Singing must use qi, and qi in pop music consists of two actions: one breath and one breath. Never have a third action, such as pause, inhale again, scream again, steal gas, leak gas, etc. )
As far as breathing is concerned, singing is the art of breathing. Never put the plow before the oxen. At present, most methods of practicing Qi in the market place too much emphasis on inhaling, which will greatly weaken the singer's performance ability and communication ability. )
To practice the essentials, if you want to use qi, you must inhale and exhale, work alternately, stabilize the air port, and act coherently.
Practice method:
1, weak continuous exercise
Pronounce the "silk" sound, breathe the "silk" for 20-30 seconds, and practice 3-5 groups each time with 5-7 sounds.
Change the lyrics to "diaosi" to complete the whole song.
Requirements: light, thin, continuous and long.
3. "DuDu" exercises (such as children playing)
Lips relaxed, trembling.
Beep for 20-30 seconds in one breath, take 5-7 breaths as a group, and practice 3-5 groups each time.
Change the lyrics to "Du" to complete the whole song.
Fourth, the role of breathing.
The act of breathing. Let's introduce chest-abdominal breathing. First of all, let's get to know the upper abdomen and lower abdomen in breathing.
Lower abdomen: abdomen (three fingers below the umbilicus), lower abdomen groove (semi-circular zone formed by the bottom and edge of the lower abdomen), circles formed by hip bones above and below the waist on both sides of the body, and the back is in the same position.
Upper abdomen: diaphragm and its surrounding area. Including the upper abdomen, stomach, lower lung lobe, two ribs, two ribs on the chest and two ribs on the back.
Action:
1. Take three deep breaths, make sure that the breathing and inhaling actions are sufficient, and find the rhythm of breathing, lasting for 5 seconds.
2. Take a deep breath three times to ensure that the breathing and inhalation actions are sufficient, but the breathing is still 5 seconds, and the shorter the inhalation, the better.
3. Repeat the action of 2 for three times, just hold your breath and don't breathe (at this time, your breathing is still and only your muscles are working).
4. Reverse the breathing and muscle suction actions in actions 2 and 3 (key), and start to take a deep breath again. Breathing three times is 10 second, and the shorter the inhalation, the better.
5. Keep the action of 4 and slowly extend the call 10 ~ 30 seconds. When talking on the phone, breathe as short as possible and push the vocal cords to pronounce vowels (A, E, I, O, U, this is pinyin).
6. Keep the movement of 5, slowly turn vowels into lyrics, and keep the position of vocal and breathing movements to sing.
Exercise:
1: Long Legato Practice
Do the quick count 1, 2, 3...9, 10 for 20-30 times, with 5-7 breaths as a group and 3-5 groups for each exercise.
Requirements: Work separately from breath, vocalization and articulation, and strive to articulate clearly and evenly.
2. Strong skipping practice
Or count from 1 to 10, every second, take a breath twice, take 5-7 breaths as a group, and practice 3-5 groups each time.
Requirements: short, fast, even and clean.
3. Practice 1 and 2 alternately in one breath. For example, in exercise 2, count from 1 to 5, then practice 1 5 times, and so on.
You must pay attention to the above exercises. First of all, we must know the muscles that work with breathing. Secondly, follow the above actions to make these muscles work correctly.
Myth: Practicing Qi is the ability to breathe when practicing singing, not longer than others. Take multiple breaths as a group, not one breath.
No.5 what is vocalization?
Let's talk about vocalization.
Vocalization is a human instinct, but speaking and singing are acquired.
What is vocalization?
Qi pushes the vocal cords through the trachea, making them vibrate. This process is called phonation. Breathing, trachea, vocal cords and muscle groups are all the muscles that human beings need to make sounds instinctively.
Since the sound is made in this way, the breath it needs has been explained above. As long as the trachea keeps the upper body upright and disease-free, when we talk about vocalization in the future, it generally refers to the work of vocal cord muscles.
It is necessary to change from instinctive vocalization to purposeful and controlled vocalization.
First of all, to feel the vocal cords working, we can make a "bubble sound" when relaxing, which is a bit like burping. (We will explain it with audio and video.)
Secondly, after experiencing the "bubble sound", sing with the vocal cord working state and voice position of "bubble sound".
