What do you think of the illustrations in the People’s Education Press mathematics textbook?
I think this incident is the negligence of the person who drew the illustration and the publishing organization. As a college student, when I was in school, the textbook illustrations were all positive images of children. When I saw this news, I still said Very angry. Why are you angry?
1. Illustrations vilify the image of children
When I first saw the illustrations, I felt that these illustrations brought discomfort to people: dull eyes, weird behavior, vomiting Tongue. I have a hard time connecting these with the textbook. The role of primary school textbooks is to guide children to study hard. How can such "textbooks" stimulate children's interest in reading? If such "textbooks" are always used, it will have an impact on children's aesthetics and even harm their mental health in the long run. .
2. The illustrations involve the spread of bad ideas
Among these vilified illustrations, many involve "sex education", such as deliberately drawing the bottom of a girl's skirt, Vulgar illustrations such as breast grabbing and skirt pulling while playing games are all sources of bad information. There are many such bad behaviors in illustrations. If these illustrations are read by children, it will be difficult for children to learn the behaviors in them, which will cause obstacles to their guidance in sex education.
3. The illustrations involve the idea of ??worshiping foreigners and favoring foreigners
It is not difficult to see some American elements in these illustrations, such as striped flag T-shirts, tattoos, bunny girl elements, etc. The illustrations are flattering, and even the national flag is drawn wrongly. It is difficult not to ask what nationality the person who drew the illustrations is? Many pictures contain bad metaphors. If this is said to be the profoundness of "art", please forgive us for not understanding it.
Public opinion gradually escalated. As the saying goes, "When you see one cockroach, there are actually a thousand cockroaches in the dark." Although the publisher came out to express its position in time, our doubts and anger did not disappear. The People's Daily also commented on this incident.
The textbooks contain truth, family and country, and soul shaping. Even the pictures must be in line with public aesthetics and national temperament. Every word, every picture, every picture should be refined. High standards and strict requirements, compilation of teaching materials with awe, and use of high-quality teaching materials to enlighten wisdom and build souls.
People's understanding of "beauty" can be diverse, but teaching materials must sow the seeds of beauty in children's hearts and cannot have a negative impact on children's aesthetics. What's more, textbook illustrations are not only related to aesthetic cultivation, but also to value cultivation.
Summary: Only healthy and sunny illustration design can guide children to form a positive and upward spiritual world and value pursuit. The compilation and design of teaching materials require a strong sense of responsibility and mission, and a firm grasp of the correct political direction and value orientation. We should face up to the public controversy over relevant textbook illustrations, draw inferences from one instance, comprehensively examine and summarize experiences, further improve the teaching material construction work system, improve the teaching material system and standards, and use heart and soul to create high-quality teaching materials that cast souls and enlighten wisdom. . I want Lu Xun's handwritten newspapers, pictures, and information
Life of Lu Xun
Lu Xun (1881-1936) was a native of Shaoxing, Zhejiang. A great modern Chinese writer, thinker and revolutionist. Lu Xun's original name was Zhou Shuren, with the courtesy name Zhangshou and the nickname Hencai; "Lu Xun" was a pen name he used after joining the May 4th May 4th Movement. Because of his growing influence, people used to call him Lu Xun.
Lu Xun was born on September 25, 1882 in a feudal scholar-bureaucrat family in Duchangfangkou, Shaoxing. He was enlightened at the age of 7 and studied at Sanwei Bookstore at the age of 12. He was studious, inquisitive, well-read and memorized, and liked to read unofficial histories after school. Notes and folk literature books, he developed a strong interest in the art of painting, and has since laid a solid cultural foundation. He was not limited to the Four Books and Five Classics, but sought extracurricular readings from many sources, and worked hard to master historical and cultural knowledge.
Shaoxing’s long history and splendid culture, especially the moral articles of many Vietnamese and Chinese sages, had a great influence on Lu Xun’s thoughts. When Lu Xun was a boy, his grandfather was imprisoned due to a court case, his father died of illness, and his family fortunes declined. Lu Xun went from being the eldest grandson of a large family of feudal literati to a descendant of a poor family.
