A complete collection of calligraphy classics

Nowadays, many people send their children to learn calligraphy. Calligraphy can cultivate self-cultivation, which is beneficial to people of all ages. So let's share the complete collection of calligraphy classics. 1

1. Those who are good at calligraphy in ancient times live longer, but their minds are fixed. A man can set his mind and do nothing.

2. Calligraphy is just like Buddhism. It begins with precepts, is good at wisdom, and is proved from the heart, which is better than enlightenment. As for the extreme, it is not something that can be passed on by mouth or hands.

3. The Classic of Jin says, "Illegal is not illegal." When calligraphers realize this tactic, why bother to eat the old?

4. Being pure in heart and lacking in desire, the word gives birth to spirit, which is one of the proofs of sincerity.

5. When the dregs are gone, the light will be clear. If the mind is mixed, although the pen and ink are excellent, there is nothing to be done. Therefore, the Yangtze cloud: the word is a heart painting.

6. In the past, there was a saying: What is the husband's recovery? Is it natural? True words of wisdom. When writing a book, you should also know this.

7. If you are full of energy, the length of your speech is suitable for your voice. The same is true of books.

8. Imitating the ancient method is like a ghost enjoying a sacrifice, but sucking its breath and not eating its quality.

9. If you are careless, you will accomplish nothing. Although the book is a path, it must be quiet.

1. It is one of the ways to feel at ease to look at the pen used by the ancients coldly, and not to take part in other thoughts.

11. The calligrapher is excellent. However, there is little news in this, so you can't die under the sentence.

12, the method of holding a pen, empty palm and real finger. When the fingers are gathered, they are real, but when the fingers are actually empty

13, the fingers are dead, and the calligrapher has no spells. Refers to death is straight, wrist work is word spirit.

14, reverse pen, the most powerful. Chu Henan books, all reverse, Li Fa also.

15. The words must be sent with a pen, and they can only be sent when the pen is still straight at the pen tip.

16. When writing a model, it is necessary to understand the official law, and when writing a model, it is forbidden to be arrogant. As a servant, you must have the weather of thousands of valleys and rocks going to your wrist.

17. For beginners, look for the shape first, but the shelf is not good, and the words are wonderful.

18. The pen must be volley and solid. However, scholars misunderstand Sri Lanka, and every time they walk into the air, they go all the way. It is necessary to say that the air is empty and the pen is solid, so that there can be no harm.

19. Books are expensive and familiar, and familiarity makes you happy. Books are not familiar, and familiarity is vulgar. It's beyond my knowledge that I can't draw a straight picture and seek wonders, but I still deviate from the rules to seek cleverness.

2. There is no fixed method for books. Is it natural to call it natural? Li Fa pushes Han and Kai Fa pushes Jin, which is natural. Tang people regarded the law too strictly, so they were not as good as Han, but not as good as Jin.

21. Learning the model should be promoted from the Tang Dynasty to the Jin Dynasty, while being a servant must be Chinese.

22, han li's pen is reversed, and the pen is stored. Starting from the reverse, collecting and storing.

23, the vertical and horizontal characters, like the beams of a house, should be straight and not inclined.

24. Ancient monuments are familiar to look at, but they are not expensive to be born, and they are wonderful to learn. Only by using a pen can they be similar in spirit.

25, meaning comes first, and shape follows the law.

26. If you want to know, you should start with the pen, which means you should stop with the pen. If you know this, the pen will echo, and the words will be connected, and you will be able to live together.

27. The brushwork is still round, but if it is too round, it is weak and boneless. The genre is square, and if it is too square, it will be rigid but not rhyme.

28. Practice makes perfect, and everything happens. The book is not ripe, but it specializes in strange things, and the magic way is also. It is better to be defensive than to be self-defeating.

29. The books of the Qin and Han Dynasties are ingenious and unattainable.

3, the work is deep, and the structure is self-stable; If you have a good attitude, you will be super when you put pen to paper. 2

1. It's like floating clouds, and it's as agile as a dragon.

2. I always see dragons and snakes walking away. -Li Bai

3. The word is powerful and easy, like a dragon jumping into the sky and a tiger lying in the phoenix. -Xiao Yan, Emperor of the Southern Liang Dynasty, "Comments on the Advantages and Disadvantages of Ancient and Modern Scholars"

4. Therefore, there are many people who write articles on morality. Those who comment on the world, admire their people and value their books, and the scholars will be immortal. -Zhu Hegang's "Lin Chi Xin Jie"

5, so the book is also, the mind is also; Writer, write also. -Liu Xizai's Outline of Art

6. Words take a hundred days to work.

7. The person who makes a product has a kind of aboveboard outline outside the pen and ink. —— Wang Yu

8. There are pictures in the book, and there are books in the picture. —— Fang Yurun, a scholar in the Qing Dynasty,

9. The work of dragging is wonderful, and the smoke is dew-knotted. If the cross section is still connected, the phoenix will be flat, and the situation will be oblique. -The Biography of Wang Xizhi by Li Shimin, the second emperor of the Tang Dynasty

1. The mysterious meaning is out of the table of things; The deep reason lies between the shadows; What is natural can be said, and what is wise can be measured. -Zhang Huaiguan, a calligrapher in the Tang Dynasty, "Book Discussion"

11. The husband's book is endowed with human nature, and the sick can't make it Xu: Xu can't make it sick. -Cai Yong's

12. If you are a silver hook, you will be surprised if you drift. -Suo Jing, a calligrapher in the Western Jin Dynasty

13. Writing like a dog makes it uglier.

14. Calligraphy and painting are lofty, and character is the first priority, and the quality is excellent. Everyone not only values his pen and ink, but also admires others. -Song Nian's "Yi Yuan Painting Theory"

