20 1 1 year earlier than her, Yining, a real estate tycoon who has become a winner in life, sat on a stone bench in the park and lost his mind:
So God fulfilled his wish and let him return to Jiangning in the Northern Song Dynasty, where the song and dance were rising, to be a son-in-law who ate to death. It also makes up for the regrets of life.
Both of them completed the crossing with regret, and made up for the regret of previous lives briefly after crossing. But the state of two people, it is the opposite.
The man who eats and waits for death wants to be the winner of life (the emotional winner of life) through crossing, while the original winner of life lives a life of eating and waiting for death through crossing.
Crossing the theme used to be an old-fashioned setting, which once caused the aesthetic fatigue of the audience and readers. Some have been adapted into TV dramas and novels, and even the "gimmicks" have been directly removed. In the final analysis, the lack of crossing elements with rigorous logic and full support of plot structure will only make the overall narrative more likely to collapse and appear "dog blood".
Reality is so irresistible, crossing is a symbol of appealing to imagination, which can break the limitation of time and space and give fate a chance to rewrite. The so-called crossing is like life, much like the besieged city written by Qian Zhongshu: people outside the city want to go in and people in the city want to come out.
In fact, the crossing was not invented by modern China people. As early as the Tang Dynasty, the Tang people told the story of a scholar who failed to make it, with the help of Taoist Lu Weng, who realized his wish to make a successful career through a dream.
It is also recorded in Taiping Guangji that Chunyuba was drunk under an ancient tree, thus becoming a horse in Huai 'an. These two stories were later handed down by Tang Xianzu's Four Dreams in Linchuan under the names of "Huang Liangmeng" and "Conan Dream".
By the Ming and Qing Dynasties, story crossing had become a common occurrence, and The Journey to the West was one of the "hardest hit areas". In various sequels and supplements of The Journey to the West, four people will travel to the Qin Dynasty, the Han Dynasty and even the Qing Dynasty to witness the vicissitudes and historical changes.
Mark Twain, an American writer, once told a magical story about a modern American boy who came to medieval England in an instant and changed King Arthur's world with the power of modern science and technology.
It can be seen that everyone in the world is fascinated by this little thing, but the ancients used it to persuade the world to be good. Modern people's sense of crossing the border is generally entrusted with a desire to change their lives and a reflection on their regret for the past.
In "Searching for Qin", the originator of modern time travel drama, Xiang Shaolong traveled back to the Qin Dynasty and met Qin Qing who looked exactly like his ex-girlfriend. A good marriage that I was obsessed with in my last life and failed to form was achieved through crossing.
I have to say that crossing is really a magic weapon that can make social animals turn over, let the weak fight back and make ordinary people no longer ordinary.
When Xiao just returned to the 1980s, what really impressed everyone was not Xiao Pang and everyone's gags, but the shabby brick building, the young people wearing green military caps, the bouncing little girl with rubber bands and the only color TV set under the stage.
Further on, volleyball matches, chorus, cinemas and small cruise ships followed, evoking the golden age of passion and spirit in our memory for generations. This is the advantage of film and television dramas over novels and comic sketches. Just like the seventy-two changes of the Monkey King and the handsome face of elder Tang, through the three-dimensional scene reproduction and sound color, we can inject substantial emotional color into the story.
Hi, mom's story itself is very thin, and it is a great success because it plays the right emotional card, awakens the audience's sealed memories of the years, and at the same time permeates the most common but touching family, such as a walk in a drizzle, which has unconsciously soaked the body and mind.
Using "widowed husband" is another way. When Yining was forced to leave Jiangning and go to the capital, historical figures appeared one after another, such as Zhou Zhe (Song Huizong), who was indecisive, Li Shishi, who was serious and scheming, Tong Guan, who was ambitious but determined to gain power, Yue Fei, who valued principle over his own safety, Lin Chong, who could not achieve it all his life, and countless little people who struggled at the bottom of society.