In early 1927, he went to Guangzhou Sun Yat-sen University as the director of the Literature Department and the dean of academic affairs. In August 1927, he went to Xiamen University as a professor.
In October 1927, Lu Xun arrived in Shanghai, where he settled down and concentrated on the revolutionary literary and artistic movement. In 1928, he and Yu Dafu founded the magazine "Benliu". In 1930, the Chinese Left-wing Writers Alliance was established. He was one of the founders and the main leader. He was the editor-in-chief of important literary journals such as "Grudge", "Qinshao", "Shiyu Street", and "Translation". He participated in and led many revolutionary societies such as the Chinese Left-wing Writers Alliance, the Chinese Freedom Movement Alliance, and the Chinese Civil Rights Protection Alliance. He edited many publications such as "Outpost", "Running", and "Grudge Monthly", uniting and leading the vast number of revolutionary and progressive literary and art workers to engage in tit-for-tat struggles against imperialism, feudalism, the Kuomintang government and its imperial literati. He persisted in fighting with resilience and wrote hundreds of essays. These essays, like daggers and spears, made special contributions in the counter-cultural "encirclement and suppression" campaign. He has close contacts with the Communists and firmly supports the anti-Japanese national united front policy of the Communist Party of China. He refers to himself as a "fire thief", is committed to cultural exchanges between China and foreign countries, and advocates the emerging woodcut movement. He cared about young people, cultivated young people, and devoted a lot of effort to the growth of young writers.
On October 19, 1936, Lu Xun passed away at his residence in Dalu Xincun, Shanghai, at the age of 55.
Lu Xun wrote a poem "Self-mockery", in which two lines are "A cold brow is pointed at a thousand people, bowing one's head and willing to be a bully", which is a true portrayal of his life.
Lu Xun wrote more than 8 million words of translation in his lifetime. Many of his works such as "The Scream", "Wandering", "Weeds", "Morning Blossoms Picked Up at Dusk" and so on have been reprinted and translated into English. , Russian, German, French, Japanese, Esperanto and other languages, and is well-known all over the world. "The Complete Works of Lu Xun" is a precious spiritual wealth he left to the Chinese people and people around the world.
"Hot Wind" (Collection of Essays), 1925, Beixin
"Wandering" (Collection of Short Stories), 1926, Beixin
"Collection of Huagai" (Collection of Essays), 1926 , Beixin
"The Continuation of the Huagai Collection" (Collection of Essays), 1927, Beixin
"Grave" (Collection of Essays and Essays), 1927, Weiming Society
"Wild Grass" (Collection of Prose Poems) t927. Beixin
"Picking Up Flowers in the Morning and Dusk" (Collection of Prose) 1928, Weimingshe
"Ji Ji Ji" (Collection of Essays) 1928, Beixin
"San Xian Ji" (Collection of Essays), 1932, Beixin
"Er Heart Collection" (Collection of Essays), 1932, Hezhong Bookstore
"Selected by Lu Xun "Collection" 1933, Tianma
"Book of Two Places" (Collection of Letters) and Jing Song, 1933, Qingguang Book Company
"Pseudo Free Book" (Collection of Essays) 1933, Qingguang Bookstore
"Selected Works of Lu Xun's Miscellaneous Reflections" compiled by Qu Qiubai, 1933, Qingguang Bookstore
"Nan Qiang Bei Diao Collection" (Essay Collection), 1934, Tongwen Book Company
" "Shiling Collection" 1934, Hezhong Bookstore
"Quan Feng Yue Tan" (Collection of Essays) 1934, Xingzhong Bookstore
"Jiwai Collection" compiled by Yang Jiyun, edited by Lu Xun, 1935, Mass Book Company
"Literary Talk Outside the Door" (essay) 1935, Tianma
