Poems about writing standards (what are the famous sayings indicating that writing should be standardized)

1. What are the famous sayings that indicate that writing should be standardized?

1. I have learned a lot since childhood and have high ambitions in my life; others have swords, but I have a pen like a knife. ——" Poems of a Child Prodigy"

Translation: Ever since I was young, I have been talented and learned, and have high ambitions in my life; others carry swords, while I have a pen like a knife.

2. If you teach near the water, every word may become a dragon. ——Han Wo

Translation: If you put the screen by the water, every word may turn into a dragon and swim into the water.

3. There is nothing wrong with the brow, but there are many years in the pen. ——Song Zhaozaiding's "In the Mountains"

Translation: There is nothing on the brow, but there are many years in the pen.

4. When the paper falls, the wind rises, shaking the sky and seeing thick dew. What else can we do without painting and literature? ——Tang Geng Tan's "Ode to Xuanzhou Bi"

Translation: The falling paper startled the wind, shaking the sky and seeing thick dew. Regarding painting and writing, what else can we do besides this?

5. The pen fell in the storm, and the poem became the weeping ghosts and gods. ——Du Fu of the Tang Dynasty, "Twenty Rhymes to Li Twelve and White"

Translation: When I saw him writing, the wind and rain sighed; when I saw his poems, the ghosts and gods were moved and cried. 2. Write ancient poems with standardized characters

Dialects are valuable,

Foreign languages ??are more expensive.

If it is Mandarin,

both can be thrown.

China has had literary giants for more than a thousand years,

The trend of thought has stayed with China for thousands of miles.

I am fortunate to be a descendant of the Yan and Huang Dynasties.

I am familiar with poetry and literary style.

The keyboard is noisy,

I can’t write as well as a foreigner.

Horizontal and vertical are treasures.

Don’t let the essence of the country ruin the present.

Mandarin, that is, standard Chinese. Mandarin is a common language for communication among different ethnic groups in China. It uses Beijing pronunciation as the basic pronunciation, northern dialect as the basic dialect, and typical modern vernacular writings as the grammatical standard. "It is mainly spoken in the areas north of the Yangtze River in mainland China. Mandarin is generally not spoken south of the Yangtze River because there are Chinese dialects everywhere and do not rely on Mandarin." Among them, Cantonese is spoken in Hong Kong, China, and Macau, China. Mandarin is also used in official occasions in Taiwan, China, but the accent is slightly different from that of mainland Mandarin.

Standardized Chinese characters: Chinese characters that comply with the normative standards promulgated by the People's Republic of China within the territory of mainland China. In mainland China, standardized Chinese characters refer to simplified characters that have been compiled and simplified and officially published by the country in the form of the "Simplified Character List" and inherited characters that have not been simplified. The "Simplified Character List" actually contains 2,274 simplified characters and "讠" There are 14 simplified radicals such as [訁], 饣[堠], 纺[糹], and 酅[釒], which simplifies the number of characters in the Chinese character system (many characters were merged during "simplification", such as the valley of rice and the valley of valley. , originally two characters) and many character strokes. Irregular characters mainly refer to: traditional Chinese characters and variant characters (Note: Article 17 of the "National Standard Spoken and Written Language Law" stipulates the "special" circumstances that allow the retention or use of traditional Chinese characters and variant characters: 1. Cultural relics and historic sites; 2. Surnames Variant characters in; 3. Calligraphy, seal cutting and other artistic works; 4. Handwritten characters in inscriptions and signboards; 5. Needed to be used in publishing, teaching, and research; 6. Special circumstances approved by the relevant departments of the State Council), two simplified characters (The "Second Chinese Character Simplification Plan (Draft)" was announced in 1977 and was soon abolished), typos and coined characters. 3. Famous quotes about writing standard characters

Yan Zhenqing: When you want to write, anticipate the character shape first, and arrange it to make it stable, or unexpectedly form it, so that it has different trends. This is called skill.

Ouyang Xun: Beginners should first establish the general structure, place it horizontally and vertically, and treat the cloth and white to make sure they are even.

Wang Xizhi: The white cloth should be distributed evenly, far and near.

Jiang He: There are three kinds of cloth white; the cloth white in the word, the cloth white in the characters, and the cloth white in the lines. When you are new to learning distribution, you must stop evenly; once you know it is still even, you need to seek changes, such as slanting, straightness, density, and density.

Chen Yi: If the sparse place is full, the dense place will be lifted; if the flat place is full, the dangerous place will be lifted; if the pinch is full, the body will be fat, and if the place is full, the body will be thin.

Wang Xizhi: Evenly distribute the stipples, compare the distance and the near, spread and refine, blend the brush and ink; the sharp edges come and go, the density and density are connected.

