As a design system, Bauhaus was popular all over the world at that time. Although the rise of postmodernism was an impact and progress on the design thinking of the Bauhaus, in many modern industrial designs, the ideas and aesthetic taste of the Bauhaus can be said to have influenced an entire generation. Some of these ideas and concepts still have an enlightening effect on my country's modern industrial design and technical aesthetics, and are especially helpful in the choice of the direction of industrial design in developing countries. Its principles and concepts have an impact on all industrial design. Frank Pick (Frank Pick) believes: "...an overriding scientific principle and concept must be formulated to guide the design of daily necessities, just like those principles in architecture that guide the design of houses."

Pack The main idea of ??House is to require product structures to be produced in standardized formats. At the same time, he rejected it as an end. He considered this an urgent prerequisite. He also gave a definition of standards: "The so-called standard can be interpreted as any widely used thing that has been simplified and integrated with the advantages of various previous styles to become a practical model. This integration process must first eliminate design They have individual content and special non-essential factors.”

For my country’s technical design, I think standardization should also be regarded as a major goal at this stage. Because standardized products are suitable for mass production in socialized industries, the economic effects are huge. Our country has a large population, a large market, and a large demand for products. In a sense, standardized products have a certain degree of fairness. Furthermore, standardization is easy to achieve for centralized countries, and it is suitable for my country's current economic conditions and technological level. As for the aesthetic thought of standardization, it should be "a recognized standard, a more mature and more certain model than any individual prototype that has been integrated, and can often become the official unified standard for the entire period."

Before there were not many creative artists in society, there was a model that combined the advantages of various companies and was more suitable for promotion and mass production. Of course, the Bauhaus believes that advocating standardization does not mean erasing individuality. "Although every house and every apartment will unambiguously bear the mark of our times. But they will also have enough characteristics like the clothes we wear." There is room for individual designers to express their creative personalities."

He expected that "the final result should be a pleasant and harmonious combination of maximum standardization and maximum diversity" as a great sign of the times. , we need a lot of personalized things to supplement and enrich it, so that our lives will not feel monotonous and mediocre. Bauhaus's design requirements are that "it does not imitate any style in terms of image, nor does it make decorative embellishments, but adopts a simple and clear-line design, and each part is naturally integrated into the comprehensive volume. In this way The aesthetic effect is also in line with our material and psychological requirements. "The study of technical aesthetics itself is to elaborate on the study of the material and psychological needs of products, and the design of our country's technical products should also focus on these two. Aesthetic requirements can only be considered if these two aspects are met. Issues between technology and art In technical design or technical aesthetics, the relationship between the two is always a sensitive and difficult issue to deal with. "Some pure artists... are not familiar with the requirements of production technology and cannot bring their modeling concepts close to the production process. On the other hand, manufacturers and technicians have not yet foreseen the need to achieve the beautiful and efficient styles they desire. The unification of performance and economy can only be successful if the arduous collaboration of responsible artists is established as production regulations. The training of artistic talents must require sufficient basic training in factory production conditions, combined with a system of design rules. Theoretical teaching. ”

my country’s industrial design is still relatively weak, and the basic problem is the lack of talents who combine technology and art. Cultivating such talents has become a top priority. In addition, we must also focus on updating concepts. The traditional concept of industrial design as "beautifying" products must be broken, and the entire industrial product should be regarded as a work of art in modern or mechanical form. Research on technical aesthetics must also strive to be "proficient in practical operations and mechanical design, as well as theoretical and formal creation rules." Bauhaus thought also requires designers to have a profit-making mindset and "understand the purpose of profit-making and resolutely The requirement to make the best use of time and production equipment is an urgent consideration for modern designers. Obeying the harsh reality is the strongest constraint between colleagues working on the same job, so that the academy can be quickly cleared. Its guiding principle is that "artistic design work is neither a matter of mental activity nor a matter of material activity, but only a necessary component of life elements." Demand is the starting point of design. Put it first, so that such design can have practical use in society. Furthermore, the idea of ??profit-making forces the designed products to reduce costs and reduce cumbersome and unnecessary decorations, so as to reflect the simplicity effect advocated by Bauhaus. But we cannot push the idea of ??profit-making to the extreme, reject any aesthetic requirements, and only consider practical purposes. We must consider human beings, that is to say, we must consider human comfort and oppose utilitarianism.

And it is repeatedly emphasized that design is an integral part of life itself, and it is also a reflection of the inseparability, all-inclusiveness and inner unity of life. While attaching importance to the social nature of products, we should also enrich our living environment through products so that beauty can always be in people's lives. Don’t think that the effects of standardization and simplicity can impress people, but you also need to use a kind of passion and imagination to complete a beautiful industrial design product. Bauhaus thought also requires design to be aware of the times, advocating that “students should be fully aware of the era they live in, and they should be trained to use their talents and knowledge to design various models to directly express themselves. This ideology of the times. "It believes that the requirements of the times are the prerequisite for the aesthetic revolution, and then the true meaning of industrial design can be understood.

To sum up, what Bauhaus pursues is the new unity of art and technology. For this reason, research on technical aesthetics should start from my country's current technological status, social and cultural level, and people's traditional consumption psychology and aesthetic psychology, and have an objective assessment of the tolerance of my country's consumer groups to the new standards of industrial design. Only in this way can we Gradually eliminating the influence of handicraft products can guide people to yearn for a reasonable living environment and modern lifestyle, making the study of technical aesthetics have practical significance. Secondly, it is necessary to make it clear that the purpose of design is for "people" rather than "beautifying products". For this reason, functional needs should be put first, and secondly, the aesthetic characteristics of the times should be considered in conjunction with the product structure. At this stage, people's needs are the needs of the times. Only in this way can our technical aesthetics have a clear research direction and a strong sense of reality, making our product design an inevitable product of the times and embodying a historical objective inevitability. Thirdly, another important idea of ??Bauhaus should also attract the attention of our designers, that is, design must follow natural and objective laws. We cannot use simple strangeness, novelty, and weirdness as the purpose and standard of design, but must "Through careful consideration to limit the repeated use of certain basic forms, a simple effect with changes is created." To present the unity of diversity and simplicity, products must be simple and standardized. This basic idea is in the current stage of industrial design in my country. Still an important goal. Simplicity and practicality are the hallmarks of the Bauhaus era and one of the hallmarks of our times.