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Famous sayings of the country's heavy weapon
From: Historical Records by Sima Qian, a historian of the Western Han Dynasty.

The jade seal is also a heavy weapon of the country.

The national seal is an important thing of the country.

The heavy weapon of the country refers to the national seal, which originated from (historical records. Biography of Qin Shihuang) and passed on the national seal and national treasure. The imperial seal handed down from the emperors after Qin Dynasty was made by Qin Shihuang. Fiona Fang was four inches long and was friends with the five dragons in New Zealand.

Guo Chuan Xi runs through the history of China 1500 years, flickering. After the Qin Dynasty, emperors tried to obtain seals as symbols. It is indeed a treasure shared by the world and a heavy weapon of the country. Therefore, there is jade, and the country's heavy weapon is also. Hebi is a representative jade.

Extended data:

National seal regulations

The gap in the middle of the wall should be three inches, and the diameter of the wall part should be twice that of the hole, that is, six inches, a total of nine inches. Jade of this size was dedicated to the Zhou Emperor, and the jade used by the Zhou Emperor was the highest specification at that time.

In the Zhou Dynasty, one inch was about 2 cm. Although Zhou Li was written in the Han Dynasty, its ritual system should be a book from the Zhou Dynasty. Nine represents the highest etiquette, such as the nine-inch jade wall used by Zhou Tianzi, which is in line with the etiquette system.

According to Han Feizi? According to the record of He Shi Bi, it was made at the beginning of King Chu Wen's accession to the throne, that is, in 689 BC, that is, in the early Spring and Autumn Period. Jade articles from the Western Zhou Dynasty to the early Spring and Autumn Period are quite different from those from the Shang Dynasty.

Jade and jade ornaments are getting thinner and thinner from simple to complex, with a general thickness of 0.5 cm, but they are all bound by Zhou Li. By the end of the Spring and Autumn Period, due to the collapse of the ritual system, great changes had taken place in the form, and a large number of works of art that were not bound by Zhou Li appeared.