Exercise: Pronounce five vowels "A, E, I, O, U" with "bubble sound" as the prefix. Remember to practice with breath.
Misunderstanding:
1. confuse the original vocal ability with the acquired vocal ability.
There are too many similarities between speaking and singing.
No.6 why do you use bubble sound?
Why use bubble sound: bubble sound is the best starting point for the positive state of vocal cords (just like the start of an airplane).
When practicing vocal music, we should pay attention to feeling, don't trust feeling too much, that is, we should insist on training with the feeling of practicing movements.
Speak below your throat (relax your throat and mouth and make a bubbling sound gently, which will make you feel deeper than usual)
Recite with the feeling and position of speaking under the larynx, and then perform singing training.
Requirements: The prefix of each word should have bubbling sound (vocal cords are dynamic). Practice slow songs first, and then use them on different songs. The whole voice should be in a state and relaxed.
Summary no.7
After the first few lessons, if you know all the movements, the next key is to separate the four tasks.
Respiratory movement; Vocal action; Pronunciation has been mentioned, and the rest is "sound transmission"
Go back and experience the practice of the previous lecture.
For example, breathing exercises in breathing exercises are of course, but please don't forget to use "phonation" as long as there is sound, and "enunciation" as long as there are words.
Practicing singing in this state is a basic introduction.
No.8 joint movement
Spelling [Practice in front of the mirror] Actually, it's best to look in the mirror when practicing in the last class.
1. Show at least four front teeth when singing. Of course, the more relaxed the better.
2. Raise the outside of the lip upward/obliquely 1/4 (the highest point of the lip line, nose).
3. Have a surprised expression on your face.
4. [Most important, most difficult] Loosen your teeth,
To prepare for the action, it is the power to open and close the mouth that needs the big teeth [with the innermost alveolar teeth]
The jaws are released, not opened. Can you accurately distinguish these two movements?
5. The upper part of the mouth works (bounded by the combination of the upper and lower lips), and the lower part of the mouth relaxes.
Hold your chin with an immovable object and practice keeping the angle between your neck and chin above 90 degrees 120.
6. Keep your mouth big in front and small in the back, and trumpet-shaped.
No.9 is big before and small after
The articulation mentioned in the lecture is mainly to increase the space in the front of the mouth, but many friends blindly pursue opening their mouths when singing, which leads to the blind expansion of the back of the mouth and the whole mouth becoming barrel-shaped or even funnel-shaped, which is not in line with the physical essence of sound propagation and violates the cordial characteristics of pop music.
So, at the same time, keep your back small and your mouth trumpet-shaped.
You can see that this is bigger than the symbol. To form it, there must be a vertex and two sides. The apex is on the vocal cords where we are actively working, or the point where we breathe through the glottis (remember: the floor of the mouth is on the vocal cords, not in the mouth).
Those two sides, the bottom, are our tongues, which should be spread to the left and right and kept straight (this action can be seen clearly in many singers' live performances)
The top, that is, our upper mouth cover, should also be unfolded and relaxed, forming a corresponding angle with the tongue, with the front big and the back small.
10 top cover
Upper lip cover, lick your upper incisors with your tongue and tip of your tongue, move inward along the center line, and then touch the root, a protruding muscle [where the particles and words are located, which will be explained in detail below], a concave hard palate, and a soft palate all the way to the tonsils. We call it the upper lip cover in singing.
Because only it can work/change by itself without moving the mouth or the upper part of the mouth, the action of this muscle is very important in the microphone.
After being used with pronunciation, the upper mouth cover and tongue can slowly concentrate on the mouth until the glottis. This requires everyone to practice hard, but we don't have this habit!
Usually, our pharynx naturally protects the larynx, but when singing, we just want to relax the pharynx and expose the larynx (relax the pharyngeal muscles but the larynx muscles need to work), and the larynx is no longer one.
No. 1 1
The first lecture 10 has basically talked about the four parts of singing. In other words, if you can make these four parts work at the same time and make them gradually become a habit when you sing, then congratulations, you really sang.
At the same time, I don't know if you have found out in practice that these actions will affect each other at work. One is to relax Quan Song, and the other is to tighten everything. To solve it, in principle, we must achieve the unity of contradictions.
