Guo Degang’s sentences that see through the warmth and coldness of human relationships are as follows:

1. 1. Those who arrive early may not succeed, and those who arrive late may not fail.

2. Elegance is not faked, but grandson is faked.

3. Pretend to be demented to prevent death, and make a living by pretending to be a serious person.

4. The real wantonness does not mean drinking and debauchery, the fake restraint means impassionedness.

5. If I fight, others will fight. If I fight hard, I may not win. If I give in, others will give in, and if you give in as hard as you can, you may not lose.

6. Life is nothing more than making others smile, and occasionally, making others smile.

2. 1. The waves of the sea are shallow, but a small person is only an inch deep. Fame and fortune have always made it easy to have a mind of right and wrong.

2. If the mountains are blocked by rocks, the river will surely flow eastward; even if the snow humiliates and frost despises, the plum blossoms will still bloom toward the sun.

3. People who don’t understand any situation advise you to be generous. You should stay away from such people, because when lightning strikes them, you will be harmed.

4. Being cunning off the stage is useless, and being honest on stage is useless.

3. 1. Marriage is the tomb of love---if you don't have a house, you can't even enter the tomb.

2. Appreciate the warmth and coldness of human relationships, the heat and coldness of the world, watch the disputes of honor and disgrace, run away to death, and be at peace with oneself from turmoil and purification.

3. Three points of ability, six points of luck, and one part support from noble people.

Guo Degang

Guo Degang, born on January 18, 1973 in Tianjin, is a crosstalk actor, film and television actor, TV host, and founder of Beijing Deyun Club in Mainland China. In 1979, he joined the art world. He first studied storytelling from Gao Qinghai, his predecessor in storytelling, and then learned cross talk from Chang Baofeng, Hou Yaowen, and Yang Zhigang. During this period, he also learned Peking Opera, Pingju Opera, Hebei Bangzi and other operas, and he traveled around the theater for many years.