With the artist's sensitivity, Hugo immediately realized that the space where this flower was located was very special. Daisy, originally a "flower of the field", should have grown quietly in the field, but now it appears between the streets in the center of Paris, just a few steps away from the magnificent palace square, the mighty cavalry arena and the bustling scene. Isn't that weird? How can this not make people daydream?

Hugo believes that if there were no fire here, the flowers that should have grown in the fields would not have grown in the center of Paris. So he sighed: "How many things this flower embodies, how many failed and successful performances, how many bankrupt families, how many unexpected accidents, how many adventures, how many sudden disasters!" If "Daisy" was found in this place before the fire broke out two years ago, people would think it was a ghost in horror. You see, what a maze and mysterious arrangement fate plays tricks on people!

If Hugo's thinking about "Daisy" stops here, it's nothing, then after reading the last paragraph of his essay, we can't help but exclaim:

There must be a theater and a fire, that is, the horror of a city. One is the most beautiful invention of mankind, the other is the most terrible natural disaster, thirty years of laughter and thirty years of rolling flames. Only then can this daisy grow and this flying insect be happy!

This kind of meditation is completely poetic and philosophical. The proliferation of poetry is intertwined with philosophical thinking. It is a miracle that Hugo made so many discoveries from a small daisy and a small flying insect. Perhaps, what distinguishes a writer from ordinary people as an artist lies in his meticulous observation and deep meditation at the same time. Small things are often the most important to him.