In almost all muscle work movements in singing, muscles should work actively and relax relatively naturally. I hope you will spend more time understanding this and practicing it.
How to solve the mystery of bubble sound in issue 12! ! !
Everyone has practiced using bubble sounds in singing, and the effect should be obvious, but some people will ask:
I changed when I practiced. Why is singing the same as before? A: Do you still practice singing? This is obviously a misunderstanding. The most important thing is to learn and practice before using! ! ! !
Some people will say that singing with bubble sounds is not good? A: Then I can't tell him. I didn't say it was good to use it. This is a simple vocal technique. Whether the basic action song is good or not is the listener's feeling. Singing skill refers to the singer's feeling!
A singer with many fans, singing is not necessarily scientific, understand? You should sing with bubble sound and express the song naturally and beautifully with your feelings! !
Can you sing a good song by practicing bubble sound? How long will it take to practice? A: Any advanced road in the world will end in a dead end. To achieve the goal, it is important to have a clear direction.
Bubble sound is not everything. When you are proficient, you don't need to practice alone, because its muscle state has been integrated into your singing skills. At this time, you should make new moves, so that your singing skills can really improve your technical level and progress. No. 13 why do you need to practice breathing! ! ! (Solution 1)
First of all, you must use a different breath when singing, which is different from life.
How is it different from life? Basically, the breath used in singing is opposite to the usual movements. Why? To put it simply, because the vocal cords don't work when breathing works, it can also be said that the direction of breath force is basically the same as that of vocal cords, and vocal cords are active, working and powerful in correct singing movements. At this time, the direction of breathing force is opposite to that of vocal cords.
What's the difference in quantity? This is easy to understand. Generally, everyone has inherent vocal habits, tone, speech speed, volume, etc ... but when singing, height, strength, light and shade, speed, thickness ... can be changed and must be changed, so the breath that constitutes one of the vocal elements is more fragile until it is swallowed up.
14 how to practice! ! ! (Solution 2)
1. Take three deep breaths, make sure that the breathing and inhaling actions are sufficient, and find the rhythm of breathing, lasting for 5 seconds.
2. Take a deep breath three times to ensure that the breathing and inhalation actions are sufficient, but the breathing is still 5 seconds, and the shorter the inhalation, the better.
3. Repeat the action of 2 for three times, just hold your breath and don't breathe (at this time, your breathing is still and only your muscles are working).
4. Reverse the breathing and muscle suction actions in actions 2 and 3 (key), and start to take a deep breath again. Breathing three times is 10 second, and the shorter the inhalation, the better.
5. Keep the action of 4 and slowly extend the call 10 ~ 30 seconds. When talking on the phone, breathe as short as possible and push the vocal cords to pronounce vowels (A, E, I, O, U, this is pinyin).
6. Keep the movement of 5, slowly turn vowels into lyrics, and keep the position of vocal and breathing movements to sing.
Let's practice first Next time, talk about the essentials and norms. Come on, come on.
No.65438 +05 practice tips! ! ! (Lecture 3)
Breath in vocal music is about the repeated alternation of two movements, one breath and one breath, which mainly shows breath, so everyone should pay more attention to breath instead of emphasizing breath. There are still many fans and even professional singers who "throw watermelons and pick up sesame seeds".
Tips for practicing qi:
1, pay attention to breathing and inhale naturally.
2. Stop before you go
3. Take multiple breaths as a group, and don't try to be brave in one breath.
Practice method:
1, weak continuous exercise (see lecture 2 for breathing movements)
Pronounce the "silk" sound, breathe the "silk" for 20-30 seconds, and practice 3-5 groups each time with 5-7 sounds.
Requirements: light, thin, continuous and long.
2, strong skipping practice (ditto)
Say "ha" in one breath 10, and practice 3-5 groups at a time with one second interval.
Requirements: short, fast, even and clean.
3. "DuDu" exercises (such as children playing)
Lips relaxed, trembling.
Change the lyrics to "Du" to complete the whole song.
Requirements: pay attention to coherence, air mouth and mood, which are consistent with the songs expressed.
