How to describe the impression left on me by the three major grottoes? , after reading the short article, what kind of impression did the three major grottoes leave on you? Please write in one or two sentences. What benefits did the three famous grottoes in our country leave us?
The Mogao Grottoes are a collection of It is a treasure house of culture and art that integrates architecture, painted sculptures, and murals. It covers the fields of art, history, economy, culture, religion, teaching, etc. in ancient society. It has precious historical, artistic, and scientific values. It is a historical treasure of the Chinese nation and an outstanding human being. of cultural heritage.
Most of the Yungang Grottoes were created before Emperor Xiaowen of Wei Dynasty moved the capital to Luoyang. The shape of Buddha statues is generally thick lips, high nose, long eyes, broad shoulders, and majestic.
The 20 pieces of Longmen Grottoes are precious masterpieces of Wei stele style calligraphy art. It represents the Wei stele style, which is upright and generous in shape and strong in momentum. It is a font in the transition from official script to regular script. There are nineteen characters in Guyang Cave. The impression the Yellow River left on me
As we all know, the Yellow River is the mother river of the Chinese nation. Under her nurture, the splendid Chinese civilization was created. The Yellow River is also a river of disaster. Her continuous breaches have turned fertile fields into deserts, causing people to leave their homes and become homeless. Therefore, people's feelings for her include love and hate, but more of them are love and yearning. She has become a totem of mutual recognition among the Chinese nation!
Very early on, the name Yellow River has been deeply engraved in my heart. Maybe it’s her greatness, maybe it’s her troubles..., I can’t say either. I don't understand why, maybe this is just a complex, there is no reason at all, which makes me long to see her and see her grace that I have heard thousands of times in stories and dreamed of thousands of times in dreams.
In literary works, I was deeply attracted by the heroic spirit of "The water of the Yellow River comes up from the sky and rushes to the sea never to return" written by Li Qinglian. This makes me even more obsessed with seeing the turbid waves. Taotian is like the Yellow River with thousands of horses galloping.
I remember the first time I saw the Yellow River, it was already 2001. It was a drought year. The Yellow River was just a ditch of yellow-brown water, lying there quietly. There was no trace of life, only the old sheepherder squatting leisurely on the green grass with his whip in his arms. Circles of smoke slowly floated in the air, slowly blending into the rolling white clouds. This time I was out for business, and I had the honor to once again admire her majestic face. The river was vast, and the turbid yellow water lapped the river bank one after another. Although it was not magnificent, it was still very majestic. Her majesty made me I am very excited. Maybe next time I come, she will show me another aspect of herself. She always has too many aspects. The impression left on me by Wolf Soldier Hoon San
I feel very impressed
Very powerful and powerful looking
Great "The Ugly Duckling" The impression left on me
Even if the world abandons you, you must cherish yourself! The three major grottoes
Mogao Grottoes
Yungang Grottoes
Longmen Grottoes
The three major grottoes are Mogao Grottoes, Yungang Grottoes, Longmen Grottoes
Mogao Grottoes
Commonly known as Thousand Buddha Cave, it is known as the most valuable cultural discovery in the 20th century. Dunhuang, located at the western end of the Hexi Corridor, is world-famous for its exquisite murals and statues. It is the largest and richest Buddhist art sanctuary in the world. In 1961, it was announced as one of the first batch of national key cultural relics protection units. It was listed as a World Cultural Heritage by UNESCO in 1987.
Yungang Grottoes
Located in the western suburbs of Datong City, Shanxi Province, it is one of the largest ancient grottoes in my country. In 1961, it was announced as one of the first batch of national key cultural relics protection units. In 2001 It was included in the World Heritage List by UNESCO on December 14, 2007, and was rated as one of the first batch of national 5A-level tourist attractions by the National Tourism Administration on May 8, 2007.
Longmen Grottoes
Located on Longmen Mountain and Xiangshan Mountain on both sides of the Yi River in the southern suburbs of Luoyang City, Henan Province, it is one of the treasures of Chinese stone carving art. In 1961, it was announced as one of the first batch of key cultural relics protection units in the country. In 1982, it was announced as one of the first batch of national scenic spots in the country. In November 2000, it was included in the World Cultural Heritage List by UNESCO. The deep impression Karl left on me
If you post it in the football category, you are talking about Kahn
The following is Kahn's famous saying:
" Football is a man’s sport.”
“Eier! Wir brauchen Eier!” (Translated as “Eggs! We need eggs”)
The second sentence is more classic, 03- Kahn said this to the TV camera after Bayern lost 1:2 at home to Lyon in the 2004 Champions League. At that time, Bayern Munich had been pushed to the edge of the cliff, without winning three consecutive Champions League games and falling out of the top three in the league.