"New Stories" (collection of novels) 1936, Wensheng
"Lace Literature" (Collection of Essays) 1936, Lianhua Book Company
"Qiejieting Essays" (Collection of Essays) 1936, Sanxian Bookstore
"Night Notes" (Collection of Essays, later compiled into "Essays" The Last Collection of Qiejieting's Essays) 1937, Wen Sheng
"The Second Collection of Qiejieting's Essays" (Collection of Essays) 1937, Sanxian Bookstore
The Last Collection of Qiejieting's Essays ( Collection of essays) 1937, Sanxian Bookstore
"Lu Xun's Letters" (photocopy) compiled by Xu Guangping, 1937, Sanxian Bookstore
"The Complete Works of Lu Xun" (1 to 20 volumes, collected works , translated and compiled ancient books) 1938, Lu Xun's Complete Works Publishing House
"Collection and Collection of Supplements" (Comprehensive Collection) 1938, Lu Xun's Complete Works Publishing House
"Outline of the History of Chinese Literature" ( Literary History) 1941, Lu Xun's Complete Works Publishing House
"Lu Xun's Complete Works Supplement" edited by Tang Tao, 1946, Shanghai Publishing Company
"Lu Xun's Letters" edited by Xu Guangping, 1946, Lu Xun's Complete Works Publishing House
"Lu Xun's Diary" (photocopy), 1951, Shanghai Publishing Company; printed version, 1959, humanities
"Lu Xun's Selected Works", 1952, Kaiming
"Lu Xun's Novels" Collection" 1952, Humanities
"Supplement to the Complete Works of Lu Xun" edited by Tang Tao, 1952, Shanghai Publishing Company
"Supplement to Lu Xun's Letters" edited by Wu Yuankan, 1952, Shanghai Publishing Company
"The Complete Works of Lu Xun" (Volume 1-10) 1956-1958, Humanities
"Selected Works of Lu Xun."
(Volume 1-2) 1956-1958, Zhongqing
"The Historical Changes of Chinese Novels" (Literary History) 1958, Sanlian
"Selected Works of Lu Xun" (Volume 1 and 2) 1959 , Humanities
"Lu Xun's Letters" (to Japanese friend Masuda Wataru) 1972, People's Daily
"Lu Xun's Poetry Manuscripts" 1976, cultural relics; 1981, Shanghai People's Fine Arts Publishing House
"Collected Letters of Lu Xun" (volumes one and two, including 1,381 letters other than "Book of Two Places") 1976, humanities
"Collected Letters of Lu Xun" 1976, People's Liberation Army Newspaper Office
"Lu Xun's Letters" (to Cao Jinghua), 1976, Shanghai People
"The Complete Works of Lu Xun's Manuscripts" (8 volumes of letters, 6 volumes of diaries), 1978-1980, cultural relics
"To the People of Lu Xun" "Xu Guangping Letters" 1980, Hebei People
"The Complete Works of Lu Xun" (Volume 1-16) 1981, Humanities
The Complete Works of Lu Xun Volume 1 (The Scream of the Hot Wind in the Grave)
Volume 2 of the Complete Works of Lu Xun (newly edited story of wandering about in the morning and picking up flowers at dusk)
Volume 3 of the Complete Works of Lu Xun (only a sequel to the Collection of Huagai Collection)
Volume 4 of the Complete Works of Lu Xun (The Collection of Three Idle Things) Collection of Erxinji (Collection of Nanqiang and Northern Diao)
Volume 5 of the Complete Works of Lu Xun (Pseudo Free Letters, Zhun Feng Yue Tan Lace Literature)
Volume 6 of the Complete Works of Lu Xun (Collection of Jieting Essays and Two Collections of Jieting Essays) The final edition of Qie Jie Ting's essays)
The Complete Works of Lu Xun, Volume 7 (Collection and Supplements from the Collection)
The Complete Works of Lu Xun, Volume 8 (The Supplement to the Collection)
Chronology of Lu Xun
One year old in 1881
He was born on the third day of August (September 25 in the Gregorian calendar) in Dongchangfangkou, Shaoxing City, Zhejiang Province. His surname was Zhou Shuren, his courtesy name was Hencai, and his nickname was Zhangshou.
He was six years old in 1886.
This was the year he entered the private school, where he first recited "Jianlue" by his great-uncle Mr. Yutian.
