In the history of China literature, the works of two writers are truly household names, telling the life stories of China people. One is that Cao Xueqin wrote A Dream of Red Mansions, and later generations read A Dream of Red Mansions, which gave birth to hundreds of research series and monographs on A Dream of Red Mansions, and the novel of A Dream of Red Mansions went to the forest of world literature. The other is that Jin Yong wrote a collection of Jin Yong's works. Readers read Jin Yong's works, which gave birth to thousands of comments and newspaper articles, and published more than 100 research series and monographs on "Jin Xue". Jin Yong's novels March into the forest of world literature. Jin Yong's 14 martial arts novels, represented by couplets, are dedicated to people with the first sentence of their titles, adding brilliant brilliance to the literary history of China in the 20th century. Jin Yong is a writer who inherits, innovates and develops China culture. His Complete Works of Jin Yong is an inseparable and important field in China literature and even China culture, which makes the martial arts novel, an ancient literary form unique to the Chinese nation, miraculously shine. His new martial arts novel is "extremely vulgar and elegant, strange and true", as the famous French literary sociologist Robert Escarpit said, which is deeply loved and praised by readers from all walks of life at home and abroad. "The reason why a writer gains literary significance and becomes a real writer is that after the event, the observer standing in the reader's position can perceive him as a writer." As early as thirty-six years ago (1966), Professor Chen, a world-famous literary critic, scholar and Chinese American, spoke highly of Jin Yong's novels. He once wrote: My brother thought that its elite could be compared with the sudden emergence of Yuan Zaju, which was both talented and closed to the outside world. The difference is that I still see this person in my life. This kind of meaning and text analysis with classmates are deeply explored, not just for leisure. When it comes to appreciation, it is also based on the famous sayings of the sages about Yuan Zaju, which is what Mr. Wang Jing 'an said: "In a word, there is only artistic conception." In the artistic conception, Mr. Wang redefined his meaning, saying that "writing feelings is refreshing, the scenery is in people's eyes and ears, and the story is like his mouth." This language is unusual. Compared with any other novel, even traditional masterpieces are very common, especially difficult to see in martial arts. Putting the emotions, scenes and narratives in martial arts on a strange basis can not make it easy, but it can rejuvenate the heart. If it comes from his mouth, those who are not knowledgeable but have great intentions will not do it. Artistic genius, constantly overcoming the difficulties of genre and material, is a great achievement of Jin Yong's novels, so convincing. [1] After thirty-two years (1998), Hu Ling 'an, secretary of the CPC Yunnan Provincial Committee, as an ordinary reader of Jin Yong's martial arts novels, said when talking about his views on Jin Yong's works at the "Academic Seminar on Jin Yong's Novels" held in Dali, Yunnan Province: I think the literary world is as rich as our society. The same is true of the literary world, which needs various schools and is indispensable. I think as a martial arts novel, Mr. Jin Yong's novel is the epitome of it, and it also radiates brilliant brilliance in the literary world, and it can also be spread to the afterlife and last forever. [2] Jin Yong, formerly known as Cha, 1924 was born in the former residence of Cha Heshan in Ning County, Jianghai, Zhejiang Province. He studied hard in the turbulent and difficult situation in China all his life. Primary school enrolled in Village Lane No.17 Middle School, high school transferred to Yuan Hua Longshan School, and was admitted to Jiaxing Middle School in Zhejiang with excellent results. The following year, the Japanese invaders invaded China, wandered in war, went into exile with the school, and traveled to Wan Li. Under extremely difficult conditions, they decided to study and graduated from Quzhou Middle School. Later, when the Pacific War broke out, I was in an awkward position. In order to make a living, I went to Xiangxi to work and study by myself. In pursuit of knowledge and learning, I traveled to Wan Li and experienced hardships. I was admitted to the Foreign Affairs Department of Chongqing Central Political School. /kloc-since 0/946, he has worked in Hangzhou Southeast Daily and Shanghai Ta Kung Pao successively, and graduated from Shanghai Soochow Law School. After moving to Hong Kong in the late 1940s, he worked in Hong Kong Ta Kung Pao, New Evening News and Great Wall Film Company. Later, Ming Pao in Hong Kong, Xinmin Daily in Singapore, and Xinmin Daily in Malaysia were founded, which became quite successful old newspapers in the Chinese world. At present, he is the chairman of He Ming Group Company and He Ming Publishing Company in Hong Kong. Jin Yong is a researcher at the Institute of Sinology, Oxford University. He has been engaged in academic research on China's general history (pre-Qin history, Qin and Han history) for a long time. He studied English literature, English history, novels by Tang Shi and China at St Anthony's College of Oxford University and the Institute of Sinology. His profound literary accomplishment, outstanding academic research level and profound connotation of his works have long been well-known at home and abroad. During the seventeen years from 1959 to 1972, Jin Yong published fifteen novels and thirty-six volumes, including Eight Dragons, Legend of the Condor Heroes, Duke of Lushan, etc., which won the reputation of a literary master. Not only that, when Jin Yong was a screenwriter and director in the Great Wall Film Company, he wrote more than ten plays such as Beauty, Lanhuahua and Midnight Piano in two years, and directed A Woman in Love and Wang Tiger Stealing Parents, among which Beauty won the "Gold Medal" award from the Ministry of Culture of People's Republic of China (PRC). His accomplishments in history and textual research, Buddhist criticism and Shakespeare's drama research. It has attracted more attention in the world: Yuan Chonghuan, Genghis Khan and Their Families, A Brief Introduction to Quanzhen Education in Song and Jin Dynasties, the full text of Fa Ju Jing, some translations and annotations of Seyun Lun, Shakespeare's Tragedy, China Folk Art and Looking for a Brilliant Century, etc. He wrote two books in English, such as The Future of Hong Kong, and translated and published several novels in English, Japanese, Korean and Thai. His profound knowledge is convincing.