Uneven leeks, pick from the left and right. My Fair Lady is a friend of pipa and harp. The ragged leeks are left and right. My Fair Lady is the music of bells and drums. Note that (1) is off, like phonetic words and loanwords. Fortunately, you can eat fish at the edge of Zhujiangshan. "Bird Classic: Wang pheasant, pheasant dove, and stork" Modern Chinese dictionary: "Stork is a bird with brown back and white head, neck and abdomen. Very intense. It often nests in trees or rocks, often flies on the water and eats fish. It is usually called the osprey ... which refers to a quiet and beautiful woman, and it is also used to describe a man who is deep and handsome or has a beautiful scenery. Such as "Peacock flies southeast": "The cloud has Saburo, chinese odyssey." Tao Yuanming's Homecoming: "Not only to find a ditch, but also to cross the hills." (5) Mao Chuan said, "Take a break, it is true, and it is also harmonious." Zheng Xuan wrote: "Hugh, stop, and get together." (7) uneven, uneven length. (8) Water shepherd's purse, an aquatic plant, is "water shepherd's purse". There is also this saying in Shandong dialect, for example, "I took a look at her and she was very handsome." (10) She fell asleep. When she woke up from her sleep, she was told to sleep. When she is asleep, she seeks it, which means that she pursues her when she is awake and asleep. And class is invincible. "Class is review. (12) indicates leisure and anxiety. It means old and worrying. (13) The friends of the harp and the harp, two ensemble instruments, are often used to describe the harmony between husband and wife. For example, The Book of Songs Xiaoya Long Beach says: "Wives are easy to get along with. Same as (10) note. (14) is the same as (15) bell and drum music. Bell and drum music is an ancient musical instrument used to attack grand celebrations. Here is exaggeration, which means playing with bells and drums as a celebration. This is very interesting. It is a pronoun. Usage as above. On the island in the river, pigeons are singing. A kind and beautiful girl is the ideal object of this young man. Fresh leeks of different lengths are harvested on both sides of the river. Kind and beautiful girls want to pursue them all day. The pursuit failed, and my heart lingered day and night. The night is endless, and it is difficult to sleep over and over. Long, short and fresh. Play the piano and drum to show admiration. Both sides are carefully selected long and short fresh leeks. A kind and beautiful girl rings the doorbell and gets a smile in return. In Hezhou, 1. My Fair Lady, 2. A gentleman, 3. (Chapter 1) Uneven leeks, 4. Flow from one side to the other. ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ ⑧ 931 The whole poem is catchy and the rhythm is harmonious and pleasant. There are two tones, overlapping rhyme and the rich rhyme of the word "zhi", and the rhyme form of the first sentence that has the greatest influence on the seven laws and seven laws of later generations, which makes this poem an ancient China rhythmic poem. The explanation is highly valued. "Historical Records Family of consorts" once recorded: "The Book of Changes is based on Gankun, the Book of Songs began in Guanju, and the Book of Songs is beautiful ... husband and wife are married and human nature is great." The record of "Han Chuan" is sparse: "When it is worthy, people's livelihood. The end of Wang Jiao is also. " Their focus is pedantry, but their summary of the original intention of the poem is basically correct. The question is what kind of marriage it represents. This is related to our understanding of the wind. Zhu's preface to the collection of poems said: "All the so-called styles in poetry are based on the songs in the hutongs. The so-called men and women have different feelings for songs." Go straight to its new sound. Zhu discusses it from the perspective of poetic meaning, but explains it from the perspective of tone. Combining the two, we can think that The Wind is a ballad about the love between men and women. Although Zhu's explanation of the theme of "Guanju" is not so, from the specific performance of "Guanju", it is indeed a love story between men and women. At the head of the 300-article list, Confucius said, "Guan Yu is happy but not lewd, and sad but not hurt." ("The Analects of Confucius") Since then, people's evaluation of Guan Ju has been "compromised by the master" (Historical Records, Confucius Family). But Guan Ju's poem was originally composed of three chapters: one chapter with four sentences, two chapters with eight sentences, and three chapters with eight sentences. Zheng Xuan divided the last two chapters into two chapters, with five chapters and four sentences in each chapter. Zheng Xuan's division is used now. The first chapter, the songs of pigeons and rivers, are very suitable for gentlemen. The beauty of this chapter lies in soothing the voice of justice, and the passion of the gentleman dominates the whole poem. The second chapter, Jagged Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd's Shepherd. Both Liu and Mao Zhuan are taught as "seeking", which is inaccurate because the following "seeking" already exists. That is, from