The author spent a lot of pen and ink on them, and even exceeded the protagonist himself in the later stage, just to show a complete and vivid Northern Song Dynasty. Here, everyone is just an ant of the times, but they all have their own unique ways and principles, and they all have difficulties in facing bad things.
Even ferocious, such as Wan Yan Lou, Wan Yanzong Fu, Wan Yan Yin Xi, etc. , has been given a trace of sadness of the great era by the author. The story is no longer the protagonist's one-man show, much like the real life of all beings.
Emphasizing human nature and touching sincere feelings is what a good crossing work should look like.
Although most of the crossing looks beautiful, it is actually just an illusion of castles in the air.
The loser in his last life was unhappy, but because of an inexplicable opportunity, he suddenly returned to the past, or was attached to another little person. His IQ increased by 200% on the spot, and his career prospered. He gradually became a lotus flower and married Bai, reaching the peak of his life.
Such YY routines occupy more than 90% of the market of the novel Crossing and Rebirth, and are very popular. Just like The Joy of Life, which was a hit a while ago.
Because readers find the shadow of * * * in travelers, it seems that what they see is not Fan Xian, Silence and Yang Ling, but themselves struggling step by step in modern social life.
Therefore, it is natural to ignore why every passer-by will memorize all kinds of chemical reactions as soon as he crosses, and know every little detail in history, the making process of soap, salt and glass, and even the history of the stock market like the back of his hand.
Why is it that every passer-by has a chaotic interpersonal relationship in his last life and becomes a social expert with long sleeves and good dancing as soon as he crosses?
So we don't say that time-travel novels are spiritual opium in the style of Ah Q. It caters to the readers' numbness and despair of the difficult real life.
Comparatively speaking, hey, mom and widowed husband are relatively concerned.
There is nothing special about being small. Even when she entered the 1980s, she never thought of becoming rich overnight like a prophet. The only thing she wants to do is to make young Li Huanying live happily.
In this process, she hit a wall many times and failed. Fate is like a kite off the line, completely out of her control. Life is like a domino that begins to fall, even if you know the final direction, you can't stop it. Without Li Huanying's cooperation, Jia Xiaoling's crossing trip may be another regret.
The same is true of "mother-in-law" This tycoon, who was proficient in management, interpersonal relationship and all kinds of knowledge in his previous life, suddenly returned to the end of the Northern Song Dynasty (although it was overhead, the story background was actually the end of the Northern Song Dynasty). He wanted to live a quiet life, without workplace oppression, interpersonal speculation and intrigue in officialdom, but fate played jokes on him again and again. First, there was a family dispute, then there was a thief in Liangshan, and finally, when I went out, I met the Fang La Uprising.
Just like Grandpa Ge's famous saying in "Let Bullets Fly": Think about it, you are sitting on the train with your wife, eating hot pot and singing, and suddenly you are robbed by bandits. ......
People can't help themselves in Jianghu, even if you are a passer-by.
This makes the logical chain of the story much more reasonable. Before crossing, the qualification is average, and naturally it will not become smart after crossing. Before crossing, fate is impermanent. After crossing, you naturally can't control your own destiny. Therefore, the readers of fantasy crossing must first have objective and rational self-cognition.
We had an unrealistic dream through that passage in film and television dramas and novels. The protagonist in the dream is the split ideal self.
The former is full of the director's deep shame and nostalgia for his mother, while the latter shows the reflection and resentment of history lovers. For ordinary audiences and readers, this relaxed but profound spiritual enjoyment may be limited to cinemas and books, but why can't these stories be a mirror for us to compare ourselves?
As Buddhists say, what you think is what you see, and what you see is what you get.
I was moved to tears when I watched the movie, and many sighs caused by the drama. This brief emotional immersion is like a train of life moving forward, with a short stay. The emotion aroused at that moment is surging, reminding us that we have been numb by time, cherish our family, be kind to ourselves and live up to the present.
It is much more meaningful to really put this feeling into reality and give back to life than to find a moment of comfort in movies and books.
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