Robert's famous words

1. Friendship, the mysterious combiner of the soul! The beautifier of life and the consolidator of society! Robert Brahe

2. The author doesn't cry, and the reader doesn't cry. Robert Frost

3. A family that is traveling has many opportunities to get in touch with the families of people from other countries. People's visits to people provide such an opportunity. Robert MacIntosh

4. Creativity is the most flexible tool for human beings, and there are many opportunities and creative problems. The key is whether we can learn to use this tool and find out the opportunities and problems. Robert Walson

5. Friendship will never tolerate long-term and frequent advice. Robert Linde

6. It's hard to say what is impossible, because yesterday's dream can be today's hope and tomorrow's reality. Robert

7. The best way out is always to go all the way forward. Robert Frost

8. Creativity can be transmitted. According to the research of new york State University, students' creative thinking ability has almost doubled after a round of creative courses. Robert Walson

9. Tourism is the road to knowledge. Let everyone take part in tourism, travel around the world, and open their broad minds. The world will become a better and paradise for mankind. Robert McIntosh Rabpinyel's famous words Pericles' famous words Reynolds' famous words robert mckee's famous words

You think you know who you are, but you are often shocked by what is hidden in your heart when you need to express it. In other words, if a plot unfolds completely according to your original plan, then your writing method is too formal, leaving no room for your imagination and intuition. Your story should surprise you again and again. Beautiful story design is a perfect unity of the theme found, the imagination that works and the mind that displays the craft flexibly and wisely. -robert mckee The Story

The best writers have a dialectical and flexible mind and can easily change their views. They can see both the positive and negative, and all the different degrees of irony, and sincerely and convincingly find out the truth contained in these views. This omniscience forces them to become more creative, imaginative and insightful. The final result is that what they express is what they deeply believe, but all this comes from their careful weighing of every fresh problem and their personal experience of its various possibilities. -robert mckee's Story

Story telling is a creative demonstration of truth. A story is living evidence of a thought, which completes the transformation from thought to action. The event structure of a story is a means by which you express your thoughts and then prove them … and never use any explanatory words. -robert mckee's Story

Our writing level should be higher than theirs. The audience wants us to take them to the limit, to the place where all questions are answered and all emotions are satisfied-the end of the main story. -robert mckee's Story

We all have hopes, and no matter what fate is against us. -robert mckee's The Story

The danger is that when your premise is an idea that you feel you must prove to the world, and you design the story as an undeniable demonstration of that idea, you have already pushed yourself onto a path of preaching. -robert mckee's The Story

The major difference between story and life is that in the daily existence of human beings, people always expect to get some effective response from the world when they take actions, and they can always get what they expect more or less, but in the story, these details of daily life are discarded. In the story, we focus on that moment, and only that moment, the character takes action at that moment, expecting his world to make a beneficial response, but the effect of his action is to trigger all kinds of opposing forces. The reaction of the world of the character is either quite different from his expectation, or stronger than his expectation, or both. -robert mckee's The Story

The second is negative irony: If you are blindly obsessed with your persistence, your relentless pursuit will satisfy your desire and then destroy yourself. -robert mckee's Story

In reality, because good and evil account for the same proportion in human nature, evil has the same chance to suppress good and good to overcome evil. We are both angels and demons. If our natural performance leans slightly to either side, all social problems would have been solved centuries ago. However, we are so divided that it is impossible to know exactly what we will be like then. At this time, we built Notre Dame de Paris; On the other hand, Auschwitz was built. -robert mckee's Story

The protagonist must have empathy; Compassion is dispensable. -robert mckee's Story

Their stories reveal that human nature is inherently bellicose and bloodthirsty, and war is only a logical extension of this dimension, which makes us realize with trembling that what human beings like to do will be done-for thousands of years, now and in all foreseeable future. -robert mckee's Story

Audience ties the audience's emotional input, which is bonded by empathy. If the author fails to connect a bond between the audience and the protagonist, then we will sit outside the film and feel nothing. -robert mckee's Story

Authoritative people, such as Plato, worry about threats not from thoughts, but from emotions. Those in power never want us to feel. Thoughts can be controlled and manipulated, but emotions are heartfelt and unpredictable. Artists can pose a threat to authority because they expose lies and stimulate the passion for change. -robert mckee's The Story

It is very bad to create a truly passive hero, but unfortunately, this is a common problem of many people. If the hero of a story has no need, can't make any decisions, and his behavior can't affect the changes at any level, then the story won't be a story. -robert mckee The Story

What beats in the heart of the story is something more profound than pure words. And at the other end of the story sits another equally profound phenomenon: the audience's reaction to this material. -robert mckee The Story

The hero must have at least one chance to achieve his desire. -robert mckee The Story

Don't be a slave of thoughts, but immerse yourself in life. -robert mckee's The Story

A respected Hollywood proverb warns, "The last twenty minutes are the most important thing in a movie." In other words, if a film wants to have a chance of success in the world, the last scene and its climax must be the most satisfying experience. Because, no matter what the first 9 minutes have achieved, if the last section fails, the film will die at the opening weekend. -robert mckee's The Story

The inspiration of the story may be a dream, and its final effect may be aesthetic emotion, but only when the author indulges in serious thoughts can a work progress from an open premise to a complete climax. Because artists not only need to express ideas, but also need to prove them. Just revealing an idea is not enough. The audience not only needs to understand, but also needs to believe. You should make the audience all over the world believe that the story you told is a practical metaphor for life after leaving your story. -robert mckee's Story