For example: Taylor Swift
Stage 1: Practice breathing before making a sound. The research data show that under normal circumstances, people breathe 16- 19 times per minute, and each breath lasts about 3 or 4 seconds. When singing, one breath is sometimes extended by more than ten seconds, and the inhalation time is short and the exhalation time is long. Therefore, it is necessary to master the essentials of keeping the breath in the lungs and exhaling slowly.
(1) "Deep Breathing and Slow Breathing Control Extension Exercise".
The key points are: first learn to "store gas", first compress gas to discharge waste gas, then treat the gap between the nose and the tip of the tongue as "sniffing flowers", breathe freely naturally and lightly until it is full, then sink into the abdomen, slowly relax the chest ribs, and make the gas exhale slowly like a long stream of water, and breathe evenly. The longer the control time, the better. Repeat the exercise 4-6 times.
(b) "Deep breathing and slow dialing practice"
We call the first step "sucking and pushing". The breath of "sucking and pushing" is inward, and the breath of "pushing" is outward and downward. We do breathing extension exercises when we push. We recommend three training methods:
A. Counting exercise: "Suck" is the same as before. While "pushing", count the number "123456789 10" softly and quickly, and count it repeatedly until you run out of gas, and see how many times you can count it repeatedly.
B. "Counting dates" exercise: "Suck" is the same as before. At the same time of "pushing", I whispered, "Go out of the east gate and cross the bridge. There is a jujube under the bridge. Hit dates with bamboo poles. A jujube is more green and less red (full of breath). One date, two dates, three dates, four dates, five dates, five dates ... until this breath runs out, see how many dates you can count. Repeat 4-6 times.
C. "Counting the gourd" exercise: "Suction" is the same as before. While "pushing", say softly: "Golden gourd, silver gourd, one breath is no more than 24 gourds (full breath), one gourd, two gourds, three gourds ..." Repeat this breathing for 4-6 times until you are exhausted.
Count the numbers, "jujube" and "gourd" to control the breath, so the more you practice, the more you control it. Never run out of breath. There will be pain in the abdomen at first, and after a period of practice, you will consciously make great progress.
(c) "Deep Breathing, Slow Breathing and Long Tone Practice"
After breath practice, the voice began to join gradually. This exercise is still based on practicing qi, supplemented by vocalization. At the same time, choose a middle and low-pitched area, where boys pronounce "ah" gently (loud "ah" is consistent with practicing qi) and girls pronounce "yi" gently (small voice pronounces "yi" to make it. Hold it in one breath, and the sound outlet is cylindrical and wavy, which can be long or long and can be practiced repeatedly.
"breathing exercises"
This is an exercise with half a voice and half a breath. Put your hands in your waist or cover your abdomen, hold your breath in the abdomen and rush out to your forehead and throat at the same time. The voice is mainly low and elastic, and the abdomen and diaphragm pop out at the same time under tensile force. We introduce three exercises:
A. Hold your breath, quickly "clap, clap" (repeatedly) in your mouth, and make a "bang, bang" staccato at the end of this breath. Repeat 4-6 times.
Stretch your feet in one breath, first slowly, then quickly pronounce "haha" (repetition) (acceleration) hahaha ... "Practice has explosive staccato, and" haha ... "Laughter", "aha" and "cough" are commonly used in singing.
C. Stretch your feet in one breath, and then slowly and quickly pronounce "hey-rough, hey-rough" (repeated and gradually accelerated) and "hey-rough, hey-rough ..." until your strength is exhausted, and practice repeatedly.
After this stage of practice, qi is the foundation of sound, and qi is the handsome breath of sound. The "place where qi can accommodate" has been basically excited and active, while sound has been brewing protection. On this basis, you can begin to prepare for the sound practice.
The second stage: the practice of qi, sound and words.
Opera actors, especially Beijing opera actors, including opera lovers, are prone to make mistakes in singing. They wish they couldn't shout a loud and bright voice soon, and rushing to shout high notes, fierceness and even wildness often backfired. When we study vocal music practice, it is beneficial to practice the breath first, and we need to make clear a gradual law and persevere. In this third stage, we suggest that we should not rush to climb scales and shout high notes, but practice from the combination of qi, sound and words. The relationship between them should be arranged in this order: qi is sound, sound is cavity, cavity is word, word is word, and word is emotion. As can be seen from this order, the position of the word is in the middle, the sound and cavity are in front, and the word and emotion are in the back. If it crashes, the whole game will be lost. The truthfulness of pronunciation determines the roundness of sound, and it is this principle that "words speak for themselves". The relationship between words, sounds and qi in shouting practice should be that "qi" is fully supported, "sound" is accurately recognized, and "words" are truly bitten. The specific methods are as follows: enlarge and slow down the prefix, abdomen and suffix with Chinese pinyin, practice pronunciation with Chinese characters, and then speed up, while practicing the flexibility of mouth, lips, teeth, tongue and throat.