15. One point becomes one word, and one word is the final article. -Sun Guoting, a calligrapher in the Tang Dynasty

16. Words are afraid of practicing, while horses are afraid of riding.

17. Don't repeat words, and don't spread words indiscriminately.

18. If you walk with worms in spring, your words are like snakes in autumn. -Fang Xuanling, the founding prime minister of the Tang Dynasty, Biography of the Book of Jin and Wang Xizhi

19. Clouds and cranes swim in the sky, and crowds play in the sea. -Xiao Yan, Emperor of the Southern Liang Dynasty

2. When you want to read a book, when you close your eyes and listen to it, you will never worry about it, and your heart will be healthy and harmonious. If the mind is not right, the book is inclined; If the ambition is not harmonious, the words will be overturned. -Yu Shinan's "On the Essence of the Pen" calligraphy classic famous sentence 3

1. High rhyme and affectionate, firm and heroic, and indispensable. -Liu Xi planted "Art Outline"

2. People are ugly, but the gentleman's villain can't be concealed, and his words are argumentative, but the gentleman's villain can't be bullied. Books are clumsy, but the hearts of gentlemen and villains should not be chaotic. -su Shi's book theory

3. happiness means that the words are comfortable, anger means that the words are rough and dangerous, sorrow means that the words are depressed and the words are condensed, and joy means that the words are flat and beautiful. Love is heavy and light, then the words are beautiful and comfortable, and there are also shades and endless changes. —— Chen Yizeng's "The Essentials of Hanlin"

4. Therefore, those who write books are also interested in learning; Writer, write also. -Liu Xizai's "Art Outline"

5. Words should be skeletal, meat should be wrapped in tendons, tendons should hide meat, and posts are beautiful and moist. -Mi Fei

6. People who stand up for their products have their own aboveboard ideas outside the pen and ink. —— Wang Lin

7. The dragon and snake in his pen seem to be gods. Zhang huaijin

8. either send him the ambition to excel in the vertical and horizontal direction, or entrust him with the spirit of dispelling stagnation. Although it is expensive, it can't be suppressed, although the clever calculation can't be used. -Zhang huaijin

9. words should not be duplicated, and words should not be spread around.

1. Learning books can lead to profound knowledge. -Zhang yanyuan

11, and its vast and graceful bosom, all in the pen and ink, the so-called high quality, rhyme wins itself. -Zhang Yuan's Quotations of Shi Tao's Painting

12. Every mortal has different qi and blood and different bones and muscles. The heart is dense, the hand is skillful, and the ugliness of the book lies in the heart and hand. -Zhang yanyuan's

13. The book is clear and thick, and it must be clear and thick. Otherwise, although the book is thin and turbid, it is only a portrayal of others. -Liu Xizai's "Art Outline"

14. My wife's spirit is in all things, and my heart is dominated by hundreds of skeletons. Therefore, the heart is expressed as morality, manifested as economy, tree as honor, set as moral integrity, declared as an article, and transported as handwriting. -Xiang Mu's Elegant Words in Calligraphy

15. Silent voice is invisible. -Zhang Huaijin

16. If the breeze comes out of the sleeve, I will be in my arms tomorrow. -Li sizhen

17. The husband's book is very human, and the sick can't make it Xu. Xu should not make it ill. -Cai Yong's

18, "The Stone Chamber is God-given"; Book, heart painting, sound and painting, gentlemen and villains see it. Sound painters, gentlemen and villains are emotional. -Yang Xiong's "Fa Yan"

19. The ancients talked about the book cloud: First, you must have a high personality, and second, you must learn from the ancients. It is the method of books, and the scholar Xi Zhi should be familiar with it. We must first cultivate virtues to familiarize ourselves with them. Virtue is familiar to the body, and books are in the hands, so it is a book. -"Three flavors of calligraphy"

2. Academic classics all start from the heart, and their hearts are not right, and they know evil when they move. Liu Gongquan said: The heart is regular and the pen is correct. -Xiang Mu's "Elegant Words of Calligraphy"

21. Clouds and cranes swim in the sky, and crowds play in the sea.

22. Words take a hundred days.

23, pen bald thousand tubes, ink grinding ten thousand ingots. -su Shi

24. when you want to read a book, when you close your eyes and listen to it, you will never worry about it, and your heart will be healthy and harmonious, then you will be wonderful, your mind will not be right, and your book will be inclined; If the ambition is not harmonious, the words will be overturned. -Yu Shinan's On the Essence of Pen

25. Hand and divine luck, art is learned from experience. His ambition is to be in a book, and he can't move, he can't bend, and he is proud of himself. -Zhu Wenchang's "Continued Book Break"

26. The calligraphy is correct, so it is also correct, so it is also idle. -Xiang Mu's Calligraphy Elegant Words

27. The brushwork and ink feelings are all based on people's temperament. If you are rational, the first thing in a book is also. -Liu Xizai's "Art Outline"

28. The dragon jumps into the Tianmen and the tiger lies in the Fengge.

29. Take a look at the heart of heaven and earth, push the feelings of saints, discount the doubts, and manage the vulgar Confucianism. -Zhao Yi's "Non-cursive script"

3, the husband's book, Yingjie's other things, the urgent task of the article is also. Although it is the way, you can learn from the good and the bad, but there are many good and few bad, so it's not a matter of letting the bad and the good abandon it! -Zhu Wenchang's "Continued Book Break"