1. What are the poems related to "instrument"

1 "Pipa Xing/Pipa Yin" Tang Dynasty: Bai Juyi

Only after thousands of calls come out , still holding the pipa half-covering his face.

After the translator called for her, she slowly walked out, still holding the pipa in her arms and half covering her face.

2 "Hearing the Flute in Luo City on a Spring Night / Hearing the Flute in Luoyang City on a Spring Night" Tang Dynasty: Li Bai

The sound of someone's jade flute flies darkly and spreads into the spring breeze throughout Luo City.

Translation: Whose exquisite flute secretly emits a melodious flute sound. As the spring breeze blows, it spreads throughout Luoyang.

3 "Listening to the Flute in Shoujiang City at Night" Tang Dynasty: Li Yi

I don't know where to play the reed pipe, and all the people in the country were recruited overnight.

The translator blows a melancholy reed pipe from nowhere, and all night conscripts look out at their hometown.

4 "A Letter to Judge Han Chuo of Yangzhou" Tang Dynasty: Du Mu

On a moonlit night at Twenty-Four Bridges, where can a beautiful woman teach me how to play the flute?

Translation Twenty-four Bridges The bright moon shines in the quiet night. Where can you, a beauty like you, teach people to play the flute now?

5 "Jin Se" Tang Dynasty: Li Shangyin

The Jin Se has fifty strings for no reason, each string and one column is reminiscent of the past.

Translation Jinse, why do you have fifty strings? Every string and every section makes people nostalgic for the golden years.

6 "Song of Everlasting Regret" Tang Dynasty: Bai Juyi

Slow singing and slow dancing, silk and bamboo, the emperor is not satisfied with it. Yuyang's flying dragon stirs the earth, shocking the colorful clothes and feathers.

The translation is full of singing and dancing, and the orchestral melody is so vivid that the king watches it all day long and never tires of it. The war drums of the Yuyang rebellion were deafening, and the music of colorful clothes and feathers stopped playing in the palace.

7 "Joining the Army in the Northern Expedition" Tang Dynasty: Li Yi

After the snow in the Tianshan Mountains and the cold wind in the sea, it was difficult to travel on the way because the horizontal flute was blowing.

Translation There was a heavy snowfall in the Tianshan Mountains, and the wind blowing from Qinghai Lake made it even colder. During the march, the soldiers played the flute song "The Journey Is Difficult."

8 "Listening to the flute playing in the Yellow Crane Tower with Shi Lang Zhongqin/Inscription on the Beixie Stele" Tang Dynasty: Li Bai

The jade flute is played in the Yellow Crane Tower, and the plum blossoms fall in May in Jiangcheng .

Translation: The flute sound of "Plum Blossoms Falling" came from the Yellow Crane Tower, making Jiangcheng see plum blossoms falling again in May.

9 "Listening to the Flute Playing on the Fortress" Tang Dynasty: Gao Shi

The snow is clear and Hu Tian is returning to herd horses, and the moon is bright and the Qiang flute is guarding the tower.

Translation The ice and snow have melted, and the invading Hu soldiers have quietly returned. The moonlight was bright and clear, and the melodious sound of the flute echoed in the garrison.

10 "Listening to the Flute on a Spring Night" Tang Dynasty: Li Yi

The flute is played in the cold mountains to call for the return of spring, and the immigrants look at each other with tears in their clothes.

The translator played the flute in the cold mountains to call for the return of spring to the earth, and the people who were relegated looked at each other and couldn't help but wet their clothes with tears. 2. You must have accumulated a lot of poems about imitating sounds.

Poetry and music have a natural connection.

There are many excellent works describing music in Tang poetry. Fang Funan of the Qing Dynasty compared Bai Juyi's "Pipa Xing", Han Yu's "Listening to Master Ying Playing the Qin" and Li He's "Li Ping Kong Hou Yin" in his "Annotations to Li Changji's Collected Poems", and praised them as "all imitating sounds to text", and Said: Bai poetry is enough to "move people", Han poetry is enough to "amazing", and Li poetry is enough to "cry ghosts".

Indeed, although these three poems are all composed of music, they have different objects and different expression techniques, so the artistic effects they bring are also unique. Bai Juyi's poem is about Pipa.

The pipa is originally called "pipa" and is a plucked string instrument. It was continuously improved during the Qin and Han Dynasties, reached its peak during the Sui and Tang Dynasties, and gradually formed its current form since the Tang and Song Dynasties.

Bai Juyi's poem is a long narrative poem, with 88 sentences and 616 words. It was written in the eleventh year of Yuanhe, when the author was demoted to Sima of Jiangzhou (now Jiujiang, Jiangxi).

In the poem, he listened to a famous singer from the past playing the pipa, told about his life experience, and lamented his decline. The song is pitiful and touching, so as to express one's frustration at being relegated to politics.

The whole poem has a tight structure and harmonious syllables, and one section of the pipa is particularly vivid. The poem goes: "The big strings are noisy like the pelting rain, and the small strings are like whispers.

