1. Very good famous quotes about calligraphy
1. Jiang Shiquan
Banqiao’s calligraphy is like writing orchid, with waves and ancient shapes.
Writing orchids on Banqiao are like writing, and the beautiful leaves and sparse flowers show their beauty.
Ancient poems praising calligraphy
2. Zheng Banqiao
Every day I sit in the pond and study ink, but never use chalk to compete for beauty.
You must know that painting is the same as calligraphy, and orchids and bamboos are like grass.
3. Huang Tingjian
People in the world only learn from Lan Ting's appearance, but there is no golden elixir if they want to change their character.
Unexpectedly, Yang Fengzi from Luoyang went to Wusilan when he started writing.
4. Wang Wenzhi's "Quequatu on Calligraphy"
There are many writers and graves in Mochi, and it is not easy to understand the Zen of calligraphy.
After carefully reading Sun Gong’s book, we found out that Qu was from the past. 2. What are some good sentences about "love to write calligraphy"
Good sentences about "love to write calligraphy" are as follows: With one stroke, you will see it as if a horse has escaped from the reins and soars into the sky and then flies away; Another example is that a dragon flies around in the sky, coming from nothingness and returning to the void again. This almost crazy impulse of primitive vitality contains the aura of heaven and earth.
Calligraphy incorporates the perseverance, courage and enterprising spirit of Confucianism, as well as the emptiness, detachment and tranquility of Laozi and Zhuangzi. It often uses a kind of change that does not seek richness and omits the worldly world in the writing. It means being flashy in order to seek the true meaning of space. With a few scribbles, a picture of a flying dragon appears on the paper.
The dragons he painted are lifelike, majestic and varied. When Chen Rong painted a dragon, he often did not paint the entire dragon, but painted the head or claws of the dragon, which flickered in and out, as if hearing its sound or seeing its shape. He also splashed ink to form clouds and sprayed water to form mist. It was so magical that people called it " Suo Wenglong" (Chen Rong's nickname is Suo Weng).
The fonts are interlaced, large and small, opening and closing, and the line thickness changes obviously, with ups and downs. The last line is crooked, so crooked that it almost falls over, but this tilt is not rigid, but more free, reflecting his willful side and his own style.
Chen Rong takes a dangerous position, and the shape of his knots may be leaning or upright, heavy or light, with the beauty of "coming like thunder and gathering wrath". He writes quickly, uses the pen powerfully and exerts heavy force.
He is domineering and unfettered at all, even writing the whole line in one stroke, like a god, coming and going without a trace. The majestic brushstrokes and unintentional gestures are due to the forgetfulness of the palm and the palm, giving it the most vitality-infused characteristics.
The ancient ink is lightly rubbed with a few fragrances, and the new inkstone bath shines brightly, either vigorously or gracefully, or like a graceful beauty, or like a vigorous and brave warrior, or like the spring breeze blowing in the face of flowers, Or like the north wind entering the pass, deep and cold. Luan Piao Feng Bo: Luan: a legendary bird like the Phoenix.
Originally, calligraphy was described as free and unrestrained. It is also a metaphor for the separation of husband and wife of advanced students.
Dragon flying and phoenix dancing: Like a flying dragon, flying like a phoenix. The original description is unrestrained and majestic.
Nowadays, calligraphy is mostly described as lively, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art. The sword was drawn: the sword was drawn from its sheath, and the bow was drawn.
Describes a situation that is tense and about to explode. Later, it was also used as a metaphor for calligraphy to be vigorous and powerful.
First written about Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old times, when commenting on calligraphy, there was an idiom: "The first time I wrote Huang Ting, it was just right."
Later used to describe doing things just right. Wang Xizhi has profound attainments in real calligraphy, cursive calligraphy, and all kinds of calligraphy.