(1) lip sound practice: (first slow down, enlarge and read it again, and gradually speed up reading tongue twisters)
Eight, one hundred and one bid, one soldier and one rush-one slope in the north.
On the north slope, one gun and one soldier ran in a row-
One shot, one soldier, one fear, one mark, one soldier, one touch.
Mark a soldier, a fear, a touch, a gun, a soldier, a gun.
② Dental pronunciation exercise (method as above)
Four to four,
Ten-yes-ten,
Fourteen is fourteen,
Forty-yes-forty,
Don't say fourteen to forty,
Don't put 40, such as 14,
③ Tongue pronunciation practice (the method is the same as above)
Sixty-six-year-old Liu Laoliu, almost sixty,
Six big oil drums,
Sixty-six weeping willows,
Sixty-six monkeys were tied up.
④ Laryngolaryngeal exercises (method as above)
There is a tiger in front of the mountain.
There is a monkey at the foot of the mountain.
Tigers drive monkeys away, monkeys fight tigers,
Tigers can't get rid of monkeys,
Even monkeys can't beat tigers.
⑤ Practice of tongue pronunciation and tooth pronunciation (the method is the same as above).
There came a lame man in the south of the street, with a plate in his right hand and an eggplant in his left. Someone pouted in the street. The nail tripped the lame man, and his right hand dropped the plate and his left hand threw the eggplant.
⑥ Thirteen-channel pronunciation practice
Wind (Middle East) urges (ash heap) summer (Zhou Su) to go (17), a lotus (Sobo), a flower (in full bloom), and a thank you (embarrassed).
Autumn (from seeking), cool (Jiangyang), clouds (people), heights (far away), geese (as mentioned earlier), self (thinking) and coming (Huailai).
Joe (Yaotiao), Yi Jia (Fahua), (Ren Chen), (Yuqiao), Yi Chu (Gusu), (Jiangyang) and Yi Lai (Huailai).
East (Middle East), West (No.17), South (Preface), North (Ashes) and Sitting (Sobo)
With this exercise, you can tell which sound is round and which one is dry, and get it right. The exercises of qi, sound and words are very practical and effective.
The third stage: poetry singing practice.
The purpose of putting poetry singing in the fourth stage is to practice and tap the sound quality of "generous bass, mellow midrange and tough treble", instead of blindly raising and climbing, consolidating the midrange and bass, making their timbre gorgeous and pure, maintaining a pleasant and easy-to-use voice, and exercising the toughness and elasticity of the treble. At this time, chanting and singing are unaccompanied, and singing is more difficult and demanding. In the third stage, you have the spirit, sound and words at the bottom, and you climb up step by step. Your voice is not tired, and your practice is effective and you have a great grasp.
(1) Poetry is usually composed of fixed field poems from all walks of life. Because the role has just come to power, it is necessary to make a first impression on the audience, so that they will not talk and be quiet. Therefore, it is necessary to be high-pitched and calm, and it is a self-analysis of the role's own interests and ambitions. It has a strong sense of rhythm and must be practiced well, suitable for shouting, practicing and practicing. For example, in Mi Fei's poem "Drumming Cao", "The mouth is like a river and the flow is like a stream. All rely on the tip of the tongue to suppress the princes. How can a man be a giant? He should look for a seal with a smile "; Another example is Yue Fei's pastoral poem, "Bright Ming Jia shoots the bullfighting palace, ethereal banners cover the sun, the tiger is towering in the same column as the generals of the Ming government, and the male corrects his horse like a dragon." In the morning when everything wakes up and everything is renewed, you can practice your voice to the fullest.
