The Inscription of the Humble Room is an inscription that expresses ambition by holding objects.
The article shows the author's attitude towards life, that is, he doesn't go along with the common customs, leads an honest and clean life, and doesn't want fame and fortune. It expresses the author's noble and proud sentiment, and reveals the author's secluded interest in being poor and happy. It is simple, concise and fresh, like a quintessential poem, full of philosophy and charm.
The first few words dig out new ideas from "The mountain is not high, it is ineffective, and the depth is not deep, it is unclear" in Shi Shuo Xin Yu Pai Diao, and use the common metaphor technique in poetry to lead to the humble room. "The mountain is not high" and "the water is not deep" are better than the humble room, while "the immortal is the name" and "the dragon is the spirit" are better than the humble room. "These four sentences are well-known sayings, which are quite alert and meaningful in philosophical poetry.
The author writes from far and near, creating the momentum of flowing down the river with coordinate sentences, and then reveals that "I am a humble room, but I am virtuous and fragrant", and then I feel that the quip is like a pearl, and the victory is repeated. These two sentences are associated with "millet is not fragrant, but virtue is fragrant" in Shangshu Zhoushu Jun Chen, and it is indeed the gist and warning strategy of an article to emphasize self-motivation with virtue.
Writing about the meanness of a humble room is to set off the master's virtue in the room, and writing about the master's virtue in the room just shows that the humble room is not mean, which is an opposite and complementary relationship. The following is a description of the scenery inside and outside the room, the people in the room and the things in the room. Every sentence is buckled with the word "ugly" without leaving the word "virtue". "The moss marks are green on the upper steps, and the grass is green in the curtain" is a beautiful place to write indoor and outdoor scenes, and the beauty lies in the exquisite spread of the humble room, expressing the artistic conception of poetry in poetic language. The words "scar" and "color" change the conceptualized "moss" and "grass" into tangible and visible concrete images.
"going up the stairs" and "entering the curtain" turn static into dynamic, write the expression of "moss" and "grass", and introduce the exterior into the room, which adds vitality to the humble room and is full of spring. And a "green" and a "green", bright colors, but also set off the elegant, quiet and chic of the humble room. These two sentences create a suitable environment for describing people and things in the humble room.
"There are great scholars in jokes and talks, but no Bai Ding in contacts" writes about people in the room, focusing on contacts with friends, so as to show the nobility of the author's identity and elegance of temperament. "You can tune the lute and read the Golden Sutra. There are four sentences, "There is no confusion in the ears of silk and bamboo, and there is no work in the case", which shows the elegance of living in a humble room, which shows that the author is not rude.
"Tune the lute and read the Golden Classics", showing the elegance of humble life; "There is no fussy ears, no complicated work", which shows the comfort of humble life. The image of an elegant person who is detached from things, calm and carefree is ready to come out. The author writes that the people in the room are idle and quiet, which sets off his diligence in cultivating morality; And writing about his diligence in cultivating morality reveals the reason why the humble room is not humble and makes his name spread far and wide.
from the sentence structure, the first two sentences are single-line, while the last two sentences are parallel and scattered, which is quite rhythmic. From the writing point of view, one or two sentences are written from the front, three or four sentences are written from the back, and the combination of positive and negative, and "you can tune the lute" and "there is no confusion of ears" and "reading the Golden Classics" and "there is no complicated work" echo and contrast, which is quite clever in writing.
Finally, quote the ancients, historical sites and old sayings. Comparing the humble room to Zhu Gekongming's Nanyang thatched cottage and Yangxiong's Chengdu mansion is intended to masturbate and encourage oneself; Quoting Confucius's "What's the humble existence" shows that his own interests are in line with the sage's way. The omission of the previous sentence "where a gentleman lives" only leads to the next sentence, which not only echoes the above "only my virtue and fragrance", but also implies that a gentleman lives in it. The beauty is that the opportunity is full of interest, and he does not show himself. Up and down, ancient and modern, one integrated mass, containing unlimited emotional excitement and deep lasting appeal.
The Book of Humble Rooms is less than 1 words, with a very short length and a large pattern. The humble room is lined with short mountains and shallow water, and is mentioned side by side with Zhuge Lu and Ziyun Pavilion. Living in it, accompanied by ancient sages and today's scholars, it is really a humble room. Full-text imagination is broad and profound, and it has the potential of hiding Wan Li at close range.
The article skillfully uses a variety of artistic techniques. First of all, the bi xing technique was successfully used. "The mountain is not high, and there is a fairy name; The water is not deep, and the dragon is the spirit. "The mountain is high and the water depth leads to the humble room, and the immortal and the dragon are used to compare the virtue and fragrance of the room owner; "Nanyang Zhuge Lu, West Shu Zi Yun Ting" sets off today's humble room with ancient famous humble room, and compares the author himself with ancient sages.
Secondly, there are narratives, descriptions, lyricism, arguments and eroticism. "Moss marks on the green. The grass is green in the curtain. Laughing and having a great scholar, no Bai Ding. You can tune the lute and read the golden classics. There is no confusion in the ears of silk and bamboo, and there is no overwork in the case. "It is a narrative description and a dye. The last sentence, "What's wrong with it", is a allusion, a lyric, a discussion, a point and a finishing touch. The combination of dots and dyes combines narrative description and lyrical discussion in one furnace.
In language expression, four sentences and five sentences are often used, including antithesis sentences and parallelism sentences. Only the last sentence is prose sentence, with neat and varied sentence patterns, concise and beautiful words, harmonious tones and sonorous syllables.
the original text of the humble room inscription
The mountain is not high, but the immortal is the name. The water is not deep, and the dragon is the spirit. I am a humble room, but I am virtuous. The moss marks are green on the upper stage, and the grass color is green in the curtain. Laughing and having a great scholar, no Bai Ding. You can tune the lute and read the golden classics. There is no confusion, and there is no cumbersome form. Zhuge Lu in Nanyang and Yunting Pavilion in West Shu. Kong Ziyun: What's wrong with it?