Ouyang Xun is one of the famous calligraphers in my country. His regular script works have very high artistic characteristics and have a certain influence on the development of Chinese calligraphy. Nowadays, Ouyang Xun's regular script has been created into copybooks, and has been studied and copied by many people. Below are pictures of Ouyang Xun’s regular script calligraphy copybooks that I compiled. Appreciation of Ouyang Xun's regular brush calligraphy copybooks

Ouyang Xun (557-641), styled Xinben, was a calligrapher of the Tang Dynasty. A native of Linxiang, Tanzhou (now Changsha, Hunan). His regular script font became the object of imitation for later calligraphy students. His representative works in regular script include "Jiucheng Palace Liquan Ming", "Huangfu's Birthday Stele", "Huadu Temple Stele", regular script "Lanting Ji" and running script include "Thousand-Character Essay in Running Script".

Ouyang Xun’s classic calligraphy calligraphy in regular script

Ouyang Xun’s grandfather Ouyang Kai successively served as envoys Jie, Commander-in-Chief of Hengzhou's military affairs, General Annan, General Zhengnan and other important positions. Ouyang Xun's father, Ouyang He, joined the army with his father at the age of 20. He was brave and good at fighting. Later, his son inherited his father's legacy and served as the governor of Jiao, Guang and other 19 states' military affairs, and the governor of Guangzhou. In the first year of Taijian (569) of Emperor Chen Xuan, the emperor worshiped him as General Zuowei because he suspected that he was having second thoughts.

Character evaluation of Ouyang Xun

Tang Zhang Huaiguan's "Book Break": ? His body is as strong as his body, his writing is powerful, his seal script is especially fine, his flying white crown is outstanding, and he is more powerful than the ancients. He is like a dragon and snake fighting, the clouds and mist are caressing him, the wind is whirlwind and thunder, and his movements are like gods. The decay of Zhenxing comes from the great order, and it is integrated into one body. It is as dark as a spear and halberd in an arsenal. The wind god is stricter than Zhishui and less polished than Yu Shinan. His cursive writing is flowing in and out, and he looks at the two kings, which can be moved, but is frightened and jumps into the horse, not avoiding danger, and damaging the elegance. ?

The Tang Dynasty calligraphy criticism work "Shu Duan" says: "The eight styles of inquiry are as good as the others, and the writing power is strong and dangerous." The body of the seal script is particularly fine, with flying white crowns, superior to those of the ancients. It resembles a fighting dragon and a snake, the force of a light cage in the clouds and mist, several swirls of thunder, and the movement is like a god. The book of Zhenxing comes from Tai Ling and is integrated into one body. It is as dark as an arsenal of spears and halberds, the wind god is more strict than Zhiyong, and less polished than Yu Shinan. His cursive writing circulates repeatedly, and he looks at the two kings and can be moved. However, he is frightened and jumps into the horse. He does not avoid danger and is injured by Qing. ?

The "Xuanhe Shupu" of the Song Dynasty praised its regular script as "the best in calligraphy".

Li Yuan, Emperor Gaozu of the Tang Dynasty, said: "I didn't expect that Ouyang Xun's reputation was so great that even the distant Yi Di knew about it." When they saw Ouyang Xun's handwriting, they must have thought that he was a tall and tall man. ?