music at that time. With the movie's box office and model sales, Gundam Not only was the work a huge commercial success, it also became a social topic and a re-evaluation of animation. The title of this work, "Sorrow Warrior," is a term coined by Tomino. Tomino was thinking hard to find a title that could encompass the tragedy, life and death of both the enemy and ourselves on the battlefield, and finally decided to use the word "sorrow warrior", but was opposed by Yasuhiko and others; as a compromise, he added The above point has become the well-known 'sorrow warrior' (but to this day, the two expressions have become universal, and there is almost no difference).

Mobile Suit Gundam The Movie III - Encounter in the Universe

- The third and final work of "Gundam" The Movie, the content returns to the universe after episode 31 with the stage Mainly from Chapter 43. Since the animation director of the TV version, Yoshikazu Yasuhiko, was hospitalized due to overwork during the second half of the production of the TV version, far more scenes from the previous two games, nearly three-quarters, were inserted into this work, which also made the painting and The overall level has been greatly improved, and it is a perfect ending to the year-long theatrical trilogy. The box office of this work is the highest among the three, and its peripheral products and records have also broken many records. Various media have begun to notice this cultural phenomenon, and animation that has been regarded as low-age for many years has gradually become more popular. recognized by society.

Mobile Suit Z Gundam (Episodes 6, 13~20, 35~38)

-This is the second series launched by Tomino after "The First Gundam". Different from previous sequels such as "Yamato", this work completely places the time of the work several years after the previous work, and uses the changes in the general environment and the change of generations to describe it. It can be said to be a brand-new initiative at the time. Although Yasuhiko's absence, the complexity of the composition, the description and settings that were significantly different from the previous work, and the sharp and cold atmosphere of the work made the new Gundam work highly anticipated at the time, it also aroused a lot of doubts. However, today, while its depictions of future youth psychology, the structure of the Cold War, women's issues, and the right-wing shift in world opinion, etc., are gradually being re-evaluated, this work is also regarded as the second largest in the entire series. The popular work of "The First Generation Gundam", and the chronological method of the "Gundam" series can also be said to have been established in this work.

Mobile Suit Z Gundam The Movie

-Compared with the 20-year-old work, this work has made significant changes in the final ending, which reflects Tomino's view of society and his expectations for the new generation of young people.

Mobile Suit Gundam The Movie: Char's Counterattack

-The first original movie in the "Gundam" series, and also the conclusion of the series since "The First Gundam", narration The final showdown between the two main characters Amuro and Char takes place in UC.

With this work, the "Gundam" series can be said to have come to an end for the time being; after this, in addition to Tomino's own new work, the non-Tomino Gundam route has also been officially launched. This work encountered various difficulties during its production and took a considerable amount of time to produce. Although it was rated as too fast-paced and difficult to understand at the time of the screening, to this day, the high level of the finished product makes this work still popular. Considered to be an outstanding one among the "Gundam" movies. Tomino called this work "a work made for men over 35 years old", and the work's description of adult mentality is indeed highly praised today many years later. Later Universal Century works, such as Gundam F91 and Mobile Suit Gundam V, continued to use the Universal Century era name, but the plots had nothing to do with the four works such as 0079/Z/ZZ/Counterattack. And because the two main characters of the Mobile Suit series died together, most Universal Century fans regard this game as the end of the official history of Universal Century Gundam. Gundam 0083, Gundam 08th MS Team, Gundam Unicorn, etc. that follow this work are regarded as stories that reinforce the original work. This work has had a considerable influence on subsequent animation creations. Not only Hideaki Anno, Mamoru Oshii, etc. have long publicly expressed their interest in this work, but "Sailor Moon R" (Kunihiko Ikuhara), "Mobile Police THE MOVIE 2" (Oshii Mamoru), "Wiki Submarine" and "The Sinking of Japan (2006 Edition)" (Higuchi Shinji) are also considered to be inspired by this work. Anno even gathered famous writers such as Yuuki Masami, Debuhiro, Mikimoto Haruhiko, Kitazawa Hiroyuki, Ikuhara Kunihiko, Suzuki Toshio, Fujita Yukihisa, Asari Yoshihara, Yamaga Hiroyuki and other famous writers to edit doujinshi for this work and conduct Quite luxurious conversations and speeches.

Gundam Evolution Vol.5

A reinterpretation of the story of "Char's Counterattack".

Gundam Evolution Vol.9

The pilot of Z Gundam Unit 3 appears.