The noisy strings are mixed with bullets, and the big and small beads fall on the jade plate. The orioles in the Guan Guan are talking at the bottom of the flower, and the spring water is flowing in the throat. It's difficult to get down.

The ice spring is cold and the strings are condensed, and the sound is gradually stopped. There is no sadness and sorrow. At this time, silence is better than sound. "

Here is a copy of the pipa. , draws on the rendering techniques of Chinese painting. The so-called rendering means to describe, describe or highlight the environment, scenery or characters' behavior and psychology in many aspects to highlight the image and enhance the artistic effect. Bai Juyi's poem not only uses the two overlapping words "chao cao" and "qieqie" to imitate the sound, and strongly exaggerates the playing of big strings and small strings, but also uses the two metaphors "like pelting rain" and "like whispers" Visualize it.

Originally, "mixed bombs" already highlighted the interlacing of two melodies, and then "big beads and small beads falling on jade plates" were used as an interesting comparison of the music to make the visual image and auditory sense of the music The images are revealed at the same time, which is really dizzying and dazzling. How vivid and intense the musical atmosphere is! Especially with the change of melody, when the poet writes from "Jianguan" and "Ningjue" to "The sound gradually stops", he also depicts a musical realm with lingering sounds and endless meaning, making readers feel like they are hearing the sound. , as if you are on the scene, thus achieving the artistic effects of "sorrow and hatred" and "silence is better than sound". No wonder that as early as the author's lifetime, "a boy could interpret the song "Everlasting Sorrow", and Hu'er could sing "Pipa"." Fang Funan's so-called "transferring people" is actually "empathizing".

Han Yu’s poems are about the piano. For plucked string instruments.

The qin is also called "lyre" and commonly known as "guqin". It has been around since the Zhou Dynasty, and the emblems on the surface of the piano that mark the overtone positions and phonemes were finalized in the Han Dynasty.

After the Wei and Jin Dynasties, it was roughly the same as now. There are seven strings stretched out on the surface of the piano. When playing, the right hand strums the strings and the left hand presses the strings. There are techniques such as chanting, 猱, Chuo, and notes.

The sound range is wide and the timbre is rich in changes. During the Han, Wei and Six Dynasties, it was one of the instruments used to accompany Xianghe songs. It was also used as an accompaniment in the Nine and Ten Music Departments of the Sui and Tang Dynasties.

Han Yu's poem describes Master Ying playing the piano. The poem is divided into two parts. The first ten sentences describe the sound from the front, and the last eight sentences describe his own feelings and reactions when listening to the piano. Especially in the first ten sentences, there is no mention of the person playing the piano at the beginning, nor the time and place of playing the piano. Instead, they closely follow the word "listen" in the title, which immediately introduces the reader to a wonderful musical realm. .

The poem goes: "The affectionate words of children and daughters, the grievances and grievances are between you. Suddenly it becomes grand, and the warriors go to the enemy's field.

The floating clouds and catkins have no roots, and the sky and the earth are vast and far away. A flock of birds chirped, and suddenly a solitary phoenix was seen.

He couldn't reach the top, and he lost his strength. "One of the expression techniques used to imitate the sound of the piano here is synaesthesia.

"Synesthesia" is explained theoretically, which is called sensory transfer, that is, vision, hearing, smell, taste, and touch can communicate or communicate with each other, and sometimes use each other. In real life, many common customary languages ????describing synaesthesia often appear, such as "loud", "calm", "Tingyue Tower", "Guanyin Temple", etc. Smart poets just break through the feelings of ordinary experience and have I have a deeper understanding and summarized and refined some novel verses, just on purpose.

For example, in the famous line of Song Qi's "Spring in the Jade House", "The red apricot branches are noisy in the spring", the word "noisy" is full of poetic meaning, that is, the silent gestures of things are described as sound fluctuations, as if in the vision. Gained hearing experience. Poems written to music in the past dynasties are particularly outstanding in this aspect.

This is the case with Han Yu's poem and Wu Rong's "Li Zhou Plays the Zheng Song". In Han Yu's poems, the sound of the piano may represent the affection between children, or it may be compared to warriors marching to the enemy's battlefield, floating clouds and catkins flying, or it may be compared to hundreds of birds dancing or a solitary phoenix climbing down.

The writing is unique, the sound type transforms hearing into vision, and then into movement, making it seem that people can touch and feel it. As the sound of the piano reaches my ears, the poetry progresses layer by layer, and the emotions gradually sublimate.

It depicts both sound and emotion, thereby vividly and happily expressing the realm that the sound of the piano wants to express and the sustenance in the poet's heart. This poem is an example of successful use of synesthesia.

What Fang Funan calls "amazing" is actually touching. Li He's poems are about the harp.

The harp is "Konghou" and "Kanhou". It is also an ancient plucked string instrument.

Li He's poem is about vertical harps. The so-called "twenty-three strings" in the poem are "twenty-three strings". Li Ping was a famous female artist who played the harp in the Tang Dynasty.

Her net worth seems to be far higher than that of Li Guinian, a famous singer during the Tang Dynasty. His superb skills were also appreciated by poets.

