The layers of "Ruyi\'s Royal Love in the Palace" are simply finely crafted. Every little character appears in an eloquent way, and his heart changes gradually. The various palace fights are also subtle changes caused by everyone's different positions. At first glance, the whole story is unhurried, describing all kinds of small things in life, but every shot, every character is developing in a flowing way, and there is no shortage of a look and a small event.
The first two episodes of the service are said to be post-filming, but I think it is also understandable. In the early stage, the emperor and Ruyi were both outside the palace, so the dress was naturally a little more folk. There was no abrupt change when they first entered the palace, and later they were dressed according to the dress when they entered the customs at the beginning of the Qing Dynasty. Both the queen and the emperor are interested in imitating the clothes of their ancestors when they first entered the customs. When the series entered the 7-8 episode, the queen mother asked to change her dress and gradually became luxurious and expensive. I think there is nothing wrong with the gradual progress at this level.
Besides acting, there is no doubt that I have seen the Suzhou Creek of Xunge, Li Mi's conjecture, Balzac and the little tailor, as well as the TV series Red Sorghum, Orange Red and the painted skin of the movie. The inner activities and changes of the characters are really interpreted in place. Only a good actor who is really acting and trying to figure out with his heart will consider every detail. Even without lines, an expression should explain the inner activities of the characters. I believe Brother Xun has thought over every scene in private, and the intonation of the characters is also scrutinized repeatedly. Here lies the basic skills of lines. He is aggrieved, angry, desperate, calm and happy, and his tone of voice is different.
Besides, other actors, Wallace Huo's interpretation of the romantic love of the emperor is still in place, but his lines are read a little too fast, and his overall eyes and actions of the emperor are still remarkable. Among the concubines, Gao Xi Yue, played by nursery rhymes, is simple and reckless, yet cute, jealous and resentful, which accords with the image of a noble woman. Bai Ruiji is also very petty, saying that Jia Guiren's acting skills are good. I don't agree with this. I feel that my play is not very stable, and sometimes I work hard, but sometimes it is ok. I prefer Ada Choi, the queen of Zhen Huan's biography, whose eyes and tone are more calm when provoking. The scene where Hailan was punished in the snow was still very good, and the acting skills were in place. Later, the feeling of clear water lotus was also in line with the actor's appearance. Empress Foucha's acting skills are slightly worse and her expression is stiff.
The most brilliant thing for several maids is Lotus Heart. They smile with tears in their eyes, and the grievances are mixed with the complex heart of revenge. And later, after hearing the queen and Jia Guiren's talk about her control, the inner change began to look very good. Several other maids were not impressive, including Ayu, who was a little grandiose, but so annoying, and some of them achieved the purpose of performance.