His real calligraphy has a clever and dense shape, opening up a new realm; his grass is long, thick and slender; his running script is charming and vigorous. People call his calligraphy "floating like floating clouds, as powerful as a frightening dragon"; "dragon leaps over the sky gate, tiger lies in the Phoenix Pavilion".
scribbling: letter: letting things happen, casually; scribbling: writing casually; graffiti: a metaphor for writing poorly and scribbling carelessly. Later, "graffiti" or "graffiti" were used to describe poor calligraphy or random writing.
There are also people who claim to be doing graffiti to show their modesty. Xinbi graffiti: Xinbi: write casually.
Graffiti: The metaphor is poorly written and scribbled carelessly. Later, "graffiti" and "graffiti" were used to describe poor calligraphy or random writing.
Although the presentation has the style of the father, it is not a novelty. Looking at the style of his calligraphy, he is as sparse and thin as a dead tree in the middle of winter; looking at his handwriting, he is as restrained as a hungry official in the Yan family.
The ancient ink is lightly rubbed with a few fragrances, and the new inkstone bath shines brightly, either vigorously or gracefully, or like a graceful beauty, or like a vigorous and brave warrior, or like the spring breeze blowing in the face of flowers, Or like the north wind entering the pass, deep and cold. 3. Express your love for calligraphy. Sentences
Tuibi Tomb
Yonggong lived in Yongxin Temple, Wuxing. He studied calligraphy for many years and later had ten urns with bald pen tips. Each urn All count stones. People come to look for books and ask for quotations, just like the market. The house where he lived had to dig holes for it and wrap it with iron leaves. People call it the "iron threshold". Later, he took the tip of the pen and smashed it, which was named "Tuibi Tomb".
--Excerpted from Zhang Huaiguan's "Book Breaks"
Jin Weiheng's "Four-body Calligraphy" says: "Hongnong Zhang Boying, therefore, refined his skills and became the clothes of ordinary families. Silk must be written first and then practiced. When learning calligraphy near the pond, the water in the pond will be exhausted. This is where the meaning of "linchi" comes from.
Song Zenggong's "Mochi Ji" records that Wang Xizhi also has the ruins of Mochi in the east of Linchuan (now part of Jiangxi). Liu Mengde of the Tang Dynasty wrote a poem titled "Gifts for Chickens": "Every day I go to the pond to raise chicks, and I also want to write about meeting the official slaves."
"Xuanhe Shupu" records: "Ouyang Xun saw the Jingbei , I didn’t ask when I first passed by, but Xu Shi got it, and I couldn’t bear to go while lying under the monument. "Fashion Garden" also says: "At first I spit on it and left, but then I watched and played with it endlessly, so I laid down on a felt under it and left in three days." "Fu Shan also said when he was dying, everything can be let go, but the love for the pen and inkstone is hard to let go. What Li Fangying said before his death was even more of a masterpiece. He shook his right hand and said: "Nothing is worth pitying. , it’s just a pity that this hand is missing. ”
Li Shimin, Emperor Taizong of the Tang Dynasty, was considered a wise king of his generation. He fought in the south and north, fought from birth to death, and had seen everything. But before he died, he no longer wanted his beautiful wife, concubines, or gold, silver, and money. But Wang Xizhi couldn't let go of "Lanting Preface" and wanted to bury it together. He called his son Li Zhi to the bed and said, "I want to ask for something from you." You are sincere and filial, how can you go against my heart? What do you think? "(He Yanzhi's "Orchid Pavilion")
Cai You, a minister of the Northern Song Dynasty, once got a piece of calligraphy by Wang Yan of the Eastern Jin Dynasty. He was so happy that he invited Mi Fu to go on a boat to appreciate it. After seeing it, Mi Fu liked it very much, so he Cai You was so frightened that he jumped into the river with the copybook in his arms and asked, "What are you doing?" Mi Fu lamented: "I have collected so many in my life, but without this copybook, I would rather die!" "
Writing is Yu Youren's living habit, and it will be very uncomfortable once he leaves. 4. What are the modern poems that describe "calligraphy"
1. "Calligraphy"
Author: Xinyi
I really hope:
In the journey of leaving, dotting, crossing and pressing,
There will always be a clear path Streams, like beside twisted silk
Accompany you... when the honey at night is slowly exhausted
The birdsong is flying white,
On the clean rice paper , quietly fell into the formation.