(2) Singing method: it has the characteristics of white singing, half singing and half singing coordinating with each other. It is more difficult than reciting poems, its emotions are more suitable for expression, its melody is more suitable for stretching, and it is only used for shouting and vocalization. Half-singing is like an introduction. For example, in the first half of "Cosmic Front", Zhao sang "The cuckoo cries branches, and blood and tears are dark and sad." Another example is Yang's "Cao Cao (semi-chanting)", "Alone (chanting) alone in the sky, Miao Rong was built early, (semi-chanting) helped Hanzuo exist in name only, (chanting) Wei moved the times." Sing directly, such as "Qin Qiong sells horses", "The hero of the Han Dynasty is trapped in heaven, I don't know when he will return to his hometown", or "Old, old and childless" in "Qingfengge", "Listening to his mother's whining, he must have lost his love for Joule".
③ Reciting poems in Beijing and Bai (Putonghua): practice reciting words for modern drama performances, such as using the melody of the poem "Poems of Chairman Mao", "You are not a hero if you don't reach the Great Wall". For example, reading some classic quotations of modern drama, such as "Rice seedlings meet the rain after a long drought, never forget" and "Chiba is bitter", are all good materials for shouting and practicing. Traditional large-scale chanting and some penetrating exercises can also exercise breath and sound at this stage.
The fourth stage: arc aviation acoustics practice.
This is a very unique vocal technique in Beijing opera. It's like jumping in dance, jumping up, squatting down and bouncing up, and also like shot put in sports, turning up, retracting and throwing. Breath and sound are pushed out to form a parabola, pulled back and thrown out.
Ru Wusheng: Ah/cough/
Old student: Ma/Lai/
Draw a face: wine/oh, come/
Ugly: ah/ha/
Tsing Yi: Bitter/Wow/
Allow/ask/
If the double-arc tone is not practiced well, it is very easy to produce "bifurcation", "turn" or "flower". The general points are: good luck-supporting words (decomposing pronunciation like "Chinese Pinyin")-throwing it out-putting it away-throwing it out again, controlling the breath and volume, and choosing the best timbre to complement each other. In particular, the "capacity-nature" chanted by Cheng School seems to be broken and delicate, and it stays at home. Yin Gui Guiyun needs hard practice and mastery.
The fifth stage: climbing scales and practicing difficult notes.
Ga tune, Van Gogh and Gao Qiang are indispensable in singing, which we call difficult tune. Practice this sound in the practice of shouting. Be careful not to practice more. The key is to find a way to find a position. If you shout hard, all the previous exercises will be useless and your voice will be hurt. When practicing this sound, it is forbidden to squeeze, jam, pinch, press, force or hit hard. The old gentleman said, "If you want to sing a high word, you don't have to shout it back (which makes it difficult for me to shout), but if you make the word narrow, sharp and deep, your voice will be high ... When you meet a high word, you will breathe out ... then the listener will be clear and bright, and the singer will not have any troubles." There are tips and methods here, which should be explored and explored according to your actual situation.
(1)
The most frustrating thing about singing is that it is out of tune.
I thought it was easy to sing once with a microphone in my hand, but who knows that no one is present, it can be considered quite satisfactory. A person who knows how to sing in front of people will change his tune and will not even be ordered to breathe.
Practice the song slowly. Since you like singing, you must solve the problem of "out of tune".
Article 1 of the Basic Law: When practicing breathing, you must relax your throat and chest and abdomen together, then close them once, open your mouth once, and just breathe once. Go back and forth a dozen times, and you must sing a favorite song, and you must lip-synch like half a moon? 」。
(2)
It is said that after the first trick, the second trick will be performed in black and pink.
Method ━ ━ Relax all over, take a deep breath, then sing from I to I with a slight breath, and then take a breath to make a fast and smooth "Oh" sound.
This method helps to increase the volume and make the sound bright. However, some singers sing in a shallow and narrow voice, and after "inspiring" exercise, they may find that their throats are tight and they breathe quickly. If this happens. Please pour a glass of warm water, ...
Poetry says: Take a sip and pat your chest. Then massage the whole neck and throat by hand, which helps blood circulation and widens the chest and mouth.
