I used to think that the greatness of writers lies in their prolificacy, and they have created a large number of classic works. After reading Thomas Hardy's masterpiece Tess of the D 'Urbervilles, I realized that a good book is enough. Tess in Hardy's works has been interpreted by many outstanding actresses. The film Tess was played by the German actress Nadesha kinski in 1979, and won three Academy Awards: Best Photography, Best Art Direction and Best Fashion Design. Later, it was made into TV series by other actors, among which Tess played by justine waddell-1the TV series released by BBC in 1998 was my favorite. A good story has a good plot and its interpretation is as good as the plot itself. Some people say that the Oscar-winning film Tess is not as good as 1998 BBC TV series Tess of the D 'Urbervilles because the heroine plays different roles. Some people say that Nadesha kinski is too wild, and her experience makes it difficult for her to interpret the image of Tess, a beautiful English country girl in Hardy's works. Jia Steen Waddell, on the other hand, has an English classical beauty, which is both elegant and sweet, and an unspeakable loneliness, so she is closer to the image of Tess in Hardy's works. I also like 1998 TV series Tess of the D 'Urbervilles. Five years ago, I bought the TV series Tess of the D 'Urbervilles (the length of the film is about 3 hours, with 3 films) and watched it happily over and over again. The more I watch it, the more fascinating it is. It's heartbreaking ... Today, five years later, I still miss Tess, so I started writing, revisiting some episodes and fragments, savoring the atmosphere in the play, full of sadness ... ★ My "Tess complex", her beauty and exquisiteness are particularly beautiful and exquisite against the background of a white suit. She is very white, so pure white, not to be profaned; White is so beautiful, unparalleled; The white is so gorgeous that it is amazing. As white as that, it was once in full bloom in the bright sunshine, unrestrained in the green bushes of Yuan Ye and dancing in the autumn colors of the manor. So white, once so dazzling and charming When the red rose stabbed her hand, the blood turned red and white, and Tess's whiteness began to make people feel pity. "Can I compare you to a summer day? You are cuter and warmer. ""Can I compare you to summer? You are more beautiful and gentle than summer. "(from one of my favorite poems-Shakespeare's Sonnets 18) It is natural to think of this poem, so I learned to describe Tess like this-"Can I compare you to an oriental lily? You are purer and more beautiful. ""Can I compare you to a lily? You are purer and more beautiful than it. "2. Audio-visual and fate are two springs, stirring people's hearts. Whether happy or painful, Justine's true feelings are from the heart and there is no cover. Although fate played tricks on ignorant Tess again and again, happiness slipped away from her again and again, but she was still slim as a flower, charming and refreshing. I couldn't help being surprised, and I felt a surge of sadness, mourning Tess's sadness and worrying about Tess's sadness. I believe the audience will feel it and sing with it. What surprised me was the music played repeatedly in the play, the faint sadness. How beautiful that music is, it makes people crazy and never tires of listening to it. Good news is like nature, just like Karen Mok's song "Fruits of Summer". No one can count how many people in the world are drunk. The faint sadness, harmonious rhythm and endless charm in the song make many people fall for it! The episode of the TV series Tess of the D 'Urbervilles is so consistent with the story, which aroused all kinds of tenderness in my heart. The story is romantic, but it exudes sadness and is filled with fate. The seamless interweaving of plot and picture, and the dual playing of audio and video and fate cast a fatalistic color on pure Tess. The main theme, background music and mixed tunes are interspersed in the plot, telling the faint sadness, continuous sadness, powerlessness, loneliness and helplessness, and indicating the fate in the dark. 3. In the scene of fighting back tears, Angel decided to return to England from Brazil and make up with his beloved Tess, who smiled with tears and looked at Angel silently. Angel's return, like a sharp knife, pierced Tess's heart. "It's too late ... too late! ... "it's too late! Many days and nights, Tess waited for her husband to change his mind and come back to her. With a glimmer of hope, she wrote to Angel and begged her husband to come back to protect herself. But she was accompanied by loneliness, regret, indignation and despair. In the end, she can only accept humiliation and pain. Too late! The voice is sad. This late meeting is a trick of fate, not a trick of God. I cried when I thought of the female characters in Korean movies and TV shows. Cry for being moved, cry inexplicably, cry simply, cry innocently, and even cry mischievously. For example, "Zhou" in "My Girl" has a runny nose and tears all over his face. She exposed everything without reservation and vented it with tears ... and Tess, on the other hand, buried all the grievances and pains in her heart, silently shed tears and tears flowed into her heart. How can words think of this situation? 4. Death is the end of suffering, and suffering will eventually end. Tess was arrested and hanged at a quiet dawn. At this point, the whole play is over. However, unlike TV series, the ending of the novel ignited hope: Angel started a new life with regret and Tess's sister. Does this hope herald the birth of new love? Like many love stories, my sister inherited her love and lived happily with the hero from then on. But can you really be happy? I love so much that I doubt the inheritance of this love. At least, in Tess of the D 'Urbervilles, I believe that love cannot be inherited. For example, "What can I do to save you, dear? Just like the story in Love Can't Be Made Up. There is no body double, and there is no retreat. We can only go the same way. The only way is to move on ... the broken-hearted can only be free on the cliff.