The energy was sinking in the Dantian, and the wrists were hanging elegantly.
The thick ink pressed over, locking the daytime on the paper.
Three points into the wood. The dashing swordsman, clinging to the glimmer of light on the snowy field:
Walking on tiptoe, using the rotating blade.
Carrying the stamens in running script,
Peeping at the wild ballet: sudden awakening
On the thousand-year-old birthday paper, the clear black and white
Verse: Hold it. Breathe,
Be silent.
2. "Chinese Calligraphy"
Author: Feng Jie
The world's best running script "Lanting Preface"
Xiaoxiaopu In the late spring of the ninth year of Yonghe
Yang Hua was already late and was around Lanting
Walking around several seal seals
Everyone was drunk
p>
3. "Splashing Ink and Wild Grass"
Author: Xu Wei
The snow on the mountain valley was so cold that year
Every word is appreciated Arthritis
Wearing raincoats when looking for long cursive books
Holding the stove under the snowy window, I can’t stop breathing
Snow in China in the age without candles It's so big
You can't even push the window open with your hands
So many pearls in the mud are like grapes everywhere
Everyone has frostbite
< p> Wounds that cannot be healed open in the wind4. "Killing Fish"
Author: Love
He raised the knife and I raised the pen
I waved my hair
He killed the fish
and saw blood
It flowed from the ancient inscriptions
and smelled fishy The smell
is just like the filthy smell of people in the Eastern Jin Dynasty
He strikes again
I strike again
The sword cuts to the bone
The pens are like blades
When the smooth abdominal muscles of the fish burst on the chopping board
A bright moon
From the rice paper that I tore apart Rising from the Cave
He said
Killing fish is not a tragedy
But I didn’t say it either
What does writing have to do with Bodhi< /p>
I write about Wang Xizhi’s anger
Yan Zhenqing’s anger
Huai Su’s madness
Liu Gongquan’s arrogance
Homicide Confucius' deviousness
Zhuang Zhou's illusion
Xiang Yu's foolishness
Li Bai's madness
I wrote that the five aggregates are all empty
p>
The thought of committing suicide
It is worth thinking about
But forgetting is still the best policy
His fish has been killed
I have finished writing my words
Let’s go back to our rooms
Slowly
What should I do if there are still two seals missing in the lower left corner
He smoothly
grabbed two fish eyes and pressed them
5. "Calligraphy"
Author: Carpenter Lao Zhang
< p> He doesn’t like clever words, and his laughter is silentShan eats lightly and occasionally drinks a few drinks
It seems that his four friends
pen, Paper, ink, and inkstone
He and he are all weak and weak
When spitting juice, they all hold their breath
Bird, sitting as a bystander On the windowsill
The mountains and waters keep their duties, the book boy
I heard the echo from the empty valley
It also smells of weeds
p>
There are a few shadows trying to emerge from the rice paper
Play chess with me
——Which ancestor is it?
Huang Tingjian, Or Liu Gongquan?
Reference materials
China Poetry Network: /sg/xds/ 5. What are the poems suitable for the "Calligraphy Competition"
1. The spring is silent and cherishes the trickle. , the shade of the tree shines on the water, the love is clear and soft. The little lotus has just revealed its sharp corners, and a clear fly has already stood on it.
Source: "Little Pond" - [Song Dynasty] Yang Wanli
2. Birds in thousands of mountains have disappeared, and all traces of people have disappeared. A man with a coir raincoat in a lone boat, fishing alone in the cold snow.
