I. Original text
The Book of Songs, National Style, Qin Feng and Pre-Qin Dynasty
The Millennium is frost. The so-called Iraqis are on the water side.
Tracing back and forth, the road is blocked and long. Swim back from it, in the middle of the water
It's been a long time, and it hasn't changed for thousands of years. The so-called Iraqis are in the water.
Tracing back and forth from it, the road is blocked and broken. Swim back from the inside and swim in the water.
Jia Cai, peace and prosperity have not passed. The so-called Iraqis are in the water.
Go back and follow, the road is blocked and turn right. Swim back from the inside and swim in the water.
Second, explain
The reeds by the river are dense, and the deep dew in autumn forms frost. Where is the right person? Just across the river.
It's too long to go upstream to find her. Follow the running water to find her, as if in the middle of the water.
The reeds by the river are dense, and the morning dew is not dry. Where is the right person? Just beyond the river bank.
Sail against the current, it is hard to go climbs. Follow the running water to find her, as if on a beach.
The reeds by the river are thick and thick, and the dew has not been completely collected in the morning. Where is the right person? It's just beyond the water.
It's hard to find a way to find her against the current. Follow the running water to find her as if she were in the water.
Third, appreciate
The scene described in the poem is not a real person in the eyes, but a psychological image.
This psychological image is not the memory of a real thing I have experienced, but a typical psychological situation which is synthesized, condensed and blurred by many similar events and feelings.
The biggest feature of this psychological situation is that it is not sticky or greasy, and it is ethereal and rich.
On the Water is the artistic expression of this ethereal psychological situation. Here, the "water center" where Yiren is located has also become a virtual symbolic image because of the ambiguity between the pursuer and the pursued, the seemingly real scenic river road and the pursuit route of the upstream and downstream.
The success of Jia Xu lies in the poet's accurate grasp of people's psychological images, which creates a psychological situation that looks like flowers, making the artistic conception of the poem present as a symbol of integrity. ?
A Brief Introduction to The Book of Songs and the Creation Background of Jia Jian
Introduction to The Book of Songs
The Book of Songs is the beginning of China's ancient poetry and the earliest collection of poems, which collected poems from the early Western Zhou Dynasty to the middle of the Spring and Autumn Period (1 1 century to the 6th century).
The Book of Songs is divided into three parts: style, elegance and ode. Techniques are divided into Fu, Bi and Xing. "Wind" is a ballad of Zhou Dynasty. Elegance is the solemn and elegant music of Zhou people; Ode is a musical song used in the ancestral temple of Zhou and aristocratic families.
2. The creative background of Jiaxu
There has been a great disagreement about the content of this poem. Let's interpret it as a love poem: there are no people who pursue their own hearts. Sword House belongs to Qin Feng, and there are ten in Qin Feng, most of which are folk songs in the Eastern Zhou Dynasty.