"Eier" means "egg (plural)" in German. Kahn used a simile here to criticize his teammates for their lack of manliness in the game. The Three Major Grottoes
The three major grottoes in my country refer to:
1. Mogao Grottoes, located in Dunhuang City, Gansu Province.
2. Yungang Grottoes, located in Datong City, Shanxi Province.
3. Longmen Grottoes, located in Luoyang City, Henan Province.
Dunhuang Mogao Grottoes
The Mogao Grottoes are located on the cliff at the eastern foot of Mingsha Mountain, 25 kilometers southeast of Dunhuang City, Gansu Province, China. It faces the Danquan River in front, faces east, and stretches from north to south. 1680 meters, 50 meters high. The caves are distributed in high and low places, row after row, with up to five floors above and below. It was first built during the Sixteen Kingdoms period. According to the Tang Dynasty's "Li Kerang Rebuilt the Buddhist Shrine Monument of Mogao Grottoes", in the second year of the Jianyuan year of the former Qin Dynasty (366), the monk Lezu passed by this mountain and suddenly saw a golden light shining like ten thousand Buddhas. So the first cave was dug into the rock wall. After that, Zen Master Fa Liang and others continued to build a cave here to practice meditation, which was called "Mogao Cave", which means "high place in the desert". Later generations changed its name to "Mogao Grottoes" because "Mo" and "Mo" were interchangeable. During the Northern Wei, Western Wei and Northern Zhou Dynasties, the rulers believed in Buddhism, and the construction of grottoes received support from princes and nobles, and developed rapidly. During the Sui and Tang Dynasties, with the prosperity of the Silk Road, the Mogao Grottoes became even more prosperous. At the time of Wu Zetian, there were more than a thousand caves. After the Anshi Rebellion, Dunhuang was successively occupied by the Tubo and Guiyi armies, but the statue-making activities were not greatly affected. During the Northern Song Dynasty, Western Xia Dynasty and Yuan Dynasty, the Mogao Grottoes gradually declined, and only the cave chambers of the previous dynasties were mainly renovated, with very few new ones being built. After the Yuan Dynasty, with the abandonment of the Silk Road, the construction of the Mogao Grottoes also stopped and gradually disappeared from the world's sight. It was not until the 40th year of the reign of Emperor Kangxi of the Qing Dynasty (1701) that people noticed it again. In modern times, people usually call it "Thousand Buddha Cave".
There are 735 caves in Mogao Grottoes from the Northern Wei Dynasty to the Yuan Dynasty, which are divided into northern and southern areas. The southern area is the main body of the Mogao Grottoes. It is a place where monks engage in religious activities. There are 487 caves, all with murals or statues. There are 248 caves in the North District, of which only 5 have murals or statues. The others are places for monks to practice, live and bury their dead. They have earthen kangs, stoves, flues, niches, lamps and other living facilities. A total of 492 caves in the two areas contain murals and statues, including 45,000 square meters of murals, 2,415 clay sculptures, 5 wooden cliff eaves from the Tang and Song Dynasties, and thousands of lotus pillar stones and floor tiles.
The Yungang Grottoes are a national key cultural relics protection unit. Located in Datong City, Shanxi Province, the Yungang Grottoes have 252 niches and more than 51,000 statues, representing China's outstanding cultural relics from the 5th to 6th centuries AD. Buddhist cave art. Among them, the Tan Yao Five Grottoes have a rigorous and unified layout and design. They are classic masterpieces from the first peak period of Chinese Buddhist art.
The Yungang Grottoes have a history of more than 1,500 years. They were first built in 460 AD and were excavated by Tan Yao, a Buddhist monk at that time. The existing Yungang Grottoes are one of the first batch of national key cultural relics protection units announced by the State Council in 1961.
The entire grotto is divided into three parts: east, middle and west. The Buddhist niches in the grotto are densely packed like a honeycomb, and the large, medium and small caves are densely embedded in half of Yungang. The eastern grottoes are mostly built for pagodas, so they are also called pagoda caves; the central grottoes are divided into two chambers, front and back, with the main Buddha in the middle, and the cave walls and ceiling are covered with reliefs; the western grottoes are composed of small and medium-sized caves and small niches with additional carvings. Most of them were built in a later period, and most of them were works after the Northern Wei Dynasty moved the capital to Luoyang. The entire grotto is majestic, solemn in appearance, delicate in carving, and has a prominent theme. The various religious figures in the grotto sculptures have different expressions. In terms of carving techniques, it inherited and developed the fine art traditions of my country's Qin and Han Dynasties, and absorbed the beneficial elements of Gandhara art to create Yungang's unique artistic style, which is extremely useful for the study of sculpture, architecture, music, and religion. Rare and valuable information.
The grottoes are carved into the mountains and stretch for about one kilometer from east to west. There are 53 large and small grottoes and more than 51,000 Buddha sculptures. It is one of the largest grottoes in my country, together with Dunhuang Thousand Buddha Cave and Luoyang Longmen. The grottoes are also known as the three largest grotto art treasures in China.
Chinese name: Longmen Grottoes
English name: Longmen Grottos
Heritage type: Cultural heritage
Heritage selection criteria: Longmen Grottoes based on The World Cultural Heritage Selection Criteria C(I)(II)(III) was selected into the World Heritage List. It is one of the four major grottoes in China, including Yungang Grottoes, Dunhuang Mogao Grottoes and Maijishan Grottoes.
The Longmen Grottoes are located 13 kilometers south of Luoyang City, Henan Province. Together with the Dunhuang Grottoes in Gansu and the Yungang Grottoes in Datong, Shanxi, they are known as the three treasures of ancient Chinese Buddhist grotto art. The Longmen Grottoes were excavated when Emperor Xiaowen of the Northern Wei Dynasty moved the capital to Luoyang (AD 494). Until the Northern Song Dynasty, there were more than 100,000 Buddha statues and more than 2,300 cave niches. In 1961, it was listed as a national key cultural relic protection unit by the State Council.