Source: "Jiang Xue" - [Tang Dynasty] Liu Zongyuan
3. Sleeping in spring without waking up to dawn, you can hear the singing of birds everywhere. The sound of wind and rain comes at night, and you know how many flowers have fallen.
Source: "Spring Dawn" - [Tang Dynasty] Meng Haoran
4. Moving the boat to Yanzhu, the guests are worried about the new arrival at dusk. The trees are low in the wild sky, and the clear moon on the river is close to people.
Source: "Su Jian Dejiang" - [Tang Dynasty] Meng Haoran
5. The chilling cicadas are sad, it is late in the pavilion, and the showers have begun to stop. There is no trace of drinking in the tent of the capital, and the place of nostalgia is the orchid boat. Holding hands and looking into tearful eyes, they were speechless and choked. Thoughts go thousands of miles away, the sky is vast and the mist is heavy at dusk. Since ancient times, sentimental feelings have been saddened by farewell, and even more embarrassing and neglected Qingqiu Festival! Where will you wake up tonight? On the bank of willows, the dawn wind wanes and the moon falls. After so many years, it should be a good time and good scenery. Even if there are thousands of customs, who can tell them?
Source: "Yulin Ling" - [Song Dynasty] Liu Yong 6. Poems praising calligraphy
1. Jiang Shiquan's Banqiao calligraphy is like writing orchid, with strange ancient shapes. elegant.
Writing orchids in Banqiao are like writing, and the beautiful leaves and sparse flowers show their beauty. 2. Zheng Banqiao went to the pond every day to study ink, but he never used chalk to compete for beauty.
You must know that painting is the same as calligraphy, and orchids and bamboos are like grass. 3. Huang Tingjian is a person who only learns the appearance of Lan Tingjian, but if he wants to change his character, there is no golden elixir.
Unexpectedly, Yang Fengzi from Luoyang went to Wusilan when he started writing. 4. Wang Wenzhi's "On Calligraphy Quatrains" has many ink ponds, pens and graves, and it is not easy to understand the Zen of calligraphy.
After carefully reading Sun Gong’s book, we found out that Qu was from the past. 5. Sleeping in a restaurant in Chang'an City in Du Fu's "Song of the Eight Immortals while Drinking".
The emperor couldn't get on the ship, so he claimed that he was a wine-drinking immortal. Zhang Xu takes off his hat and tops his head in front of the prince, swiping paper like clouds of smoke.
Jiao Sui fought five battles with Fang Zhuoran, and his eloquent talk shocked the four feasts. 6. Li Xin's "Gift to Zhang Jiuxu after Drunk" Zhang Gong is addicted to alcohol, open-minded and has no plans.
Hao Shouqiongcaoli was called Taihu Jing at that time. Standing on the bed with the top exposed, he screamed two or three times.
When you are happy, sprinkle it on the plain wall, and the hair will be like a shooting star. 7. Li Huan's "Gift to the Lingling Monk" Twenty years after Zhang Dian's death, it was said that the sage of Yancao had no one to pass on.
Lingling Sramana followed, and the new book has text as big as a bucket. When he is in a mood, he writes like a whirlwind, and when he is drunk, his enthusiasm becomes even more fierce.
Suddenly Fei Min danced with two swords, and seven stars scattered around the dragon. Another example is Wu Sheng's paintings of ghosts and gods, which frighten oneself.
The hooks and locks are connected and the momentum is endless, and the stubborn and poisonous snakes are fighting for submission. 8. Li Bai's "Songs in Cursive Script to Huai Su" After getting drunk, my master leaned on the rope bed and scanned thousands of lines in a moment.
The wind and rain are blowing, and the falling flowers and flying snow are endless. He stood up and faced the wall without stopping, a line of numbers as big as a bucket.
It’s like hearing a demon and being frightened by thunder, seeing only dragons and snakes running away from time to time. 9. Han Xie's "Screen with Inscription Huai Su in Cursive Script" is on a screen where there is a clear trace of Huai Su.