When he was five or six years old, everyone in his clan called him "Hu Sheep Tail". It is praised for its small size and flexibility.
At the age of eight in 1888
In November of 1888, my sister Duan was born and died in infancy in October. When she was dying of illness, my husband wept secretly in the corner of the room, and his mother asked about it. Why? I replied: "It's my sister."
On the first day of the year, the elders of my family gathered together to play Pai Gow, and my uncle Yi also joined in. The gentleman watched silently, and Mr. Congbo Weinong asked, "Who do you want to win?" The gentleman immediately said, "I hope everyone wins."
Twelve Years 1892
In the first month of the year, I went to Sanwei Bookstore to read from Mr. Shou Jingwu.
In the private school, he liked to draw and collect pictures in his leisure time, but he was disgusted with the "Old Lai Entertaining His Relatives" and "Guo Ju Burying His Son" in the Twenty-Four Filial Piety Pictures. His maternal family name is Anqiaotou Lu, and they live together in a family. When he was young, he often went with his mother, his wife, and was in contact with nature in the countryside, which had a great influence. The scenes described in "She Opera" are all about the scenery around Anqiaotou, when he was eleven or twelve years old. Later, the maternal family moved to Huangfuzhuang, Xiaogaobu and other places.
On December 30, my great-grandmother Dai Taijun died at the age of seventy-nine.
Thirteen years old in 1893
In March, my grandfather Jiefu Gong Dingyou returned from Beijing.
In the autumn, Jie Fugong was imprisoned for some reason, and his father-in-law Yigong was seriously ill again. The family property was ruined, and he had been in and out of quality shops and pharmacies for many years.
Sixteen years old, 1896
On the 6th of September, my father, Uncle Yi, died at the age of thirty-seven. After his father died, the family situation became increasingly difficult.
At the age of eighteen in 1898
In the leap month of March, he went to Nanjing to be admitted to the Jiangnan Naval Academy.
At the age of nineteen in 1899
In the first month of the first month of the year, he transferred to the Road and Mining School attached to Jiangnan Lu Normal University. He did not review his homework, but always ranked first in every exam. In my spare time, I often read new books in translation, especially novels, and sometimes go out to ride horses.
Twenty-one years old, 1901
In December, he graduated from Road and Mine School.
At the age of twenty-two, 1902
In February, he was sent by the Jiangnan Supervisory Training Office to study in Japan and entered Hongbun College in Tokyo.
After school, I like to read books on philosophy and literature, paying special attention to human nature and the soul of the nation ----- How to make handwritten newspapers by Lu Xun?
Seniors upstairs, you don’t need so much information to make a handwritten newspaper!
Big title: Missing the National Soul (Write "Missing" in a chic font, use a larger , write "National Soul" in a darker and more standardized font)
The subtitle of the section: Soul of the Nation - Mr. Lu Xun (actually an introduction)
Content: Lu Xun was born in 1881 In Shaoxing, Zhejiang. After experiencing many changes, he finally gave up medicine to pursue literature, aiming to provide fundamental medical treatment to the people and "change their spirit." Mr. Lu Xun left a large number of writings throughout his life. Even in the last stage of his life, he still maintained strong artistic creativity and continued to write. From the publication of his first paper "Human History" in 1907 to his death in 1936, Mr. Lu Xun has always paid attention to and thought about the problems faced by mankind. If British literature cannot be without Shakespeare, then our nation cannot be without Lu Xun - he is the national soul of modern China!
