There is only one picture far and near; Two levels: seeing, thinking (feeling); Three images: you, me and the cloud. Twenty-seven short words illustrate a wonderful philosophy, which has existed in our life for a long time, but is often ignored by us. The textbook says so: the evaluation of the existence of life and the evaluation of people reveal the estrangement, suspicion and vigilance between people. (History of Modern and Contemporary Literature in China, edited by Zhu Donglin, etc. ) The teacher also said that "it triggered a dilemma between matter and spirit, body and soul, existence and nothingness, and man and nature." What they say is very reasonable: if there is estrangement and suspicion between people, they can only look askance; Matter is you, me and the cloud, and spirit is your concern for the cloud and my deep affection for you; Physical distance exists objectively, and mental distance cannot be defined and measured; "I" is real, the clouds are erratic, and the real you are far away from the real "I", but very close to the erratic clouds. Isn't this the eternal confusion brought by human distance? Nature and human beings, nature is primitive, they simply don't understand hypocrisy and traps. However, humans equipped themselves with masks and weapons a long time ago. As a result, human beings can only get short and weak peace in the embrace of nature.

However, I still understand this poem. When Gu Cheng wrote Far and Near, the perspective was not only the ultimate concern for human nature, but also the expression of self-delicate feelings. This poem itself is like a monologue of a shy big boy. He adores a woman, but he is ashamed to tell her, even afraid to look at the girl. He can only sneak a look when the girl's eyes turn away, secretly glad of his little gesture of "mantis catching cicada, yellowbird behind". In the hungry wait-and-see, he sadly found himself so timid, so helpless, so inferior, the fiery flame of love failed to burn his inner shyness, and he dared not let his eyes reveal his inner anxiety. "You, look at me for a while, look at the clouds for a while; I think when you look at me, it is far away, and when you look at the clouds, it is very close. " So bitter, so dull, so affectionate and so indifferent, so anxious and so hesitant, between the lines is full of moist atmosphere, which moistens our emotional desert.

Everyone has the same aesthetic psychology: because there are too many artificial factors and secular camouflage in front, it is inevitable to be grandiose, take part in accidental amusement and be vigilant. On the periphery of human vision, all pretentious disguises have lost their hidden objects and become unnecessary, so people's scruples have been put aside, their anxiety has been calmed down, and their aesthetic emotions have risen. People can take care of everything with their own hearts, so they have a complete self-dialogue, a complete self-eyeball operation and a leisurely self-spiritual journey. The big boy in the poem got this chance of relief in the blink of an eye, which was very relaxing and enjoyable for him.

Obviously, the central word of this poem is far and near, and the word "hen" in the poem makes this distance to the extreme. It is lighter than Tai, so there seems to be room for improvement, but it still needs considerable efforts to eliminate it. Emotional closeness is not wishful thinking, and sometimes it is not even consensual. It needs just the right atmosphere, cheerful mood, fearless courage, and long-term persistence, especially wisdom. Otherwise, if the distance is close, there will be the possibility of collision and friction. Grasping the temperature and the distance is the way to maintain the friendship of the golden mean.

To put it another way, reading the introduction is a very self-appreciating attitude, and it is also a kind of wisdom to "put" yourself in a casual introduction. In this way, people can appreciate their casual but almost natural beauty, or stare or meditate. Without deliberate gaze, it adds a natural temperament, omits the concern for the evaluator himself, and the behavior becomes the true expression of the self, which is more likely to reflect the principle and authenticity of beauty. Many news and artistic photographs capture instantaneous images, a look, a look back, a surprise and a locked eyebrow, all of which have infinite significance. The front is the author's subjective interpretation, and the side is the calm speech of the characters themselves.

"Distance" can also give us a lot of associations and arouse us a lot of * * *. Its short and pithy ectoplasm is wrapped with rich connotations. It can be said that there are 1000 "I" and "you" for every 1000 readers.