Although it is dusty and stained, the ink stains are particularly thick. Strange rocks rush into the autumn stream, and ancient pines hang on cold vines.
If you were taught to take photos near the water, every word would be like a dragon. 10. In Wang Menglou's "Kuaixuetang Postscript", I once heard that the whale was caught in the blue sea, and that the divine power was limited and the luck was too weak.
The three tripods of asking Qi, ancient and modern, are Du Shi, Han Bi and Yan Shu. 11. In Dou Ji's "Master Huaisu's Cursive Script Song", the crazy monk plays wildly and freely, letting heaven alone destroy the rhythm.
Dragons and tigers are gradually born due to pointillism, but thunder avoids sharp edges. Isn't the Yu Jian silk expensive? It's just too cramped for children's play.
There are dozens of pink-walled corridors, so you don’t have to be open-minded when you are happy. The elders and the younger gather together, and the virtuous and powerful arrive. They are still half-drunk while borrowing koji from their pillows.
Suddenly there were three or five screams, and the paper was filled with tens of millions of words. 12. Fu Shan's "Lun Shu" did not study Lu Gong's writings, but first studied Lu Gong's exegesis.
Pingyuan Qi is in the chest, and Mao Yingzhi swallows the captives. 7. Ancient poems related to calligraphy
1. Xinglai’s calligraphy is from the Holy Spirit, and his drunken words are especially brilliant.
——Tang Dynasty: Gao Shi's "Gift to Zhang Jiuxu after Drunk" Translation: Calligraphy comes naturally when you are in a mood, and your language is especially bold and crazy when you are drunk. 2. When the Eight Diagrams of Hetu came out, it was the beginning of Jiuchou in Luofan.
——Tang Dynasty: Li Qiao's "Book" Translation: Calligraphy is the initial source of Chinese culture, and the existence of the Luo River led to the emergence of "Luo Shu". 3. The young master's name is Huai Su, and his cursive script is known as Du Bu in the world.
——Tang Dynasty: Li Bai's "Cursive Script Song" Translation: Little boy, little monk, named Huai Su. Your cursive calligraphy has a completely different style and is unique in the world.
4. The Danding is first mixed with mica chips, and the barbarian paper is first written about the God of Luochuan. Youjun calligraphy is the predecessor.
——Qing Dynasty: Xu Yi's "Huanxi Shashou Yunjian's clan is fifty years old, and his clan is the great-grandson of Xiangguo. He joined the army when he was young and worked part-time as a calligrapher." Interpretation: The cauldron used for alchemy did not mix out the mica debris. Once, the God of Luochuan was written on Korean paper. The calligraphy of Wang Xizhi, the general of the Right Army, is the predecessor.
5. Which calligraphy was most prosperous in the previous dynasties, Su Huang Mi Cai was the most prosperous. It is difficult to discuss the laws of the Jin and Wei dynasties, but the atmosphere can be compared with that of Ou and Yu.
——Yuan Dynasty: Tang Gong's "Song of the Eight Immortals inscribed on Wang Yi's Old Book Drinking in Drinks" Interpretation: Who was the greatest calligrapher in the previous dynasties? Su Shi, Huang Tingjian, Mi Fu, and Cai Jing were able to have an upright attitude and conduct. It is difficult to discuss law in the Jin and Wei dynasties, but the weather can be discussed with Ou and Yudu. 8. Poems, famous sayings, and prose that can reflect the style of calligraphy
Zhang Xu's biography of the Three Cup Grass, taking off his hat and uncovering his head in front of the prince, swiping paper like clouds of smoke.
★Wang Xizhi has profound attainments in real calligraphy, cursive and running calligraphy. His real calligraphy is clever and dense, opening up a new realm; his grass is long, thick and slender; his running script is charming and vigorous.
People call his calligraphy "floating like floating clouds, as powerful as a frightening dragon"; "dragon leaps over the sky gate, tiger lies in the Phoenix Pavilion". ★Three points into the wood ★Although the presentation has the style of the father, it is not a new ingenuity.
