Liu Yong's Nanjing case, also known as Gong Liu's case, prevailed in eastern Henan, southwestern Shandong, northern Anhui and northern Jiangsu, and was gradually loved by more audiences through the wide spread of famous red-faced artists and media. China traditional opera art is deeply influenced by local culture and historical customs. Beijing Opera is located in Gyeonggi, with a stable atmosphere. Yue opera is located in Jiangsu and Zhejiang, graceful and delicate; Huangmei Opera is simple and meticulous in Hubei, Anhui. The art of red face in Henan opera originated in the border area of Henan, Shandong, Jiangsu and Anhui where martial arts prevailed and folk customs were fierce, and it has never been absent on the historical stage. During the Spring and Autumn Period and the Warring States Period, Shangqiu, Song Xianggong, Henan Province, made Song State one of the five tyrants in the Spring and Autumn Period; Liu Bang, Emperor Gaozu, was a native of Xuzhou, Jiangsu. He hacked snakes and rebelled in Mangdang Mountain in Yongcheng. During the Anshi Rebellion in the mid-Tang Dynasty, Zhang Xun fought against the rebels in the ancient city of Suiyang, and a native of Heze, Huang Chao, Shandong Province, led a large-scale peasant uprising in the late Tang Dynasty. Song Taizu was the first ambassador of Songzhou (now Shangqiu, Henan), and later he was awarded the yellow robe. Song Gaozong and Zhao Gou proclaimed themselves emperors in Yingtianfu (now Shangqiu, Henan). At the end of Yuan Dynasty, Fuyang people in Liu Futong lit a bonfire of peasant uprising at the end of Yuan Dynasty. Zhu Yuanzhang, the Ming emperor, was a native of Fengyang, Anhui Province, who overthrew Bao Yuan and achieved hegemony. During the Nian Army Uprising in the late Qing Dynasty, the main personnel were farmers in northern Anhui, Sulu and parts of Henan. These cultural and historical customs provide a lot of materials for the red-faced drama, which is good at playing emperors and generals, and create the theme of red-faced drama against power, against bad kings, against aggression, defending freedom and independence, pursuing fairness and justice, and carrying forward the virtues of loyalty and filial piety. Liu Yong went to Nanjing mainly to fight against power, against the bad king, and to eliminate traitors; This play is easy to understand, integrates appreciation and criticism, profoundly reflects the social reality, and easily arouses the audience's * * *. Where there are people, there are rivers and lakes, and where there are rivers and lakes, there are right and wrong. In fact, not only this play, but also other plays. Freedom of speech, open mind, everyone is a "critic". The previous words and opinions no longer exist, and Chaoyanggou has been deeply criticized and questioned from the previous praise. Other famous classic plays have been officially recognized, with high artistic content. Comparatively speaking, they have come to the conclusion that there is little debate between right and wrong. However, Liu Yong's Nanjing opera is different. He loved it so much that he reduced it to nothing and showed a polarization trend. Coupled with the antipathy of some opera experts, Li Yuanchun and other official media suppressed the drama for a long time, and some people attacked it without fear. I saw an unscrupulous attack post in Liyuan Spring Bar, which read as follows: "Some friends in the bar praised the opera" Liu Yong goes to Nanjing "and expressed dissatisfaction with the lack of stage for Liyuan Spring Henan East Tune. In my opinion, the drama Liu Yong goes to Nanjing is also suitable for yelling in the countryside-local, vulgar and local. In order to make up numbers and rhyme, they also sing nonsense. Is that a tune? Is that a tune? It sounds like a tune, without the euphemistic or impassioned tone of western Henan tunes. I hereby declare that I am Heze, Shandong Province, the base camp of Yudong Tune, but I don't think Yudong Tune has artistic beauty. " This bar friend is a bit extreme, with worrying quality, and has a mentality of looking down on the grassroots. This kind of drama can roar in the countryside, which just shows that it is very grounded. There is a famous saying, "The more grassroots, the more exquisite." Liu Yong's drama "Xia Nanjing" is a masterpiece of Henan opera, which is compared with the innovative songs, plays and movies with its original singing method. Henan Opera entered the city from the fields. Disdaining and denying the source of Henan opera is tantamount to abstaining from alcohol. Look at this play, it's vulgar and hard to be elegant. You like rural audiences, but there are many young audiences you really like, including college students, graduate students and so on. It is said that this play is flawless and not objective. The lyrics of this play really have room for improvement. Water words are repeated and inconsistent. With the love of more and more senior intellectuals, experts will improve the plot and lyrics without losing the dialect characteristics and elegance.
Liu Yong's trip to Nanjing was the most popular play when he performed at the grass-roots level, and no drama in Henan can be compared with Liu Yong's performance in Nanjing. It is the first time that a publishing house has published an image drama. Due to its popularity, many dramas such as Liu Yong's Two Visits to Nanjing, Liu Yong's Three Visits to Nanjing, Liu Yong's Down to Shandong, Liu Yong's Down to Henan and Liu Yong's Back to Beijing have been launched one after another, resulting in massive videos on the Internet. Liu Yong's visit to Nanjing has also become one of only six keywords in Baidu's popular video classification. It has also become a course drama that red-faced actors must learn and sing. It is a beautiful business card in red-faced art. This drama is very grounded, and the more grassroots culture there is, the more energetic it is. It is not a bad thing to look at the arguments of this play rationally, but it is a good thing to have arguments and criticisms. The more arguments, the higher the attention. Argument is like a mirror, showing all the advantages and disadvantages of the play, finding out the shortcomings, improving them, making full use of its advantages and making up for its shortcomings. The main line of this drama is "punishing evil and promoting good, upholding justice, being loyal to filial piety and loving the people", which is the traditional virtue of the Chinese nation and will not be out of date. Keep the communication atmosphere of this drama, let more audiences and audiences at all levels come into contact with it, and more and more audiences like it, and it will become more and more prosperous.