As for "Honghou Yin", it is one of Yuefu's "Xianghe Six Yin". Li He's complete poem says: "Wu Si Shu Tong blooms high in autumn, and the empty mountain is condensed with clouds.

The river moth crows and the bamboo female is sad, Li Ping plays the Chinese harp. The phoenix of Kunshan's broken jade screams, the hibiscus weeps and the dew fragrant orchid smiles .

The cold light melts in front of the twelve gates, and the twenty-three threads move the purple emperor. The fish dances on the waves and the thin dragon dances. Wu Zhi sleeps and leans on the osmanthus tree, and the wet cold rabbit flies sideways with his bare feet."

Li He only has fourteen short poems, and he plays the konghou to induce music. The beauty of the sound and the influence of the music are described so concretely and vividly. In short, from the middle of the country to the heaven, to the fairy mountains, the mountains and rivers, the spiritual creatures, the emperors and gods, all were fascinated and intoxicated by it.

The harp is copied here, and the rhetorical figure adopted is imitation. The so-called imitation, that is, imitating the situation or sound of things, is an important means of using image thinking in literature.

This is especially true of poetry. Five of Li He's poems.

3. Ancient poems about talents

There is such a description in Luo Shen Fu:

Red lips are bright on the outside, white teeth are fresh on the inside, bright eyes are good at gazing, and the dimples assist the power. Gorgeous and elegant. , quiet and leisurely.

There are also words that describe the connotation of women:

Wanqiu Shuyuan. Unparalleled beauty and art. Double crown of talent and beauty. Womanly grace.

Shu Yi Leihua, both in color and art. Quiet and virtuous. Passionate and sentimental.

Naturally beautiful, with a graceful appearance and a delicate heart. A blue heart and a charming heart.

A lady's talent. Extremely gentle. Gentle and submissive. Gentle and subtle.

Quiet and dignified. Beautiful and wise. The jade girl plays the flute.

Relaxing while leaning on the railing and walking on the path.

Lan She has a wise heart and a slender finger playing chess.

Her attitude is profound and her meaning is far-reaching and true.

The so-called beauty is on the side of the water.

The statue of bones should be in a unique outfit. Picture.

The only beauty who can convince people of all directions is not the prince with this eyebrow.

It is the golden willow, the fragrant orchid and the tea before the rain.

Sitting quietly at the small window, I am alone and sentimental.

I wonder if there is anything you need, 4. Ancient poems about music

Listening to Master Ying Playing the Piano" Tang Dynasty Han Yu's affectionate words to his son and daughter, and the exchange of grudges and grudges You.

Suddenly the situation became tense and the warriors went to the enemy's field. Floating clouds and catkins have no roots, and the sky and the earth are vast and far away.

A flock of birds chirped noisily, and suddenly a lone phoenix was seen. If you climb too high, you can't get any higher, if you lose ground, your strength will plummet.

I have two ears to complain, but I have no idea how to listen to the silk bamboo. After hearing Master Ying's playing, he got up and sat aside.

Pushing the hand to stop suddenly, wet clothes and tears. You are sincere and capable, but you can't put ice and charcoal in my intestines.

Translation: Just like a pair of affectionate children talking softly, two pretty friends gather together to secretly narrate a sad song. Who is singing and shouting loudly, with flags spread like the wind, and there are warriors who are like electric horses, wielding long swords to kill the enemy and capture the king.

It turns into floating clouds and willow catkins without roots and roots, but the vast sky is round and the road is confusing. The chirping, chirping, chirping is clearly the feathery light rolling over the waves in the haze, and the shadowy figures standing on the trees are hundreds of phoenixes and phoenixes. 5. Idioms, verses and famous quotes about music

Extraordinary: Ordinary music. To describe something extraordinary and outstanding.

Playing string instruments, singing and dancing. Generally refers to music and dance entertainment activities.

Gu Quzhoulang originally refers to Zhou Yu who is engaged in music. Later, it generally refers to people who are proficient in music and opera.

Huang Zhong Da Lu Huang Zhong: The first of the six Yang rhythms among the twelve rhythms of ancient Chinese phonology. Da Lu: The fourth of the six Yin laws. Describing music or words as solemn, upright, sublime, and inappropriate.

Beat the knot to express appreciation. Festival: beat; reward: appreciation. Describes appreciation for poetry, music, etc.

Juntian Guangle refers to the music in the sky, the music of celestial beings. Later, it was described as a beautiful and majestic piece of music.

Silk and Bamboo Orchestra Silk: refers to string instruments; bamboo: refers to wind instruments. A general term for musical instruments such as harps, flutes, and flutes. Also refers to music.

Five tones and six temperaments Five tones: refers to the five scales of Gong, Shang, Jiao, Zheng and Yu; Six temperaments: The standard for determining musical instruments. Refers to ancient music. Later it also refers to music in general.

The overtone originally refers to the lingering sound of music. A metaphor for illocutionary meaning, that is, the meaning that is indirectly revealed in the words rather than stated explicitly.

Rhythm refers to the ups and downs, pauses and turns of poetry or music, which are harmonious and rhythmic.