Looking at the style of his calligraphy, he is as sparse and thin as a dead tree in the middle of winter; looking at the traces of his writing, he is as restrained as a hungry official of the Yan family. ★Li Bai of the Tang Dynasty's "Cursive Script Song": "Every now and then I see dragons and snakes walking around, people turning left and right, frowning and shocked."
●Books originate from nature (Cai Yong, Han Dynasty) ●Silent sound, The Intangible Appearance (Zhang Huaijin of the Tang Dynasty) ●Studying books will lead to knowledge and learning can go a long way (Zhang Yanyuan of the Tang Dynasty) ●The mysterious meaning comes from the surface of things; the profound truth lies between the dark and the dark; it cannot be expressed by ordinary emotions , the wisdom of the world can be measured (Zhang Huaijin of the Tang Dynasty) ●It may be used to express the ambition of flying vertically and horizontally, or it may be used to relieve depression.
Even though it is noble, it cannot suppress its height; even though it is clever, it cannot match its power (Tang·Zhang Huaijin) ●Don’t write too hard, and don’t pass words carelessly ●Writing is like a picture of a dog, the more you draw it, the uglier it becomes ●Handwriting is afraid of practicing, and horses are afraid of riding ●Handwriting No Hundred Days of Kung Fu ● Boxing must be done, calligraphy must be practiced ● Calligraphy must have bones, muscles must be wrapped around the flesh, tendons must hide the flesh, and the post must be beautiful and moist (Mi Fu, Song Dynasty) ● One point is the rule of one word, and one word is the final chapter Accurate (Sun Guoting, Tang Dynasty) ●The pen is bald with thousands of tubes, and the ink is polished thousands of times (Su Shi, Song Dynasty) ●The pen is drawn hard, like a swan flying high, and the hair is graceful (Wei Heng, Jin Dynasty) ●As graceful as a silver hook, the source is Ruo Jingluan (Jin·Suo Jing) ●Floating like floating clouds, as powerful as a startled dragon (Book of Jin) ●Dragon leaping over the sky gate, tiger crouching in the Phoenix Pavilion (Southern and Northern Dynasties·Xiao Yan) ●Clouds and cranes roaming the sky, and a group of honghongs playing in the sea (Southern and Northern Dynasties· Xiao Yan) ●The dragon is powerful and the tiger is vibrating, and the sword is at war (Southern and Northern Dynasties·Yuan Ang) ●The physical appearance is extraordinary, different from the ancient times.
Falling pearls and jade, fluttering tassels (Tang Dynasty, Zhang Huaisheng) ●Like the breeze coming out of the sleeves, the bright moon entering the arms (Tang Dynasty, Li Sizhen) ●The dragon and snake in the pen seem to have gods (Tang Dynasty, Zhang Huaijin) ●The brush strokes are like clouds of smoke (Du Fu, Tang Dynasty) ●I always see dragons and snakes walking away (Li Bai, Tang Dynasty) ●If you teach by the waterside, every word may become a dragon (Han Wo, Tang Dynasty) Calligraphy status (1) Text/Yu Weihua Calligraphy is an enjoyable thing, since it is enjoyable , then it is not a person playing alone, or a group of people, at least two people, so that there is the pleasure and understanding of collision, otherwise it will be one person's obscenity, which will be a lot less interesting. Everyone who writes calligraphy needs to live, and the study room is just the best garden for his soul. He can think about how to grow vegetables here, but he cannot grow vegetables here.
Chinese characters are learned through practice, but calligraphy is not. Calligraphy is a Taoist practice acquired by calligraphers through study and understanding. It is a transcendent spiritual expression that penetrates deeply into life.
Therefore, the characters should be beautiful, but the calligraphy should be spiritual. Calligraphy needs to be injected, life injected, temperament injected, information exchange injected.
