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Excerpts from beautiful sentences describing calligraphy
1. Full of pen power: pen and ink are used freely and fully. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Write to the conductor, too.

2. flowing, flowing.

3. One move, one look, and you get rid of the steed and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.

4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.

5. Look at its strength without losing, show its posture without boasting, and its pen is flowing.

6. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly.

7. Swimming in the sea, cranes dancing in the sky (Liang Wudi Xiao Yan commented on Wang Xizhi)

8. floating like a cloud, agile like a dragon. Iron book silver hook, the most ancient and modern.

9. Huai Su, like a strong man wielding a sword, looks moving, but he twists and turns.

10. Pick up a pen and daub it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said).

1 1. zigzag, big and small, open and closed, with obvious changes in line thickness and ups and downs. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt". He writes quickly, with a strong pen and great effort.

12. Simple and unpretentious.

13. The teacher's handwriting is a symbol of the years, and the strokes are forceful.

14. Make public, it is not bound at all, even the whole line goes down, like the escape of the gods, coming and going without a trace.

15. The teacher's handwriting, like petals, smells far and wide, getting more and more fragrant.

16. The dragon and snake raced through the iron inkstone.

17. Its color, its shape, its shade and dryness, its discontinuity and twists and turns, its thickness and concealment are infinite, and its weather is countless.

18. His brushwork is magnificent and his posture is changeable. Due to carelessness, his palm was forgotten, which has the most vivid and perfusion characteristics.