1, now shake hands and hold hands.
My leg has been trapped in the sea of blood for a long time, and I can't stop. I want to look back, as if I have come to an end, which is chilling. There is no way out, and the future is a swamp, which makes people sink deeper and deeper.
Without performance, love does not exist.
The road to true love will never be smooth.
A wise man becomes a fool, which is the easiest fish to be hooked. Because he relies on his own talent and knowledge, he can't see his arrogance. The folly of fools is not unusual, but the folly of smart people makes people laugh; Because he used all his skills to prove his stupidity.
God, a person is perfect if he doesn't change his mind.
7. There is a humble job that is endured with indomitable spirit, and the humblest things often point to the noblest goals.
8. If you are a lion, the fox will cheat you: if you are a lamb, the fox will eat you; If you are a fox, the lion will doubt you in case the liar reports you; If you are a liar, your stupidity will make you suffer, and you can't help making breakfast for the jackal. ...
9. If a ewe can't hear her lamb's cry, she will never respond to the calf's cry.
10, doubt star is fire, doubt day moves west, doubt truth does not exist, but I love it.
1 1. If you are mentally prepared, all preparations have been completed.
12, my familiarity with you can be described as true and vulgar.
13, you can still say' bitter, the most bitter is gone'. Your pain is not painful to the end.
14, get used to that monster, although it is a devil, but it will swallow all the shame, be an angel, and mold the accumulated virtues and good deeds into a natural and comfortable routine.
Love found is sweet, but love not found is sweeter.
16, having many good friends is better than having a lot of wealth.
17. In order to frame us, the devil often tells us the truth on purpose, gains our trust in trivial matters, and then we will fall into his trap at important moments.
18, love is comfortable, just like the sunrise after the rain.
19, who has the eye to see people's hearts directly from their faces?
Youth is a short dream. When you wake up, it has disappeared.
2 1. No matter how long the darkness is, the day will come. There is no way in the world to explore a person's intentions from his face.
22. Rebels are more ruthless than snakes.
23. Bad habits will prevent you from going to fame and pleasure at any time.
24. If there is true love, speak from the heart.
25. A fool thinks he is smart, but a wise man knows he is a fool.
26. A kind heart is gold.
27. Stones can't put out love.
28. The best habit of love is to be able to speak.
29. Ugly sea monsters are not as terrible as ungrateful children.
Nothing is good or bad, but thoughts make it different.
3 1, the coward died many times before his death; A brave man only dies once in his life. Of all the strange things, people's fear of death is the strangest.
32. Time will pierce the colorful decorations on the surface of youth, and will dig deep ditches and shallow grooves on the forehead of beauty; Will eat rare treasures! Born beautiful, nothing can escape the sickle he swept.
33. But when you talk about love, you must keep your voice down.
34. Love is like a hot spring, which is always new.
Listen more and talk less, accept everyone's blame, but keep your final decision.
36. Morality and talent are assets far superior to wealth. Fallen offspring can corrupt the property of your noble family and very rich people, but morality and talent can make a mortal an unworthy god.
37. Simplicity is the soul of wisdom, and verbosity is the decoration on the surface.
38. I have no road, so I don't need eyes; When I can see, I will also fall. We often lose carelessness by relying on ourselves, but it is not as good as defect.
39. Books are the nourishment of the whole world. Life without books is like life without sunshine. Wisdom without books is like a bird without wings.
40. Some people always compliment you, but they are not friends in need.
Supplementary reading: Shakespeare's style
Shakespeare's earliest plays were written in the ordinary style of the time. He writes in standard language, which often cannot be released naturally according to the needs of the role and plot. Poetry depends on unfolding, sometimes containing elaborate metaphors and ingenious ideas, and the language is usually gorgeous, which is suitable for actors to read aloud rather than speak. Some critics think that the solemn remarks in Titus Antelo Knicks often hinder the development of the plot, while the lines in Two Gentlemen of Verona are criticized as artificial and unnatural.
Shakespeare turned from traditional style to his own characteristics. The monologue at the beginning of Richard III created evil characters in medieval drama. At the same time, Richard's vivid monologue full of self-awareness continues the monologue in Shakespeare's mature plays. No single script marks the transition from traditional style to free style. Shakespeare combined these two styles in his whole writing career, and Romeo and Juliet may be the best interpretation of this mixed style.
By the middle of 1590, when he wrote Romeo and Juliet, Richard II and A Midsummer Night's Dream, Shakespeare began to write in a more natural language. He gradually turned his metaphors and symbols into the needs of plot development. Shakespeare's common poetic form is blank verse combined with iambic pentameter. In fact, this means that his poems are usually rhyming, with 10 syllables in each line, and are stressed every other syllable when reading aloud. The blank poems in his early works are quite different from those in his later works. Poetry is often beautiful, but sentences often start, pause and end at the end of a line, which may lead to boredom. When Shakespeare mastered the traditional blank verse, he began to interrupt and change the law. This technique has released new strength and flexibility in the poems of Julius Caesar and Hamlet.
After Hamlet, Shakespeare's writing style has undergone more changes, especially in the more emotional paragraphs in later tragedies. Andrew Cecil Bradley, a British literary critic, described this style as "more compact, vivid and diverse, with irregular structure, often complicated or omitted". Later in his writing career, Shakespeare used many techniques to achieve these effects, including continuous lines, irregular pauses and endings, and extreme changes in sentence structure and length. It is a challenge for the audience to fully understand the meaning. In later legendary dramas, the plot changed in time and unexpectedly, creating a poetic style at the end, which is characterized by the fusion of long and short sentences, the arrangement of clauses, the inversion of subject and object, and the omission of words, resulting in natural effects.
The characteristics of Shakespeare's poems are related to the actual effect of the theater. Like all playwrights of that era, Shakespeare adapted the stories written by Francesco Petracca and Raphael Hollingshead into plays. He adapted each plot, created several centers of audience's attention, and showed as many story fragments as possible to the audience. The design features ensure that Shakespeare's plays can be translated into other languages and interpreted loosely without losing the core plot. When Shakespeare's skills improved, he endowed his characters with clearer and more diverse motives and unique speaking style. However, in his later works, he retained the characteristics of his early style. In later legendary dramas, he deliberately turned back to a more illusory style, emphasizing the effect of the theater.
The artistic features of Shakespeare's creation can be summarized as follows:
First, adhere to the principle of realistic creation and think that drama is a mirror that reflects life.
The second is the performance theory of pursuing nature, which holds that the performance should be true and should not be overdone.
Third, the plot is vivid and rich. A drama often has several complicated clues intertwined, and the factors of tragicomedy are intertwined.
Fourthly, a series of artistic images with distinctive personalities have been created. Such as Hamlet and Falstaff.
Fifth, the characters' language is personalized, such as Hamlet's words are philosophical and poetic, Polonius, the minister of command, is artificial, and Egu's language is full of foul language. According to computer statistics, there are 29,066 words created by Shakespeare.