Calligraphy infused with these elements is flesh and blood, a standing living life. The words can be beautiful, but the writing method cannot be beautiful.
The writing method should be heavy. If it goes deeper, the words will change from being rigid and restrained, becoming thicker and more ancient. Often, calligraphers who study hard and practice hard can see that their works have a solid foundation and neat rules and regulations. They are like a manager sitting in the office. His work ability is demonstrated and he has an air of style, which is respected and respected.
The other type of calligrapher is a person who has just begun to develop his talent. He doesn’t practice calligraphy too much, but his character makes him have great fun, good at reading and understanding. When writing, he obviously doesn’t have great skills, but he is straightforward They are very similar to children in kindergarten. The beauty lies in their own self, authenticity, full of interest, closeness and joy. For some people, calligraphy is not calligraphy, but a tool or a prop.
Calligraphy circulates in their hands repeatedly and is given away to others, making them achieve some kind of wish. In this way, calligraphy, which is not calligraphy, stands on the high ground of life, shining brightly and snickering.
For some people, calligraphy is authentic and artistic. The better it is, the better it should be kept by their side. It should not be traded or given away, but is regarded as a treasure. Such a piece of calligraphy is very honest. Stay in your own small room, see no fireworks, and talk to yourself when you are lonely.
The state of calligraphy (2) Text/Yu Weihua In this world, there is no writing in any country that can hide the universe, determine the atmosphere, and be sublimated into a profound art of calligraphy like China's Xiangxing Chinese characters. Our ancestors used their wisdom to determine the ancient Chinese innovations, which are still unique in the world. But now some of us only export to foreign countries, including art. Why should we do that? Mi Fu's calligraphy captures the energy in the show, the artistic conception is deep, the madness in the clearness, and the tranquility in the madness.
Many people like his works in calligraphy or outside calligraphy. Both professionals and non-professionals have grabbed it. It seems that Mi Fu's calligraphy has a strong foundation among the people. Only if it is genuine can it be good. Once it is good, it will be so good that people will be fascinated by it.
Any calligrapher’s work has his shadow: the stability or instability of character, the superiority or inferiority of situation, the broadness or narrowness of communication, the richness or sparseness of knowledge, etc. Seeing works is like seeing people. If the calligrapher's temperament you glimpse from the works is roughly the same as the reality, you are good. On the contrary, you still have to practice.
The so-called spiritual connection is not something that comes naturally, it is something cultivated and acquired. At the wine table, people often say to me: "I'm already halfway down, but you haven't even moved."
This is indeed the case. When drinking liquor, I never like to drink it bit by bit. I don’t pay attention to the mellowness of the wine. In my eyes, I clink the glasses and drink it all in one gulp. In my heart, the mood of drinking suddenly blossomed.
Calligraphy creation is the same. Once you pick up the pen, don’t sharpen it slowly. After polishing, the words will be neat and the momentum will be gone. When learning calligraphy, you should treat calligraphy as a human being, or so I think.
On the surface, words are cold, but people are warm and enthusiastic. Because of the heat, people can stick together. When the body is close, the heart becomes closer. The heart is close to calligraphy, and calligraphy can be understood, and then reciprocate.
The state of calligraphy (3) Text/Yu Weihua Good cigarettes have a light flavor and are not choking when smoked; good tea has a light flavor and are not astringent to drink; good calligraphy actually has a light taste. Good calligraphy is written by people, as the old saying goes; "The quality of calligraphy is the quality of one's character", which is absolutely true.
The calligrapher is indifferent and does not seek to be famous. His books show that he is not flattering and does not seek to be famous. He is calm and relaxed, and the scenery of light clouds and high sky is vividly displayed on the paper. Book quality and character are of the same origin, right? Honest people lack shrewdness, so they don't get into trouble, which makes people uneasy; shrewd people are dishonest, but they get into trouble, but they are restless, which makes people uneasy.
These are common things in life, which make people very sad. What about calligraphy? There are also.