deep yearning to the realization of marriage desire. The third chapter expresses the anxiety of not being able to do so. This is the key of this paper, which can best reflect the spirit of the whole poem. Comments on Yao Jiheng's General Theory of the Book of Songs: "There are four chapters, four sentences in each chapter, and the meaning of the words is easy to understand. Today, if we put these four sentences under "seeking", "being friends" and "being happy", then the cloud above is seeking, and the cloud below is friendship and happiness, which is weak and sluggish. This ancient prose strives to be concise, and its tone is also forcibly improved, which is different from the light tone before and after. " Yao's analysis of the importance of this chapter in the whole poem is the most accurate. What needs to be added is that this chapter not only carries forward the literary spirit with complex strings, but also writes vivid and vivid images. That is, Wang Shizhen's "Yu Yang Poetry" called "three hundred poems, really like a painter's masterpiece". In Lin Yiguang's "Total Interpretation of the Book of Songs", he said: "I wake up tossing and turning, still in bed. "This kind of description of missing your lover's mind can be described as' mourning without hurting'. The fourth and fifth chapters write about the joy you get. " Friends of piano and harp. The use of words has its own weight and depth. Writing quickly and happily does not involve extravagance and waste, which is the so-called "happiness without lewdness". The whole poem is about a man's yearning and pursuit of women, as well as his anxiety and joy that he can't get. This poem mainly shows good luck, while Mao Zhuan says "starry night". What is xing? The interpretation of hole pairs is the most important. In Justice in Mao Poetry, he said: "Those who are' excited' all start from scratch. They set an example and lead their hearts. Those who quote plants, animals and birds to see the meaning of poetry are all' excited'. " The so-called' excitement' is to arouse what is sung from other scenery as a sustenance. This is a euphemism. Miss with poor leek flow is hard to find; "Pick up" and "win" leeks, "make friends" and "enjoy" ladies and so on. The advantage of this technique is that it has far-reaching sustenance, and it can produce the effect that the words are full of meaning, and the meaning is more than enough. This poem also uses some disyllabic rhyming words to enhance the harmonious beauty of Sion and the vividness of describing the characters. For example, "Wei" and "staggered" are disyllabic; Tossing and turning is both disyllabic and rhyming. Use such words to modify actions, such as "tossing and turning"; Imitate images, such as My Fair Lady; Describe the scenery, such as the jagged shepherd's purse, which is vivid and vivid. Liu said in his Essay Notes: "The ancient voice ... proverbs follow the nature of nature, and the reason why they can coordinate the rhythm is because one sentence is Ye Yun and the other sentence uses double rhyme." Although this poem is not Ye Yun's, it has two voices. This poem adopts the way of even rhyme, which has dominated the harmonious rhyme form of China's classical poetry for more than two thousand years. Moreover, the word "zhi" at the foot of the function word does not rhyme, but the previous word of the function word rhymes. This uneven change of rhythm greatly enhances the sense of rhythm and musical beauty of poetry. For Guan Ju, we should attach importance to both poetry and music. The love between men and women is a folk custom. According to legend, the ancients had the custom of meeting men and women in mid-spring moon. "Zhou Li Dibao Shi Mei" said: "Shi Mei (that is, media officials) is responsible for everyone's judgment (cooperation) ... In mid-spring (February), men and women meet, so when it comes to this, runners have to help (don't ban running); If you don't use the order for no reason, you will be punished. If you don't have a husband's family, you will be punished. " Guan Ju is not necessarily a record of this historical event, but this historical event helps us to understand the psychological state and customs of ancient men and women who met, fell in love and hoped to get married. The object of literary works is social life, and the description of social customs and habits can more truly reproduce social life and integrate social life into the picture of social customs. Therefore, it is more realistic. Guan Ju described the love affair between men and women in ancient times as a social custom. As far as music is concerned, the whole poem is formed for harmony. Zheng Qiao's Preface to Tongzhi Yuefu Zheng Sheng said: "Those who tune words are called poems, and when they are read, they are called songs. There is no poet who writes poetry and does not sing. " And pay attention to the harmony of timbre. The use of repeated sentences in Guanju shows that it is a poem that can sing and dance well and live in people's mouths. Of course, Guan Ju combines poetic expression with fast tone to convey poetry in tone. Zheng Xuan's Preface to Poetry said: "Yu Shu said:' Poetry expresses ambition, and songs always say.'