First of all, the shaping of roles is more diversified. You know, in Hong Kong dramas, both righteous and evil characters are always our favorites. In "The Apostles 2", it is difficult for young people to guess their identities, and it is impossible to know whether there are any spies among the square characters. Even some characters wandering in the gray area are full of mystery from beginning to end. It's not so much that the roles of American TV dramas are frequently led, so this time, the new Hong Kong drama's "dead protagonist" style is simply eye-opening. The rhythm is as fast as a tornado, and SIR Zhuo is even a veteran.

? The role is diverse and the story is surprising, which is the shell of "anti-routine". The most important thing is that each character does not hang up just to attract attention, but has his own motives. Think of the psychology of the creator who was attacked because of violence in the summer hot film. Murong said that in fact, it is better to question the violent plot and discuss whether the motivation of the role is reasonable. Compared with previous works of the same type that died for the sake of death, this time even a gang, wannabe, has the value of existence, interweaving with each other step by step, so that the process of making SIR Zhuo look for undercover again is full of suspense.

Furthermore, it has to be said that the image texture of "new thinking" makes this work more compelling. Whether it is the opening of each protagonist accompanied by celebrity quotes, it is like branding. It's still the same as changing the camera group, and the picture quality has been improved in all directions: for example, the slow-motion picture was upgraded during the gun battle, and the role was viewed from the sea with the help of aerial photography like a Hong Kong film production, and Kan Kan talked about it. All this gives us the extraordinary joy of "finally seeing high-definition Hong Kong dramas". The most interesting thing is that, from a large number of barrage of seeking BGM, this time the soundtrack finally made this new Hong Kong drama jump out of the "canned music"-like takenism, and there were many melodies that were still ringing in the ears. Whether it is the deep theme and the sense of confusion, or the cheerful singing of Chau Pak Ho and Huang Cuiru when riding motorcycles, and the exotic and hot melody with more and more styles, this work is both audio-visual and good. Meet the needs of the audience in fttp in the network era. When the audio-visual terminal can bring a better appreciation experience, it can complement the high-quality new drama.