Xiang Mu: People are very good at books. There are thousands of shapes and forms, but nothing can be said about neutrality. Said fat. It's just that I'm thin. If the length of the book should be in harmony, the weight should be balanced, the yin and yang should be appropriate, the hardness and softness complement each other, and the person who talks about the appearance of the world will be neither fat nor thin. Neither long nor short is beautiful.

Zhang Huaijin: Yan Yang and his back; that is, the two characters are combined into one character, and it must be drawn up and down to have the force of separation and union.

Wang Xizhi: The two characters are combined into one. The weight should not be long, the single should not be small, and the complex should not be large. Dense is better than sparse, and short is better than long.

Mrs. Wei: The stippling is like a rock falling from a peak, and the bump is like a collapse; the horizontal painting is like a cloud formation thousands of miles away, but it is faint and tangible; the vertical painting is like a long-lived withered vine; the left painting is like a rhinoceros in the land. ; The strokes are like crashing waves and thunder running; the oblique hooks are like the hair of a hundred Jun crossbows; the horizontal folds are like the tendon joints of a powerful crossbow; each word is a character, and each resembles its shape. This is a wonderful creation, and the calligraphy is completed.

4. Accumulation of common ancient poems in the standard Chinese character writing competition for primary school students

1. It’s like discussing, studying, grinding. ("The Book of Songs·Wei Feng·Zhan Ao")

2. The speaker is not guilty, but the listener is warned. ("The Book of Songs: Preface")

3. Stones from other mountains can attack jade. ("The Book of Songs·Xiaoya·Crane")

4. Give me a peach and give me a plum in return. ("The Book of Songs·Daya·Yu")

5. There is no beginning for extravagance, and there is an end for Xianke. ("The Book of Songs·Daya·Dang")

6. Take a long breath to cover your tears, mourning the hardships of people's lives. (Qu Yuan (Li Sao))

7. The road is long and long, and I will search up and down. (Qu Yuan (Li Sao))

8. I cannot change my mind and follow the customs. The regiment will be miserable and end up in poverty (Qu Yuan's "She Jiang") 9. A ruler is short, an inch is long ("Chu Ci·Bu Ju")

10. I am still kind in my heart, and even though I died nine times, I still have no regrets (Chu Ci (Li Sao))

11. His music is even more noble, and his harmony is more rare. (Song Yu (Question to the King of Chu))

12. If you are full, you will be harmed, but if you are modest, you will benefit. /p>

14. People are not sages, how can they make mistakes? ("Zuo Zhuan")

15. The assistants and chariots are dependent on each other, and the lips are dead and the teeth are cold. "The fifth year of Duke Xi")

16. The warriors restrained the kingdoms with their strength, and the women were temporarily exempted from the kingdoms ("Zuo Zhuan·The Thirty-two to Thirty-three Years of Duke Xi")

17. Remembering the past is the guide for the future. ("Warring States Policy·Zhao Ce")

18. It is not too late to mend the situation ("Warring States Policy·Chu Ce"). )

19. Know yourself and the enemy, and you will never be defeated in a hundred battles ("Sun Tzu's Art of War: Planning for Attack")

20. A journey of a thousand miles begins with a single step ("Laozi·Chapter 64").

21. Misfortune lies where blessings depend, and blessing lies where misfortune lies. ("Laozi·Chapter 58")

22. The sky is vast, sparse and not leaking. "Laozi Chapter 73))

23. He who knows others is wise, and he who knows himself is wise. ("Laozi")

24. Birds of a feather flock together, and people divide into groups. ("Book of Changes")

25. If a worker wants to do his job well, he must first sharpen his tools. ("The Analects of Confucius·Wei Linggong")

26. Those who have gone by cannot be admonished, but those who have come can still be pursued. ("The Analects of Confucius"))

27. Don't do to others what you don't want others to do to you. ("The Analects of Confucius·Yan Yuan")

28. The three armies can seize the commander, but an ordinary man cannot seize the ambition. ("The Analects of Confucius·Zihan")

29. Learning without thinking means nothing, thinking without learning means peril. ("The Analects of Confucius·Wei Zheng")

30. Be tireless in learning and teaching. ("The Analects of Confucius·Shu Liang")

31. A gentleman is magnanimous, but a villain is always worried. ("The Analects of Confucius·Shuer") 1. It's like cutting, like discussing, like plowing, like grinding. ("The Book of Songs·Wei Feng·Zhan Ao")

2. The speaker is not guilty, but the listener is warned. ("The Book of Songs: Preface")

3. Stones from other mountains can attack jade. ("The Book of Songs·Xiaoya·Crane")

4. Give me a peach and give me a plum in return. ("The Book of Songs·Daya·Yu")

5. There is no beginning for extravagance, and there is an end for Xianke. ("The Book of Songs·Daya·Dang")

6. Take a long breath to cover your tears, mourning the hardships of the people's lives. (Qu Yuan (Li Sao))