Summary of famous poems about calligraphy and painting

1. Words can't take a hundred days

2. Boxing should be played, and words should be practiced

3. Words should be skeletal, meat should be wrapped with tendons, tendons should hide meat, and posts should be beautiful and embellished (Song Mi Fei)

4. Ink grinds ten thousand ingots (Song Su Shi)

6. Draw a pen hard, if the swan flies high, the dragonfly is graceful (Jin Wei Heng)

7. If it is a silver hook, if it is a source of surprise (Jin Suo Jing)

8. Falling pearls and jade, fluttering tassels (Tang Zhang Huaisheng)

13. Like the breeze coming out of the sleeve, the moon will be in my arms (Tang Li Sizhen) 14. The dragon and snake in the pen seem to be gods (Tang Zhang Huaijin)

15. The pen is like clouds (Tang Du Fu)

16. I always see the dragon and snake go away. In silent poems, we celebrate a thousand years (Ming Xu Wei)

19. Pen and ink are also based on character (Qing Fang Xun)

2. Put the pen first, and draw the best (Tang Zhang Yanyuan)

21. Battle scenes and paintings should be watched from a distance (Britain)

22. There are paintings in the house. But the painter concretizes his feelings and perceptions with sketches and colors (Cezanne)

25. Behind the oil painting, the painter's pulse beats, and in the statue, the sculptor's soul breathes (Lilefu)

26. It is absolutely impossible to draw a masterpiece by copying the natural scenery (Joe Reynolds)

27. The book originated from nature (Han Invisible aspect (Tang Zhang Huaijin)

29. Learning books can lead to far-reaching knowledge (Tang Zhang Yanyuan)

3. If you teach near the water, every word will become a dragon (Tang Hanwo)

31. Mysterious meaning, out of the table of things; The deep reason lies between the shadows; What is natural can be said, and what is wise can be measured (Tang Zhang Huaijin)

32, either with the ambition to excel in vertical and horizontal, or with the ease of mind. Although it is extremely expensive, you can't suppress its height, although the clever calculation can't exert its power (Tang Huaijin)

33. Words can't be rewritten, and words can't be spread around

34. Writing is like a dog, and the uglier it is

35. Words are afraid of practicing, and horses are afraid of riding;