(3)
It is said that after the "two moves", it should be the third one. Please put your hands gently next to the left and right ribs (a little waist) and inhale. When inhaling, you should feel the lateral expansion of both ribs. Please keep your hands intact, close your abdomen and exhale, and keep your ribs expanded when exhaling. Then relax all over, repeat once, twice and three times until you inhale seventeen or eighteen times. The purpose of this "one formula" is to enhance vital capacity and improve the tension of the human body. The first condition of singing is sound and spirit. Well, do you feel stuffy in your chest, even top-heavy, and your throat is dry? Add some rock sugar to a teaspoon of black tea and review what you wrote last time: "Take a sip and pat your chest. However, there are many places to pat the back today, even on the abdomen, which is very effective for practicing sound and gas.
㈣
The fourth kind. Looking into the distance, you can sing your favorite songs, and when you sing, you can gently press your lower abdomen with your hands, which is the so-called meaning of protecting your abdomen.
Why do you need to gently press the lower abdomen with your hands? This can lead to concentration. People's minds are very erratic. Pressing the lower abdomen is to ensure that the sound is "deep enough", that is, the sound is made in the abdomen.
Now that we have started to pronounce abdominal sounds, it means that we have higher requirements for practicing singing. So, so, please remember that the first, second and third styles must not be neglected.
(5)
The voice of dantian is the starting point of a round, bright and beautiful voice. But it really takes a long time to taste the transparent and bright sound. Try to refuel and enter the fifth type.
He Zui "Hum" 1234567i and then "Hum" from the high-pitched area. When practicing vocal music, the ribs on both sides are slightly expanded horizontally, and the voice should be from the lower abdomen to the bridge of the nose, and the throat must be relaxed.
Objective: To develop the * * sound between nasal cavity and oral cavity.
It's another old saying, review the past and learn the new.
㈥
Sixth, vibrato and bouncing sound ━ ━
1. Inhale and take a deep breath.
2. Play the 1 2 3 4 5 6 7 I scale with your lips. When vocalizing, the ribs on both sides expand slightly, and the lower abdomen bounces with the lips.
3. The mouth bar is opened in a circle, and the "ha" sound is matched with the abdominal bounce, from 1 to i.
Objective: To cultivate a strong and flexible voice.
(7)
The point is to practice enunciation clearly.
First, adjust the sounding part,
1. clap your chest and clear your mouth.
2. Inhale deeply. When inhaling, the ribs on both sides expand laterally to adjust * * *.
3. Spit out the words "open, neat, pinch and close" loudly. Reason ━ ━ Opening is to open your mouth wide; Qi, make a tooth sound; Pinch to concentrate pronunciation; Harmony means practicing lip sounds.
This is the first step in practicing clear pronunciation. Please remember all kinds of exercises.
(8)
A friend asked, "When I sing out of tune, neither the treble nor the bass can reach.". I want to show my voice, but my mouth is ugly. What should I do? " 」
This is really a great singing regret. Let's make a topic of "out of tune" now.
1. Slowly dilate the diaphragm, inhale deeply, and support not to exhale.
2. When the breath of support reaches the peak, pat it quickly with your hands immediately; Clap your chest and shout with an irregular "ha" sound.
3. Massage the head with both hands with moderate strength to improve the head cavity.
Note: This trick is not a good way for beginners to sing. If you are new here, please start with the first singing method. See you later.
(9)
Practice link-
Inhale first. When inhaling, the ribs on both sides stretch slightly. Breathe until you are seven minutes full, because inhaling too deeply and too full is easy to get discouraged.
Sing FA from1-/2-/3-/4-/5-/6-/7-/i.
Repeat the above interval with horse sound, and inhale every four beats.
Remember to breathe in and out quietly when practicing scales, and don't let your voice tremble when you speak.
Objective: This formula is to train the penetrating power of singing.
Friends who sing nine styles in a row and are interested in practicing songs; Can you practice singing step by step?
I use the name "goodbye"; There is a purpose. "Sound" is an invisible thing. To have a good voice, you have to go through many different training methods. Many times, you can go to the road of singing without learning books. It is a wise saying to teach students in accordance with their aptitude and judge the method of practicing vocal music according to their physiological conditions.
My nine-style vocal music training method is dedicated to friends from all walks of life as a good way to lay the foundation for a good voice. Please persevere and practice each style again and again. Time will surely prove that your voice is bright.
Hymns, children of red families