The first one is positive irony: the excessive pursuit of contemporary values-success, wealth, reputation, sex and power-will destroy you, but as long as you can see this truth in time and abandon your persistence, you can save yourself. -robert mckee's The Story

What exactly is "entertainment"? Entertainment is a ritual: sitting in the dark, staring at the screen, and concentrating on an emotional experience that people hope will be satisfying and meaningful. Any film is entertainment as long as it can convene, host and successfully complete this story ceremony. -robert mckee's The Story

From the moment you are inspired, you enter the fictional world to find a design. You must build a story bridge between the beginning and the end, an event progress that can span from the premise to the main idea. These events echoed two contradictory voices of the same theme. In the design of one sequence after another, and often refined into one scene after another, positive thoughts and negative anti-thoughts have been arguing all the time, and you come and go, creating a dramatic dialectical debate. In the climax, one of these two voices will win and become the main idea of the story. -robert mckee's Story

We realize that idealism and pessimism are two extremes of experience. Life is rarely full of sunshine and strawberries, nor is it all bad luck and pain. It has both. -robert mckee's Story

Kubrick knew that if he could give mankind enough ammunition, then mankind would surely shoot himself. -robert mckee The Story

As Judge Holmes pointed out, we must believe in the free market of ideas. If everyone is given a right to speak, even if it is irrational, radical or cruel and reactionary, human beings will choose the right choice from all possibilities. No civilization, including Plato's, was destroyed because its citizens understood too much truth. -robert mckee's The Story

The reason why we always stretch between the "best" and the "worst" is that if a story is to become art, it is not the middle ground of telling human experience. -robert mckee's Story

The nearest circle of opposing forces in a character's world is his own noumenon: emotions and emotions, mind and body, all of which may or may not react in the way he expected from one moment to another. Our greatest enemy is often ourselves. -robert mckee's The Story

Life teaches us that the value scale of any human desire is directly proportional to the risk of pursuing it. The higher the value, the greater the risk. We give the greatest ultimate value to those things that need the greatest ultimate risk-our freedom, our life and our soul. -robert mckee's The Story

Love has both joy and pain. It is gentle and cruel to cut it constantly, which is unforgettable and tore the liver and lungs apart. The reason why we are still searching hard is because without it, life will lose its meaning. (Shown in the films annie hall, Manhattan and Crazy for You)-robert mckee's Stories

Without the philosopher's thinking and firm belief, it is impossible for writers to achieve Excellence. -robert mckee's "The Story" Robert Frost's Classic Quotations

1. There are two roads in the yellow forest, but I only chose one of them and walked my whole life.

2. There are two roads that diverge in the yellow forest. Unfortunately, I can't take both roads at the same time. I chose the one where few people walk, which makes all the difference.

3. Two roads are scattered in the Woods, and the one I chose is less traveled by, which determines the difference of my life from now on.

4. You are educated so that when you reach a certain stage, you can get close to what you love: whether it is a poem, an ideal, a party, a cause or a hero.

5. Being educated means being able to listen to almost any words without losing your temper or losing confidence.

6. Two roads diverged in the forest, and I chose the one with fewer people, which changed my life.

7. The forest is beautiful, dark and deep, but I have a promise to fulfill. You have to run a hundred miles to sleep.

8. Poetry is what is lost after translation.

9. Literature can be divided into two categories. Sad literature and complaining literature. The former is about the permanent living conditions of human beings, and the latter has literary traces of a certain time and place, which may be true and moving, but it is not great literature.

1. I will look back with a sigh. Two roads diverged in a forest, and I chose the less traveled one, which decided my life path from now on.

11. I chose a less traveled one, which determined my difference now.

12. I am a person who knows the night. I went out in the rain and came back in the rain. I walked all the way to the farthest lights in the city.

13. Maybe in some place many years later, I will look back with a sigh. Two roads diverged in a forest, but I chose the less traveled one, which determined the road of my life.

14. It is everyone's inalienable right to go to hell in his own way.

15. Reading, I like to think of it as a journey. We exile ourselves in the familiar world of existence.

16. The best way out is always to go all the way forward. Robert Burton's Anatomy of Melancholy is a positive sentence.

Robert Burton's Anatomy of Melancholy is a positive sentence.

Introduction: Life is a cup of tea, a ballad and an intriguing poem! Let's walk all the way, taste all the way, experience all the way and enjoy this beautiful life quietly!

1. People in love are crazy. I don't think anyone will deny this. To be in love and sober, even Jupiter, the Lord God, can't do it. When Cicero was invited to remarry, he replied that you can't have both love and wisdom. Love is madness, hell and an incurable disease. Seneca also said that love is a fierce and uncontrollable desire.

2. There is no cure better than continuous work, because doing things will use your brain, and people will not fall into thinking.

3. They are tortured and miserable for some trivial things (I'm afraid they will feel funny afterwards), as if it were really the most important event that should be worried and needed endless heart. They have just dispelled one doubt for them, and then they will be troubled by another in a blink of an eye. They are always afraid of those silly things that have been set on themselves out of thin air. In fact, these things have never happened, will never happen, and will never appear. They are troubled by all kinds of trifles, restless, always complaining, suffering, worrying, suspicious, complaining and complaining, and they can't let go as long as they are depressed. To say the least, even if their thoughts