Subtitle: Facing life directly, seeking goodness and truth - Characteristics of Lu Xun's works
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Content: Lu Xun was ahead of his time and nation, and his works contain profound historical and cultural connotations. Although there is sadness and hesitation in his bones, he always carries out desperate resistance - the exploration of people's mental trauma and pathology gives Lu Xun's novels an inner power in addition to the outstanding language tension and article structure: it shows the depth of the soul. . When the world received shock and introspection from Lu Xun as a warrior in the spiritual world, they paid less attention to Lu Xun's call for "the voice of sincerity" and "the voice of warmth". Lu Xun's words can help people understand the more profound concerns and concerns in all his works in addition to the criticism of national character
Subtitle: Lu Xun's famous quotes
1. Cold eyebrows Thousands of people point their fingers, but they bow their heads and are willing to be Ruziniu.
2. I would like to recommend Xuanyuan with my blood.
3. Lian Guangyu has a vast mind and listens to thunder in a silent place.
4. The blood-fertile Central Plains is full of fertile grass, and the frozen earth blooms with spring blossoms.
5. I can’t bear to watch my friends become new ghosts, and look for poems in the sword bush angrily.
6. A ruthless person may not be a true hero, but a pity for a son is not a husband.
7. The brothers are here to survive all the tribulations. When we meet, we will smile and forget our grudges.
8. There is no pride like the old days, when flowers bloom and fall.
Subtitle: Famous Quotes
1. Time is like water in a sponge, as long as you are willing to squeeze, there is always some.
2. If you only read books, it will become a bookcase.
3. I am like a cow, eating grass and squeezing out milk.
4. I hope that all Chinese young people will get rid of the air conditioning and just move up, without having to listen to the words of those who give up on themselves.
5. In fact, there is no road on the ground. When there are more people walking, it becomes a road.
6. Where there is genius, I spend all the time others drink coffee on working.
7. Only the national soul is valuable, and only when it is carried forward can China truly progress.
8. Calm, courageous, discerning, and not selfish.
9. The harder it is, the harder it is to do it. Reform is never smooth sailing.
10. Our current top priorities are: first, survival, second, food and clothing, and third, development.
11. You must dare to face it, only then can you dare to think, speak, do and act.
12. Those who were once prosperous should restore their status quo, those who are still prosperous should maintain the status quo, and those who have never been prosperous should innovate. This is probably the case, probably!
13. Human beings will never be lonely, thinking that life It is progressive and innate.
14. As long as it has always been like this, it is a treasure
15. Facts are ruthless things that can shatter empty words into pieces.
16. Lies written in ink can never conceal the facts written in blood.
17. In fact, pioneers can easily become stumbling blocks.
18. If you are greedy for stability, you will not have freedom. To be free, you have to go through some dangers. There are only two ways.
19. If you have to take care of everything, then nothing can be done.
20. Time is life. Wasting other people's time for no reason is actually tantamount to seeking money and killing people.
21. It is very bad to do something without perseverance, no matter how big or small.
22. If the dead are not buried in the hearts of the living, they are really dead.
23. It can be intense quickly, peaceful quickly, or even decadent quickly.
24. It is always harder to transform yourself than to forbid others.
25. As long as you can cultivate a flower, you might as well become a rotten grass.
26. When I am silent, I feel full; when I speak, I feel empty.
27. The past life is dead. I rejoice greatly in this death, for by this I know that it once lived.
28. The life of death has decayed. I rejoice greatly in this decay, for by this I know that it is not empty.
29. But I am calm and happy. I will laugh and I will sing.
30. I love my weeds, but I hate the ground decorated with weeds.
31. When I turn into dust, you will see my smile!
32. If you don’t explode in silence, you will perish in silence.
33. Doubt is not a shortcoming. Always doubting, but never making a conclusion, this is the shortcoming.
Subtitle: Lu Xun’s Works
Content: Novels: Scream (1918-1922), Wandering (1924-1925), New Story (1926-1935) are all novel collections of the times.
Collections of essays: Already Collection (1927), Huagai Collection (1925), Continuation of Huagai Collection (1926), Sanxian Collection (1927-1929)
Essay Collection: Wild Grass (1924) -1926), Morning Blossoms Plucked at Dusk (1926)
I suggest that the poster draw more illustrations on the handwritten newspaper, which not only has a beautiful effect, but also reduces the copying of words. #^_^# Most of these words are typed by myself. If the poster thinks it works, just use it! I am so sincere and so tired, so it’s not too much to give me some points? Hee hee!\^o^/
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Say OK Tianxia is a very good novel website, you deserve it.